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Complete Works of William Shakespeare Leather Bound – Nov 1 2004


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Leather Bound, Nov 1 2004
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Product Details

  • Leather Bound: 1271 pages
  • Publisher: Barnes & Noble Inc (Nov. 1 2004)
  • Language: English
  • ISBN-10: 0760703329
  • ISBN-13: 978-0760703328
  • Product Dimensions: 16 x 6.4 x 24 cm
  • Shipping Weight: 1.8 Kg
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (79 customer reviews)
  • Amazon Bestsellers Rank: #287,464 in Books (See Top 100 in Books)

Product Description

About the Author

William Shakespeare is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His surviving works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright.

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Customer Reviews

4.1 out of 5 stars

Most helpful customer reviews

5 of 5 people found the following review helpful By Joost Daalder on April 2 2001
Format: Hardcover
Students and various e-mail correspondents often ask me which single-volume Shakespeare edition I would recommend, and I never hesitate in naming this one, as I think it has a long lead over its rivals. I have myself used the 1992 printing with amazing frequency both in research and in teaching, and always with advantage.
Why is this the best edition for a reader who wants as much as possible within the confines of a single book? First, it should be pointed out that unannotated editions such as the Oxford Complete Works are all in all of comparatively little use as even expert Renaissance scholars - leave alone inexpert readers - cannot read Shakespeare's language unaided; there are simply far too many words, features of grammar, etc., which a modern reader is certain to interpret inaccurately or not to understand at all. So it is essential to have intelligent and well-informed annotation that will help one to understand the text. Bevington's is extraordinarily good: knowledgeable, precise, and helpfully clear.
Second, an editor needs to be able to produce a responsible modernised text. Shakespeare cannot be understood by many unless he is read in modern spelling, and the punctuation of his period, too, often leads most modern readers astray. Bevington's modernisation of the text is exemplary. Furthermore, his handling of the many thorny textual problems is also outstanding for the knowledge and the judgement that he brings to bear. For example, the Oxford people unwisely and on poor grounds print two separate versions of *King Lear*, and Bevington has been exceptional in rejecting that approach and producing a persuasively and intelligibly "conflated" text (much better, by the way, than the conflated version in the Arden text edited in 1997 by R.A. Foakes).
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4 of 4 people found the following review helpful By Michael J. Connor on Oct. 19 2001
Format: Hardcover
The Complete Works of Shakespeare edited by David Bevington
Bevington's edition of Shakespeare's plays is a popular choice, and not without good reason. But that doesn't make an ideal choice. The introduction to this one volume edition is ample with chapters on life in Shakespeare's England, the drama before Shakespeare, Shakespeare's life and work. These are good, but they tend to rely on older scholarship and they may not be current. For example Bevington repeats Hinman's claim that there were 1200 copies of the 1623 Folio printed. However later scholars think the number was quite a bit lower, around 750. It should be said that we don't know for sure how many copies of the 1623 folio were printed and either number could be correct.
Bevington's edition prints the plays by genre. We get a section of Comedies, Histories, Tragedies, Romances and the Poems. He puts "Troilus and Cressida" with the comedies, though we know the play was slated to appear with the tragedies in the 1623 folio. The play was never meant to appear with the comedies, and all the surviving Folios that have the play have it at the beginning of the tragedies.
Let's get down to brass tacks. You are not going to buy an edition of Shakespeare's works because of good introduction. You're going to buy one because the quality of the editing of the plays. Is it reliable? Is it accurate? For the most part this edition is reliable and accurate, but that does not mean it is accurate and reliable in every instance.
Modernized editions of Shakespeare's plays and poems are norm. Since the 18th century (and even before) editors of Shakespeare have modernized and regularized Shakespeare's plays and poems. There are good reasons for this modernization.
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3 of 3 people found the following review helpful By S. A. Garrett on May 18 2002
Format: Leather Bound
This book is exactly what it claims to be: the complete works of Shakespere. I strongly disagree with the reviewer who believes this is a waste of money. It is beautifully bound, has clear type, and allows you to draw your own conclusions rather than depending on the Cliffs Note summary that a paperback single will provide you. Perhaps not for the student who needs to produce an essay by morning, it is still a lovely book that puts me in the mood for a glass of wine and a leisurely read.
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2 of 2 people found the following review helpful By Justin Evans on March 7 2002
Format: Hardcover
As of late I have seen some pretty strong arguments for reading Shakespeare (even if he really didn't write everything attributed to him). Most of my recent reasons have to do with my teaching high school English.
For my sophomores, it is Julius Caesar, and for my seniors, it is Hamlet. Having the need to read along with the students from a second text, I always reach for my Bevington Edition. I like having a second text available, but more importantly, I love having such a comprehensive discussion of Shakepeare at hand each time the moment arises(rare as they are) that a question comes up either during the reading or discussion. The Bevington edition serves me well whenever I teach Shakespeare because I can easily find important information quickly.
I also like the fact that the text is modernized in spelling, presented in a clean and legible font, while keeping an academic presentation in mind. For me this simply means I can read it for enjoyment as well as for teaching purposes easily and without any real problems.
I also like the way that the plays are organized. with many of the other complete editions I have owned throughout the years, chronological order gets to be a bother.
Now, I am no real scholar, but I have acted in several college level and other post-educational setting productions of Shakespeare, and from an actor's point of view the Bevington edition scores well again.
If you are deep into scholarly persuits I am certain you can find flaws within the Bevington edition, as could be found by any expert in any edited literary text. However, as far as an all-round, readable, and informative version of the complete works of Shakespeare (or whoever REALLY wrote all the plays etc.) the Bevington edition has my vote as the best one I have yet to see.
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