Comeblack (Vinyl) Import
|Price:||CDN$ 38.21 & FREE Shipping. Details|
Frequently Bought Together
Customers Who Bought This Item Also Bought
Limited double vinyl LP pressing in gatefold sleeve including CD edition. 2011 album from the German Hard Rockers, a collection of re-recordings of their some of their choice cuts as well as covers of some of their favorite songs originally performed by The Beatles, The Stones, T. Rex, The Small Faces, The Kinks and others.
What Other Items Do Customers Buy After Viewing This Item?
Top Customer Reviews
Most Helpful Customer Reviews on Amazon.com (beta)
Comeblack is essentially the encore to Sting in the Tail, and while it lacks original tracks, the new takes on classic tracks are killer. The re-recorded Scorpions tracks are original enough to warrant a listen thanks to incredible production values. Meine's vocals are absolutely stunning and the instrumentals follow suit with Kottak's brutal drums and expert guitar work from Schenker, Jabs, and Maciwoda. In regards to the covers of songs from other bands, some may be turned off by inclusions like Ruby Tuesday and Tainted Love, but I fully support their tributes to the songs that influenced them. It's really cool to see a hard rock band like the Scorpions covering Beatles and Rolling Stones songs, not to mention that the tracks all fitting covers that do justice to the source material.
In what is likely to be the last Scorpions release, Comeblack is a fantastic send-off for the Scorpions' phenomenal 40+ year career.
First, let me say it was nice to hear Klaus Meine sing the entirety of the songs. Usually in a LIVE show, he has the audience help quite a bit. This is okay, because that's what the fans love to do and what Klaus loves to hear. But, it was refreshing hearing his voice throughout the whole CD. Second, let me say, the man with the bionic voice has never sounded better. He is in rare form and I love hearing these classics in his current voice, which barely sounds any different than his golden years. It's a superb feeling, hearing that incredible signature primal snarl once again on the rockers and then to turn around and hear that soft velvet voice, such as on Still Loving You, almost like he's whispering in your ear. It's like silk on skin. Hey, remember guys, I am a woman and call it like I hear it.
One thing I did ask myself at one point while listening to No One Like You was; is it LIVE or is it Memorex? For those too young to remember the commercial; it was an ad about a Memorex cassette tape being played up against the real singer and they asked in the ad, "is it LIVE or is it Memorex?" Okay, well, that is what I asked at first. Some of the guitar parts, especially the solos, were so exact, that I really wondered for a minute if the original guitar parts had literally been dubbed into the current song or did these guys actually channel their early years and remained so true to the originals that I really couldn't tell. However, I can assure you with certainty, that these songs have been redone, no dubbing included. Just listen and you can hear the difference between the new songs and the classic songs; there's a maturity, a more polished and refined sound, if you will. I also love the heavier sound they put to them; Rhythm of Love for instance. That really rocks. I am, to say the least, very impressed and am excited as hell over this CD. I still can't get over how Klaus sounds, and how Matthias attacks the Lead and James adding a fresh beat to the mix. I love the dual guitars, as usual the seamless mix of Schenker's and Jabs' guitar playing that is so cultured after all these years, gives it such a fine balance. I also want to say that I don't believe for a minute that Matthias or Rudolf would stand for dubbing the old guitars onto their new CD. They are proud of their abilities and so therefore, I am convinced that they are redoing these songs. Additionally, even though James and Pawel weren't members at the time of these classics, I have to say they hold their own. For the seasoned diehard Scorps fan, they can hear the difference in James' style compared to Herman's. And yet, James has added his own character, along with Pawel's bottom bass to make them new sounding. And they sound gooood! And I will always love Rudolf's rhythm guitar and his leads of course. He's so accomplished.
The other half of the CD is covers. Who ever thought they would do several covers on their album? Yeah sure, they have done covers before, but not to this extent.
I love Tainted Love. The way Klaus and the boys made it their own without losing the originality of the song, was most inspiring. Most of the time, when a band records covers, they make it so much their own, they screw up the song. Not so with Scorps. They probably realized how many times THEIR songs were covered and screwed up, so didn't want to make the same mistake. The lead solo by Matthias using that tremolo is a fantastic composition. And James' drums are hard driving fantastic!
Children of the Revolution is one heavy riffed song and it's one to really get into. It's heavier than what Scorpions have done in quite some time. Even though it was a cover, I was glad to hear Klaus' ability to still sing with that much strength. James is slamming out that beat that is so his form. And do we even have to mention the guitars? LOVE that heavy metal sound. But, guess what you hear at the end; that unmistakable signature sound of Matthias Jabs. If you were to listen to the original by T. Rex, you would find that there is no comparison. Scorpions killed this one and put the original to shame! I would love to see them add this to their final 2012-13 tour!
