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Complete Poems 1904 To1962 Hardcover – May 1 1994


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Product Details

  • Hardcover: 1100 pages
  • Publisher: Liveright; Revised edition edition (May 1 1994)
  • Language: English
  • ISBN-10: 0871401525
  • ISBN-13: 978-0871401526
  • Product Dimensions: 5.4 x 17.8 x 24.8 cm
  • Shipping Weight: 1.7 Kg
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (13 customer reviews)
  • Amazon Bestsellers Rank: #126,151 in Books (See Top 100 in Books)

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2 of 2 people found the following review helpful By Natalie Mills on Dec 15 2001
Format: Hardcover
ee cummings is a magnificent poet - almost as much of a visual artist as writer. His poems fall and flow and jump and dance, their patterns and punctuation adding so much more to the words and essence of meaning. I have tried reading cummings' work aloud: it never quite works. He has an exceptional turn of phrase, and with one line (give or take a pattern or two) can bring about powerful emotive responses.
This book is fantastic - I had quite a lot of difficulty finding collections of his poetry, and although I'd found a couple of small volumes, this one was exhaustive. I reread it - or at least parts thereof - more often than any other poetry book I own, and always seem to discover another nuance or aspect or pattern that I hadn't seen before. cummings wraps you in words, and the best way I can think of to describe how I feel after reading his works is to steal a quote from one of his poems - "such strangeness as was mine a little while."
Worldwords. And he is the creator of my favourite quotation of all time...
"listen:
there's a hell of a good universe next door:
let's go."
And there is.
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1 of 1 people found the following review helpful By "jb541" on July 7 2001
Format: Hardcover
My story begins with my high school English teacher assigning us to read "since feeling is first".
We studied that poem for an entire week. It's not a long poem, so we really dug our hands in, studying every piece of punctuation, every line break, and discovering things we didn't know could be discovered in writing. By the time we were through, I knew I couldn't stop. This is what poetry could be. I couldn't believe it. For a little while, I practiced writing my name in all lower-case. And while I knew I couldn't be cummings, I knew I still wanted to hang out with him and maybe be his friend.
To me, the whole point of e.e. cummings' works is to show how throwing logic and syntax out the window can help one rediscover how to truly capture an emotion -- and not just capture it, but to interrogate it and become either its best friend or its arch rival. There is not one word in any of cummings' works that does not have a reason to be there. His lack of cohesion is sometimes confusing. But at the same time, it charms you; and while you do feel the need to read and re-read each poem, you don't do it to analyze it - you do it because it elicits a different response each time you do. cummings hangs on just the right word, even the right letter in a word, and you know how you feel at that exact moment.
cummings looks not only at the definition of a word but the shape of the word to impact his meaning. This makes his style so intense and so pure that, in my mind, no other has come close to duplicating it.
cummings will never be the world's favorite poet, he will never be studied and understood and appreciated the way Yeats, Poe, Frost, Whitman, or any other of the "greats" will. Fine.
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3 of 4 people found the following review helpful By FrKurt Messick HALL OF FAMETOP 500 REVIEWER on July 21 2003
Format: Hardcover
'anybody lived in a pretty how town
with up so floating many bells down'
The poetry of ee cummings is something that most Americans gain exposure to during secondary school (and very rarely in the education of those outside America) -- he is often seen as an acceptable example of one who broke the rules -- rules, the teacher will often hasten to add, which must be mastered before they can be acceptably broken.
Yet this is not what ee cummings would hope had come of his legacy. In reading his poetry in this edition, his prose, his theatrical writings, and his unpublished manuscripts (some of which have been published under the title Etc.), a new vision begins to emerge of a real maverick--not someone who wanted to break the rules, but someone who eschewed the idea of rules so completely that breaking them was beyond the question, for that would have to recognise the value of the rules.
And yet, some rules creep in:
'the Cambridge ladies who live in furnished souls
are unbeautiful and have comfortable minds
(also, with the church's protestant blessings
daughters, unscented shapeless spirited)'
This is a classic example of a cummings sonnet--adhering to rhyme and meter, yet very original.
Or, perhaps not that original. Unfortunately, ee cummings has become a conventional unconventionality. He was a success at being different--at one point only cummings and Frost, New Englanders both, with very different vines growing on the respective sides of their fence, were able to make a living solely from their writing while concentrating on poetry.
This text contains the entirety of the 12 published volumes of poetry cummings produced in his lifetime.
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Format: Hardcover
Though i would automatically attribute 5 stars to Mr. Cummings collection of the most beautiful words collaborated onto paper in one grouping, i find that the editor in this particular volume lacked the sensibility to categorize Cummings' poetry according to both first *and* last lines, understanding that it is within the last lines that Cummings packs the most emotional weight in his "story telling" verse: "you are my sun, my moon and all my stars," "it's always ourselves we find in the sea," "not even the rain, has such small hands," "brought all of her to a dead stand Still" (among others).
It is nice to see his progression of publishing (though the order is not according to when the pieces were written and it seems to me the editor took the easiest way out on this one by ordering it according to each book). While the sections into which Kennedy (see reference in an above review) sorted these fine works was comfortable for those who wanted ease of theme, it would have been a rather magnanamous task for his vast array of published poetry. While often simplistic, the topics of Cummings' concepts can get too complex to fit into neatly fitted packages tied with the bows of universal theme. And while Kennedy was my introduction to more of this man's great work and i grew to love Cummings through him, i found myself liking works that weren't included in Kennedy's collection, and disliking his more experimental works that lacked the emotional punch (and those linguists might feel the contrary). It is cheaper, in the long run, to buy this collection than to collect the many individual publications to get all one's favorites.
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