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But this is Cinderella, after all, and tragedy is inevitable. When a wealthy tulip speculator commissions the painter to capture his blindingly lovely daughter, Clara, on canvas, Margarethe jumps at the chance to better their lot. "Give me room to cast my eel spear, and let follow what may," she crows, and the Fisher family abandons the artist for the upper-crust Van den Meers.
When Van den Meer's wife dies during childbirth, the stage is set for Margarethe to take over the household and for Clara to adopt the role of "Cinderling" in order to survive. What follows is a changeling adventure, and of course a ball, a handsome prince, a lost slipper, and what might even be a fairy godmother. In a single magic night, the exquisite and the ugly swirl around in a heated mix:
Everything about this moment hovers, trembles, all their sweet, unreasonable hopes on view before anything has had the chance to go wrong. A stepsister spins on black and white tiles, in glass slippers and a gold gown, and two stepsisters watch with unrelieved admiration. The light pours in, strengthening in its golden hue as the sun sinks and the evening approaches. Clara is as otherworldly as the Donkeywoman, the Girl-Boy. Extreme beauty is an affliction...But beyond these familiar elements, Maguire's second novel becomes something else altogether--a morality play, a psychological study, a feminist manifesto, or perhaps a plain explanation of what it is to be human. Villains turn out to be heroes, and heroes disappoint. The story's narrator wryly observes, "In the lives of children, pumpkins can turn into coaches, mice and rats into human beings. When we grow up, we learn that it's far more common for human beings to turn into rats." --Therese Littleton --This text refers to the Hardcover edition.
From Publishers Weekly
Copyright 1999 Reed Business Information, Inc. --This text refers to the Hardcover edition.
The wind being fierce and the tides unobliging, the ship from Harwich has a slow time of it. Read the first page
Concordance
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Most helpful customer reviews
4.0 out of 5 stars
Finally! A Different Side of the Coin!,
By
This review is from: Confessions Of An Ugly Stepsister (Paperback)
First things first, I'm not usually one for the hero of a story; I usually more side with the villians. I've just found the 'bad guys' to be more interesting. Second thing, for the most part, I am strong strongly AGAINST the whole Cinderella story, espeically the Disney version; I don't like the unconsiouse images that it represents, but this isn't where we discuss them. I read "Confessions" in a single day; in all honestly, I was enthrolled by the book because it was a different side of the coin. It took a different spin on the story and gave life to the stepsisters, and especially Iris. Gregory Mcguire made Irish real; some you could rally behind, some one you could have sympathy for; an underdog. I really liked this book, and if you want a different take, and aren't completely obsessed with the cleaned-up version Disney Cinderella, give this book a look through.
3 of 3 people found the following review helpful
4.0 out of 5 stars
Definitely a different "Cinderella",
By A Reviewer (Hollister, CA USA) - See all my reviews
This review is from: Confessions Of An Ugly Stepsister (Paperback)
First of all, "Confessions" is a very, very different version of the Cinderella story. For one, Clara, our Cinderella, is not the kind, gentle, hardworking girl the fairy tale has. She is spoiled, stubborn, and timid. The evil stepsisters are not evil; Iris, our main character, is plain, but smart and has an eye for art, and Ruth, the older stepsister, cannot take care of herself, cannot speak, but does have a good heart. Margarethe, the stepmother, is not nessecarily evil, but ambitious. She will do anything and everything to ensure that her family has enough food, but it is her own greed that brings the downfall of their family. That said, "Confessions" is good, but if you have a very strong version of the Cinderella tale, I wouldn't recommend it that much. This could have actually happened; and the book is vivid with detail; the poor souls the Master paints, the tulips, the day the river freezes over . . . everything. It has the same basic plot as Cinderella: a mother and her two daughters marry a wealthy man who has an unearthly beauty for a daughter. Only, Clara is not forced to work; she retreats to the kitchen and ashes to hide from Margarethe, and even gives herself the name Cinderella. Iris struggles to help Clara, and still be loyal to her mother and Ruth, but an offer to be the apprentice to the Master, a painter, is too good to resist. When the night of the ball does arrive, Clara is convinced to go, though she does so reluctantly. At first, Iris and the prince hit it off, and then enter Clara. Prince and Clara disappear into another room, where they remain for the remainder of the evening. Do the prince and Clara fall in love? Is there a glass slipper? Is Clara really a changling? Is there more to Ruth than what meets the eye? What secrets lie in the past. Read, and you'll receive answers, kind of. Like I said, the book is wonderful, and reminds me a bit of The Midwife's Apprentice, but it is an entirely different Cinderella. Not love at first sight, fairy godmothers, or perfect heroine. Real, flawed people, rich detail, and magic hiding in the smallest places. For a different, more fairy tale-ish version of Cinderella, try Ella Enchanted, or try Robin McKinley's Beauty for a different version of Beauty and the Beast.
2 of 2 people found the following review helpful
5.0 out of 5 stars
Best of the Trio,
By A Customer
This review is from: Confessions Of An Ugly Stepsister (Paperback)
I do not include LOST in the category of Maguire's best novels, since it is not like the other three. Having read all, however, I'd have to say COAUS was my favorite.I think if you read this book, you'd either love it or hate it. My mom tried reading it and couldn't get past the prologue. I read it, and bawled my eyes out in the epilogue. It was a bit slow, but that's the style of his books. From what I gather, you're supposed to savour every word and detail. Iris is incredibly likeable, as is her older sister (don't remember the name). I loved both the novel and stage adaptation of Wicked, and didn't think anything could beat it, but COAUS is my favorite book. Mirror Mirror was also thrilling, but there really wasn't much read there.
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