From Amazon
Djuna Barnes, best known for her 1936 novel
Nightwood, was a modernist with a fertile talent, who worked as an illustrator, a reporter, and a feature writer for newspapers and avant-garde magazines in the first half of this century. In their playfulness with words and syntax, the short stories in this volume, written between 1914 and 1942 and collected by her biographer, Phillip Herring, show the influence of James Joyce and Gertrude Stein. Many were written for magazines and end with a plot twist. As one might expect from a visual artist, these stories are full of symbolic images, often hauntingly grotesque.
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From Publishers Weekly
A cult writer whose melodramatically unhappy life brought her into the Left Bank orbit of expatriate authors ranging from James Joyce to Gertrude Stein, Barnes employed an elliptical, sometimes surrealistic style as an elaborate screen for the autobiographical sources and raw pain that lie behind much of her work. Unfortunately, many of the 41 tales collected here?her entire short-story output? highlight her weaknesses as a writer rather than her strengths. Barnes was not a particularly adept shaper of plot, and often the deeper roots of her characters' grief and erratic behavior are too obscure to discern. In many of her stories, such as "The Rabbit," characters exhibit an intensity of feeling that seems to go way beyond the story's initial context, making them appear merely pathological. While her best tales?"A Night Among the Horses," "Oscar," "The Doctors," "Saturnalia" and, most prominently, "Spillway"?are fit company for her classic novel Nightwood, most of the fiction here will be of interest chiefly to scholars.
Copyright 1996 Reed Business Information, Inc.
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