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Cold Comfort Farm
 
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Cold Comfort Farm

Eileen Atkins , Kate Beckinsale , John Schlesinger    PG (Parental Guidance Suggested)   DVD
4.4 out of 5 stars  See all reviews (49 customer reviews)
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This hilarious spoof on British costume dramas based on great literature stars Kate Beckinsale (Much Ado About Nothing) as a strong-willed, young woman named Miss Flora Poste, who finds herself orphaned and without means in the 1930s. Moving in with some half-savage relatives on a country farm, Flora is hardly daunted by their primitivism (as she might have been in a novel by Thomas Hardy) but instead takes charge and imposes hygiene, order, and good manners on the dirty, superstitious lot. John Schlesinger directs this brisk, infectious adaptation of the 1932 novel by Stella Gibbons. Beckinsale is wonderful, and the rest of the savvy, inspired cast perfectly send up a host of literary clichés. --Tom Keogh

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Customer Reviews

49 Reviews
5 star:
 (31)
4 star:
 (12)
3 star:
 (4)
2 star:    (0)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (49 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful
5.0 out of 5 stars An affectionate, funny film, April 19 2004
By 
Bruce F. Webster "geek in a suit" (Parker, CO USA) - See all my reviews
(REAL NAME)   
This review is from: Cold Comfort Farm (DVD)
I saw this film soon after its 1995 release and thought it wonderful, all the more so because Kate Beckinsale's interpretation of Flora Poste reminded me very much of my oldest daughter. So I was pleased to see that it has finally come out on DVD; I bought a copy, watched it again, and still think it wonderful.

You should be warned that you may have a hard time understanding what some of the inhabitants of Cold Comfort Farm are saying. However, that's intentional and straight from the novel, where the accents and strange word usages often leave Flora puzzled. Here's an exchange (from the novel) that I believe is reproduced pretty much verbatim in the movie, when Reuben comes in after working out in the fields not long after Flora has started living at Cold Comfort Farm:

========
...After another minute Reuben brought forth the following sentence:

'I ha' scranleted two hundred furrows come five o'clock down i' the bute.'

It was a difficult remark, Flora felt, to which to reply. Was it a complaint? If so, one might say, 'My dear, how too sickening for you!' But then, it might be a boast, in which case the correct reply would be, 'Attaboy!' or more simply, 'Come, that's capital.' Weakly she fell back on the comparativel safe remark:

'Did you?' in a bright interested voice.
========

Speaking of which, the original novel (written in 1932 by Stella Gibbons) is just as wonderful, and the film is a remarkably faithful adaptation, if (understandably) a bit trimmed and modified. I read the book for the first time after watching the DVD release of the movie and was delighted to see that most of the dialog comes straight from the book, including my favorite line (the interchange between Neck, the movie producer, and Aunt Ada), if a bit punched up.

Finally, for the reviewers who are frustrated that we never find out what Ada saw in the woodshed, what wrongs were done to Robert Poste by Amos Starkadder, and what Flora Poste's rights were...well, the novel leaves us pretty much in the dark as well. In the book, Aunt Ada _does_ answer the second question for Flora--though we as readers don't get to hear the answer--and Ada is interrupted before she can answer Flora's intriguing follow up question, "And did the goat die?"

The movie and the book are both delightful; enjoy. ..bruce..

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4.0 out of 5 stars She can't endure a mess, Feb 20 2012
By 
E. A Solinas "ea_solinas" (MD USA) - See all my reviews
(HALL OF FAME)    (TOP 10 REVIEWER)    (REAL NAME)   
This review is from: Cold Comfort Farm (DVD)
"Cold Comfort Farm," Stella Gibbons' hilarious literary satire, is brought to life in this polished TV adaptation. Faithful to its source but never stuffy, the adaptation is full of solid performances and entertaining subplots and romance, even if it is a bit slow at times.

