Cold Eye Hardcover – Jan 25 1990
Customers Who Viewed This Item Also Viewed
No Kindle device required. Download one of the Free Kindle apps to start reading Kindle books on your smartphone, tablet, and computer.
To get the free app, enter your e-mail address or mobile phone number.
From Publishers Weekly
A grotesque stranger helps a down-and-out Manhattan artist win fame and fortune in this vivid, harrowing interpretation of the Faust legend. Nicholas Hood likes to paint imaginary murder scenes. His paintings fail to inspire, a browsing detective tells him, because Hood has obviously never witnessed a real murder. Enter Andre Bellisle, an exquisitely accoutred, pockmarked dwarf who helpfully directs Hood to places where deaths occur. As Bellisle predicts, Hood's paintings of these deaths take New York by storm. Of course there's a price to be paid for Bellisle's information--but not the traditional one. To learn what that is, the reader is swept along on a superbly rendered descent into modern-day hell. Blunt is a TV writer whose literary debut is sensational. Paperback rights to Avon.
Copyright 1989 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Top Customer Reviews
Most Helpful Customer Reviews on Amazon.com (beta)
Nicholas Hood's chosen theme for his paintings is violent death. While his work is much admired for its technical skill, it lacks heart/insight/passion. So, in fact, does the artist who is married to an impossibly sweet and lovely musician (harpsichord). Everyone in the book is far too tolerant of this unpleasant man who becomes ever more unpleasant exponentially once he's made his "deal with the devil."
The writing is fine; the subject matter is merely unpleasant and not particularly revealing. Although the one truly inspired aspect is that as Hood becomes exposed to more and more violent murders, courtesy of Bellisle (the "devil" of this tale), Bellisle becomes, to Hood's eyes, more and more handsome. This is a very well conceived corollary: that the more attractive something becomes to a person, the more attractive becomes the purveyor or facilitator of that particular something.
Otherwise, while all the secondary characters are well-drawn and sympathetic and, no doubt, the author intended us to dislike Nicholas Hood, unfortunately he's so dislikable that it makes for difficult reading. This makes Blunt's progress as a writer notable, because Forty Words for Sorrow is one of the best books I've read in a long while. Cold Eye is worth reading for its value in tracking the growth of the writer. And I expect some horror fans might find it very entertaining.