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1 of 1 people found the following review helpful
5.0 out of 5 stars
A PERFECT READING, Dec 22 2003
One would be hard pressed to think of any words of praise that have not already been heaped upon Charles Frazier's Civil War masterpiece "Cold Mountain." Winner of the National Book Award, it has been called "Magnificent," "Impressive and enthralling," "Magnetic." These views were shared by millions of readers who bought the book and eagerly shared it with friends. Fortunately, my task is not to amplify the accolades that "Cold Mountain" has already received but to focus on the unabridged audio version read by the author. Many have called Mr. Frazier a born storyteller, that appellation proves true in his sometimes intense, always understanding reading. Born in Asheville, North Carolina, he brings appropriate voice to the saga of Inman, a wounded Confederate soldier who leaves his regiment to begin a trek home to Ada, the woman he loves, and a farm on Cold Mountain. Set against a backdrop of the last days of the Civil War and the changes that will bring much drama is found in the people Inman meets along the way and in his relationship to the ravaged land he encounters. The recent release of "Cold Mountain" as a major motion picture starring Jude Law, Nicole Kidman, and Renee Zellweger will undoubtedly win this popular novel countless new fans. Yet a very special pleasure is to be found in listening to the story read by its author. Mr. Frazier has said in an interview that Inman is based upon his great great uncle and his great grandfather, both of whom were soldiers in the Civil War. In effect, this is a family story beautifully imagined and related. Charles Frazier is the one man who could write it; he is the one man to give it voice. - Gail Cooke
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1 of 2 people found the following review helpful
2.0 out of 5 stars
A Bit Muddled, May 1 2004
The author states that he is "copying" Homer's "Odessey." Okay, now that we have determined that the author is humble and does not have any pretensions we can get down to reviewing this muddled mess. I hate to complain (no I don't, but that is the fine print), but I would appreciate some realims in a supposedly realistic novel of the American Civil War. I also want to skip over the "must have" items in any contemporary American novel that all editors insist on having. What I am talking about are the "sensitive, handsome and heroic male protagonist," the "strong, independent woman he yearns for against convention," and the "horribly evil 'entity' whose name must not be spoken." Frazier also did not forget the must-have "imps" (this time an albino) who help him in all his evil deeds. Now that I have dispensed with the card-board cutouts, I'll take a swing at the "history" (quotation mark alert). Here is just one ridiculous history lesson. On page 68, for instance, Inman is shot at by a Whitworth sniper rifle. These rifles were the undisputed favorites of Confederate snipers. They were imported from England in small numbers, and had a killing range of 1,500 yards. The twisting hexagonal bore was what gave this .45 calibre rifle its accuracy. The problem is that this unique rifle shot a very unique and expensive bullet, meaning no sniper would waste a shot like that--not to mention missing Inman by a mile. This is simply not believable, but makes for sexy reading, impressing the New York editors who don't know jack. Having a yahoo shoot from the river bank ain't enough. My other complaint about "history" is the fact that all Civil War heroes must have fought at Gettysburg, Fredericksburg, Antietam (okay, Sharpsburg), The Crater, etc. But, hey, why not have this super-hero fight at all of the above? Better than that, put him in the middle of the line each time. My ancestors were at Gettysburg (9th Georgia Infantry, the winning side), but they fought in the Wheat Field. Ain't good enough. But the truth for this novel would have had a negative effect. Or maybe it would have made it better? Frazier places Inman in the center of the line during Picketts Charge (Longstreet's Assault). I hate to break this news, but the North Carolinians held the LEFT during the charge. Worse for the book, the North Carolinians were accused of cowardice during the charge, as they were the first to falter (they were enfiladed) and retreated, leaving Pickett isolated and bound to fail. I guess that means Inman, if he were alive today, would be lying his ass off about his war record. If you want an easy-to-read book , I would recommend this. I just wish the ones being touted for "historical" accuracy as an historical novel would actually describe real life. Believe it or not, the Civil War was much more interesting to the real participants than this.
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1 of 1 people found the following review helpful
4.0 out of 5 stars
A tasty read with a slightly bitter aftertaste, Oct 6 1997
I have only one real complaint about Charles Frazier's book, Cold Mountain. For me, the language of the book is the star. Frazier gives his characters and his narrator (what I assume to be) a lexicon authentic to mid-19th century, rural North Carolina. It was entertaining to read expressions that one would not hear today, and yet to find them not totally unfamiliar. The intertwined stories were interesting enough, with Inman's being a tale of determination in the face of danger and barely-averted disasters, and Ada's and Ruby's more a journal of self-reliance and self-discovery. The violence of Inman's journey is balanced by the slower paced struggle by the women against, ultimately, the same enemy. My complaint is only about the final pages of the book. The reader spends 350+ pages wondering if Inman and Ada will ever get together and, if so, will the evil of the times, personified in the cruel Home Guard, allow their reunion to be happy and long-lived. When the smoke from this inevitable confrontation clears, the outcome is uncertain and our questions unanswered. Thank goodness for the epilogue! Frazier takes us ten years into the future presumably to tie up the loose ends of his captivating tale. However, he is deliberately slightly vague about what has happened to Inman. The reader can piece together the obvious clues and decide whether all is well or not, but the fact that the Frazier is only slightly ambiguous (Inman's name is never used) is what is troublesome to me. It left an aftertaste of false "artsy-ness," as if to use this device would turn his novel into "literature." It was unnecessary and unsatisfying. All in all, though, the book is well worth the time invested by the reader. I look forward to Charles Frazier's next offering, as long as, in the meantime, he does not take up dressing in period garb and issue an album of himself playing fiddle ballads of the Civil War.
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