Flora Poste (Kate Beckinsale) is suddenly orphaned with only 100 pounds a year -- a piddling amount of money in high-society London. She aspires to be the next Jane Austen, and has no skills besides writing. (And given the number of times we hear "golden orb," writing isn't too good either) So she agrees to go live at Cold Comfort Farm. The farm is well-named -- it's dirty, primitive, and broke.

The backwater inhabitants include sex-and-movies-obsessed Seth (Rufus Sewell), hellfire preacher Amos (Ian McKellen), his depressed wife Judith (Eileen Atkins), and the unhinged old Aunt Ada Doom (Sheila Burrell), who "saw something nasty in the woodshed." Not to mention Elfine (Maria Miles), a farm girl in love with a young blueblood. With practicality to spare, Flora sets up love matches, fixes up the family feuds, and tidies up the homestead.

Take some nineteenth century novel's most primitive farms, and plop a practical, thoroughly independent young woman in the middle of it. Add a few dark mysteries -- what are Flora's "rights?" What did Aunt Ada see? -- and you have "Cold Comfort Farm." Stella Gibbons had a subtle, wry sense of humor, and the movie adaptation keeps the spirit alive.

It's lots of fun to see Flora cleaning up house, both literally and figuratively. She keeps trying to arrange everyone's lives so, in the long run, they'll be happy -- while postponing what might make herself happy. The plot moves at a rather slow clip, sprinkled with fun scenes like Elfine's makeover, or Amos's frenetic sermon (complete with graphic descriptions of hell's torments). Not to mention the dozens of funny lines, like Amos's deadpan, "Seth, you drain the well -- there's a neighbor missing."

Kate Beckinsale does a wonderful job as the no-nonsence Flora Poste. She's backed up by good performances: Stephen Fry's obnoxiously overenthusiastic Mr. Mybug, an unwanted suitor of Flora's, and Joanna Lumley as Flora's best pal and bra collector. Ian McKellen is particularly good as a wild-haired hellfire preacher. And Eileen Atkins drifts around in a morbid, pop-eyed stupor as Judith Starkadder.

"Cold Comfort Farm" is jolly good fun, a warm-hearted satire with plenty of excellent acting. Good fun for anyone who likes to poke fun at costume dramas and gothic family secrets.
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3 of 3 people found the following review helpful
4.0 out of 5 stars "While I'm here, might I make a few changes?", April 1 2004
By 
Jennifer Litchfield (Auckland, New Zealand) - See all my reviews
This review is from: Cold Comfort Farm (VHS Tape)
Cold Comfort Farm is a jolly film that bounces along as merrily as its theme tune. It's a rollicking good comedy with a laugh-out-loud collection of Dickensian characters (the doom-stricken Starkadders, the rustic Adam Lambsbreath, and the upper crust Hawk-Monitors). Certainly the film is very over-the-top and silly, but it's light-hearted fun - a welcome alternative to the glut of psychological, heart-wrenching, blood-and-guts fare on the market.

The Starkadders live on the bleak acres of Cold Comfort Farm, where "the cows are barren and the sows are farren". Into this gloomy and eccentric setting comes young, 1930s-modern Flora Poste, who sets to winning the hearts and minds of Cold Comfort's inhabitants, and dragging the Starkadders into the twentieth century. Along the way she manages to rearrange and enliven her own life too.

Kate Beckinsale (prior to her arrival on the scene of big-budget American flicks) is a likeable and chirpy young lady with a talent for organisation. In the supporting roles, Joanna Lumley is delightfully sarcastic as Flora's incongruously named aunt, Mary Smiling, who has a rather unusual hobby. And Ian McKellen is a real scene-stealer as the fire-and-brimstone preacher of the Church of the Quivering Brethren.

The plot revolves around Great Aunt Ada Doom and the 'narsty' thing she saw in the woodshed nigh on 70 years ago. There is also the mysterious wrong perpetrated on Flora's father by the Starkadders sometime in the dim and misty past. So it is a tad frustrating that the audience is never let in on either of these secrets! But these are minor quibbles in what is otherwise an excellent comedic romp, with some interesting and atmospheric cinematography. A very good (and very British) laugh.

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