Classical Art and the Cultures of Greece and Rome [Hardcover]

Chapter One The Culture of the Greek Workshop

Chapter Two Greek Art and the Culture of Conflict

Chapter Three Greek Art and the Culture of Competition

Chapter Four Hellenistic Art and the Culture of Character

Chapter Five Roman Art and the Culture of Memory

Chapter Six Rome and the Culture of Imagination

Chapter Seven The Culture of the Christian Church

According to Onians, "The power of Greek art over Rome, and then of Greek and Roman art over later generations, resided less in the multiplicity or complexity of that art than in its embodiment of a limited number of traits, traits such as the hardness, mathematical regularity, lifelikeness, uniformity, physical energy and emotional expressiveness of Greek art, or the memorability, monumentality, personality, material and formal richness, flexibility and simplicity of that of Rome." What Onians has accomplished is nothing less than a cohesive and comprehensive analysis of Classical art and of the cultures of ancient Greece and Rome.

Some (very few) books serve as a "magic carpet" which transports their reader to ancient experiences which would otherwise be inaccessible. This one of those books. Remarkably, without in any way compromising his scholarly standards, Onians functions as a congenial as well as knowledgeable companion. His seems to be an intimate as well as thoroughly familiar with everything and everyone he discusses.

For example, the physical environment of Greece determined the military strategy of the Greeks. The point is then made that their emphasis on their rectangular military formation ( the phalax? )led to the Greek interest in mathematics, and conversely that the ascent of Sparta is related to the migration of mathematicians to this region. This flows over into architecture, with the form of the temple actually being a representation of this formation.

The book reads well, especially when Onians discusses Roman culture beginning with the dilema that the Greeks prouded themselves on their minds and their classical completeness as men, and yet the Romans who had none of these qualities conquered them in about 40 years. He then discusses how the Romans, who although trying to emulate Greek culture, were only really culture tourists, and therefore their Greekness was only superficial.

His explanation for the decline of the Roman empire makes fascinating reading, and explains a lot about the success of Christianity. For each idea presented, Onians provides substantial evidence, and the reasoning follows a consistent logic. The skill of writing is evident form the fact that each topic is self-contained without references to other sections of the book.

My only criticism is that a shortage of commas does make some reading a bit difficult, however despite the academic nature and content of the book, it is very easy reading.