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Margulies' best-known play, Sight Unseen, is a moody, intelligent meditation on modern art and the creative process. In his new play, he returns to those themes, this time focusing on two writers--one just starting out, the other a grizzled old veteran--and the relationship that blossoms between them as the older mentors her student, shepherding her toward the first glimmers of success and acclaim. Beautiful, heartfelt, tightly written, the play never resorts to easy cliche s or cinematic notions of what it is to be a writer: there are no great scenes of agonized genius at work--or at play. Instead, Margulies shows us, in six sharp, clear-eyed scenes, set in each of six years in his characters' lives, the everyday moments that make up two lives, the small disappointments and smaller triumphs, the white lies and seemingly minor betrayals that mark a relationship. And it all makes fascinating reading. Once started, the 85-page play is hard to put down. Jack Helbig
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September 1990. Late afternoon. The Greenwich Village apartment of Ruth Steiner, a writer, who looks every bit her fifty-five years. Read the first page
Front Cover | Copyright | Excerpt
September 1990. Late afternoon. The Greenwich Village apartment of Ruth Steiner, a writer, who looks every bit her fifty-five years. Read the first page
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Format:Paperback
PBS (KCET) has made a television episodic drama based on this play by Donald Margulies, starring Linda Lavin and Samantha Matthis, who have both performed this play on stage at the Geffen playhouse. This is simply a moving and inspirational play, well-written and powerful. It takes place in the early 90's in Greenwich Village. A young writer and student (Debra) has applied for a job as an assistant/gopher to an elderly teacher and successfully published writer, Ruth Steiner. She undergoes tutorials with Ruth and they develop a friendship, although there are moments when Debra invades Ruth's personal space. For example, Debra rearranges Ruth's things and Ruth becomes upset. There is also a scene in which Debra accidentally discovers a letter by Ruth's old flame and mentor, the beatnick poet Delmore Schwartz.
Ruth and Debra's relationship dominates the play. They have a tense, fragile relationship that in the end, has to do with time, although the argument about professional jealousy can be made. Debra has made it as a writer, enjoying both friendship and support from the wise, urbane Ruth who has become set in her ways. But when Debra writes her first novel, she touches a subject that is too personal for Ruth. It is in fact the first love and artistic experience that Ruth had with Delmore Swartz that causes the gap between their friendship. It is interesting to note how easily you can at first sympathize with Debra, whose excuse was that she was honoring Ruth and not parodying her in any way. Nevertheless, I've read this play time and again, and can also understand the heartbreak and betrayal Ruth goes when her stories are taken. That is the point of the play: who owns your life ? Who has the right to tell a story ? It is as much a lesson in great drama as it is in life.
Actors and actresses will benefit immensely from this play. It is well written, makes a good script or screenplay and has every inch of emotional and powerful material, especially concering older colleague versus younger. Both characters are well-rounded, intelligent, mature, emotional and must be electric on stage. Ruth Steiner's character, in my opinion, has the most characterization. She is sophisticated, she is urbane, she is innately Jewish and possesses a great deal of knowledge and in the same light as Debra's young, intense persona, it's clearly great drama. Secondly and finally, this is a great book to read in a drama class or simply in an English course in high school. What teacher would not consider this great modern drama ? I will be only glad to recommend this to my fellow teacher friends.
By A Customer
Format:Paperback
This is a fantastic play. It really explores the teacher/student relationship at the deepest level; and as in the manner of Oleanna, leaves the reader with a sense of displacement and confusion as to who is right, what is true and virtuous, and where it all went wrong. Magulies style, however, is milder than Mamet, although equally effective. I loved it.
By "fishseller"
Format:Paperback
I always say that plays are meant to be seen not read. There are of course notable exceptions and this is one of the few contemporary plays which I found as good to read as to watch. The intertwining of the lives of two women writers, one mentor, one student over a period of years is a delightful, surprising and emotional journey. The title is apt. There are all sorts of stories -those we read, those we tell, those we imagine and the ones we live.
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