From Amazon
Completed Field Notes begins in the soil, with Robert Kroetsch contemplating a stone hammer that his grandfather discovered on the family farm in Alberta. He first examines the hammer as a physical object, but "Stone Hammer Poem" radiates into history: from the ice age to the Canadian Pacific Railway, through the generations of Kroetsch's family, and back to the stone itself, resting on the poet's desk. That path is a characteristic one for Kroetsch's poetry: he is an earthy writer, and his long poems proceed through exploration of history, family, eroticism, myth, humour, and language itself.
Although Kroetsch is best known as the author of such novels as The Man from the Creeks and the Governor General's Award-winning The Studhorse Man, his early long poems immediately established him as one of Canada's foremost postmodern poets. Completed Field Notes collects all of Kroetsch's long poems, bringing together work originally published from 1973 to 1987 into a volume that he presents (with reservations) as a single, unified work. He has since abandoned the long poem, claiming to have come to "a poet's silence," although he still occasionally publishes shorter lyrics.
Kroetsch is almost unique among experimental writers in that his willingness to take risks makes his poetry relentlessly readable. Completed Field Notes never grows stale or complacent--it is carried swiftly along by Kroetsch's irrepressible sense of play. His wit makes Completed Field Notes a delight. He dramatizes himself as a swaggering, amorous poet, self-mocking enough to get away with a little sentimentality, a keen observer of the world and the foibles of language. Kroetsch's ability to sustain this inventiveness is remarkable, making Completed Field Notes a substantial--and accessible--poetic achievement. --Jack Illingworth
Review
"[The] reissued What the Crow Said and The Words of My Roaring…honour Kroetsch’s enormous contribution to Canadian literature and…ensure his work will be available to a new generation of readers." University of Toronto Quarterly, Winter 2001/2002, Letters in Canada, vol 71:1
--This text refers to the
Paperback
edition.
