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Gregory Maguire's chilling, wonderful retelling of Cinderella is a study in contrasts. Love and hate, beauty and ugliness, cruelty and charity--each idea is stripped of its ethical trappings, smashed up against its opposite number, and laid bare for our examination. Confessions of an Ugly Stepsister begins in 17th-century Holland, where the two Fisher sisters and their mother have fled to escape a hostile England. Maguire's characters are at once more human and more fanciful than their fairy-tale originals. Plain but smart Iris and her sister, Ruth, a hulking simpleton, are dazed and terrified as their mother, Margarethe, urges them into the strange Dutch streets. Within days, purposeful Margarethe has secured the family a place in the home of an aspiring painter, where for a short time, they find happiness.
But this is Cinderella, after all, and tragedy is inevitable. When a wealthy tulip speculator commissions the painter to capture his blindingly lovely daughter, Clara, on canvas, Margarethe jumps at the chance to better their lot. "Give me room to cast my eel spear, and let follow what may," she crows, and the Fisher family abandons the artist for the upper-crust Van den Meers.
When Van den Meer's wife dies during childbirth, the stage is set for Margarethe to take over the household and for Clara to adopt the role of "Cinderling" in order to survive. What follows is a changeling adventure, and of course a ball, a handsome prince, a lost slipper, and what might even be a fairy godmother. In a single magic night, the exquisite and the ugly swirl around in a heated mix:
Everything about this moment hovers, trembles, all their sweet, unreasonable hopes on view before anything has had the chance to go wrong. A stepsister spins on black and white tiles, in glass slippers and a gold gown, and two stepsisters watch with unrelieved admiration. The light pours in, strengthening in its golden hue as the sun sinks and the evening approaches. Clara is as otherworldly as the Donkeywoman, the Girl-Boy. Extreme beauty is an affliction...But beyond these familiar elements, Maguire's second novel becomes something else altogether--a morality play, a psychological study, a feminist manifesto, or perhaps a plain explanation of what it is to be human. Villains turn out to be heroes, and heroes disappoint. The story's narrator wryly observes, "In the lives of children, pumpkins can turn into coaches, mice and rats into human beings. When we grow up, we learn that it's far more common for human beings to turn into rats." --Therese Littleton --This text refers to an out of print or unavailable edition of this title.
The inspired concept of Maguire's praised debut, Wicked: The Life and Times of the Wicked Witch of the West, was not a fluke. Here he presents an equally beguiling reconstruction of the Cinderella story, set in the 17th century, in which the protagonist is not the beautiful princess-to-be but her plain stepsister. Iris Fisher is an intelligent young woman struggling with poverty and plain looks. She, her mother, Margarethe, and her retarded sister, Ruth, flee their English country village in the wake of her father's violent death, hoping to find welcome in Margarethe's native Holland. But the practical Dutch are fighting the plague and have no sympathy for the needy family. Finally, a portrait painter agrees to hire them as servants, specifying that Iris will be his model. Iris is heartbroken the first time she sees her likeness on canvas, but she begins to understand the function of art. She gains a wider vision of the world when a wealthy merchant named van den Meer becomes the artist's patron, and employs the Fishers to deal with his demanding wife and beautiful but difficult daughter, Clara. Margarethe eventually marries van den Meer, making Clara Iris's stepsister. As her family's hardships ease, Iris begins to long for things inappropriate for a homely girl of her station, like love and beautiful objects. She finds solace and identity as she begins to study painting. Maguire's sophisticated storytelling refreshingly reimagines age-old themes and folklore-familiar characters. Shrewd, pushy, desperate Margarethe is one of his best creations, while his prose is an inventive blend of historically accurate but zesty dialogue and lyrical passages about saving power of art. The narrative is both "magical," as in fairy tales, and anchored in the reality of the 17th century, an astute balance of the ideal and sordid sides of human nature in a vision that fantasy lovers will find hard to resist. (Oct.)
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
This is my favourite Cinderella story with a different point of view. Well written, thanksPublished 12 months ago by ashley kosasih
This is a really interesting take on Cinderella, not least because of the setting in Holland during the tulip crash. Read morePublished on Aug. 9 2013 by love my furry and scaly babies
"The Ugly Stepsister" is an amazingly fun retelling of the "Cinderella" story. Taking a lesson from the wildly awesome "Wicked" (a retelling of the... Read morePublished on July 10 2005 by Wes Kidd
Following in the steps of his first novel, "Wicked: The Life and Times of the Wicked Witch of the West," Maguire continues to plumb his promising literary vein with this... Read morePublished on May 7 2005 by Patricia Davis
First things first, I'm not usually one for the hero of a story; I usually more side with the villians. I've just found the 'bad guys' to be more interesting. Read morePublished on July 16 2004 by Steph Mehl
This story had a lot of promise, a great beginning, a tolerable middle, and a complete let down of an ending in which Cinderella becomes a harlot in a back salon and then produces... Read morePublished on July 13 2004 by Michelle Owen West
I bought Confessions after reading and enjoying Maguire's Wicked. In Confessions Maguire weaves a tale of how the ugly stepsisters come to be in the situation of the common fable. Read morePublished on July 9 2004 by The Old Philosopher
I admit, I have been completely in love with fairy tales since I started listening/reading. As i have matured, I have taken this on to the next level; exploring modern day... Read morePublished on June 17 2004