The choice of Across the Universe was a surprise to me as I have so many others in mind from The Beatles they could have done. But that's not my call. Listen, I'm not really complaining it's just not one of my favorite Beatle songs. Klaus, as usual, does it justice though, with that caressing smoothness of his voice, making the song so very much his own.
Tin Soldier starts out sort of poppy, but then suddenly it gets very "Scorpionized". It's almost like THEY wrote and did this song already. I liked it because of that familiar feeling of Golden Days Scorps. Actually, I'm really liking this song a lot.
All Day and All of the Night is fun for me because it's one I have loved since way back when. And for my favorite band to redo it is a double treat. What I find consistent in these covers is that they don't change it up so drastically that it loses the original sound. And yet Scorps still make it their own by adding to the songs, such things as, Matthias' distinguished lead guitar sound that put him in the annals of one of the best guitar players in the 80's, and what gave Scorpions their unique sound, and the inimitable, distinct raucous voice of the one and only Klaus Meine are still there. Of course there is James giving his own flavor along with Rudolf and Pawel. Other than that, the songs remain the same.
I like how they begin Ruby Tuesday. I couldn't quite put my finger on the guitar intro and why it sounded so familiar until I went and replayed both The Best Is Yet to Come and The Good Die Young intros. Yep, there it was that feeling of the two sort of mixed together for the Ruby Tuesday intro. I agree with a friend of mine who said the boys do this far better than the great Rolling Stones. Scorpions do this song such justice, Stones should be proud. Matthias does quick little licks that are so characteristic; it's such a pleasure to hear this little bit of Scorps in an infamous cover song.
I highly recommend this excellently done CD. It's a wonderful trip into a classical rock tour; from their originals to covers that they excelled at in their execution. By the way, I put this on my MP3 player because I love listening to these splendid works in my ear while making people wonder why I have such a silly grin on my face.
I want to end with this; I may have given Klaus and Matthias many kudos, but without the entire team, the stability of the Scorps machine with Klaus, Rudolf, Matthias, James, and Pawel, this would not have sounded as good. And even though there are new members that did not do these songs back in the day, it still turned out first-rate. So I say kudos to all of them.
Buy this now!!!
Secondly, the issue of the cover tunes. While Children of the Revolution and All Day and All of the Night really do rock hard and sound great, I don't feel like any new ground is really broken. The covers of Across the Universe or Tainted Love really didn't do it for me.
In summary, I am not sure what listener this is aimed at. If you are fairly new to the Scorpions and want some or all of these classic hits, buy one of the greatest hits that are available by the band not this. At least you will have the originals and you probably won't care about hearing some cover tunes by the band. If you are a fan of the "classic period" of the Scorpions (The Mercury Records Years), and want something by the band, Pick up their 2007 release Humanity Hour One and if you are unfamiliar with any of the studio albums prior to 1978's Tokyo Tapes definitely seek those out. If you are a hardcore fan that picks up everything the band releases, then you probably own this already! I personally don't find anything new here that is essential. This will be one that will probably go on the shelf and probably not come out often.
Comeblack is a mixed bag. The first seven songs are rerecordings of classic Scorpions songs like "Rock You Like a Hurricane" and "Rhythm of Love." For the most part they're not bad, but they're not remotely necessary either. The songs weren't broke the first time, and don't need fixing here.
It's the second half of the album where Comeblack really shines. Here the Scorpions serve up six very interesting and very unexpected covers, including songs by The Kinks, The Small Faces and The Beatles. Now, I'm sure exactly no one ever thought about the Scorpions covering "Tainted Love," but it actually works pretty well. Their versions of "Ruby Tuesday" and "Children of the Revolution" are real highlights, but the album's best song is Klause Meine's heartfelt rendition of the Beatles' "Across the Universe," which is just chilling.
In the end, Comeblack probably deserves a 3.5-star rating. The re-recordings are pretty useless, but the covers are terrific. A full covers album would have been much better, but there's enough quality material here that most Scorpions fans should find something to enjoy.
All the covers hold up well to the original standards yet each has the Scorps stamp. The hard-rock/heavy metal spin on "Tainted Love" gives a Brit-pop classic a fun, almost head-banger's feel. "Ruby Tuesday" is an incredible ode to the Stones.
Sonically, the mix is superb (though I am no audiophile and have idea what one even listens for). Performance-wise, Scorps still deliver: Klaus Meine does not let up the power throughout his range even with the larger-than-life tweeter voice, and the guitars and drums thrash and burn with fury and technical precision. The ballads are as artful and powerful as ever.
Auf Wiedersehen Scorps ... Too bad you were you gone before I had a chance to see you in concert!