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Consider the Lobster: And Other Essays [Paperback]

David Foster Wallace
4.2 out of 5 stars  See all reviews (4 customer reviews)
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Book Description

July 2 2007 9780316013321 978-0316013321 1
Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike's deal, anyway? And what happens when adult video starlets meet their fans in person? David Foster Wallace answers these questions and more in essays that are also enthralling narrative adventures. Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters.

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From Publishers Weekly

This audiobook is like no other—not for the fabulous essays or deft narration, but for its inclusion of footnotes. Audio footnotes? It's quite simple. When Wallace reads his plentiful footnotes, which as fans know are anecdotal asides rather than bibliographic references, his voice changes tone. At first, this audio wrinkle sounds odd. But the novelty quickly fades and the parentheticals play as effective and amusing a role as in his print work, perhaps more so since here flow can be better maintained. Wallace dissects various subjects—lobsters, porn, sports memoirs, September 11—through Midwestern eyes. Smart and incisive, he always goes deep and follows threads of thought to their vanishing points, often in witty (though never a self-consciously clever) manner. His delivery is dead-on and fresh, the words often springing from his mouth as if conceived on the spot. His voice mostly hovers a notch or two above monotone, imbuing the material with equal parts wonder and skepticism. Though this collection comprises a mere four hours on three discs, Wallace's depth and breadth creates the sensation of a larger narrative—an audible confirmation that modern American writing continues to gain strength. Simultaneous release with the Little, Brown hardcover (Reviews, Oct. 10). (Dec.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Audio CD edition.

From Booklist

In his latest essay collection, Wallace, known best for his expansive metafiction, traverses a wide swathe of territory, swinging from a consideration of pornography to a reading of John Updike (perhaps not such a stretch), from the 2000 campaign trail of Republican John McClain to reflections on Kafka and Dostoyevsky, and from Bloomington, Illinois, to lobster-trawling Maine. The uberliterate Wallace is a subtle Hunter Thompson, pointed, yet sly, in directing transitions to reveal his true intention--that is, he misleads, then opens up. Humorous, engaging, albeit a bit perplexing in his style, he is a little too trendy in his postmodern use of boxes, arrows, footnotes, and so on. But when Wallace is on the mark, few can compare in craft and craftiness. And there is enough that is uncool here to make it cool in a truly culty sense. Wallace's complex essays are written, and rightfully so, to be read more than once. Mark Eleveld
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

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Customer Reviews

4.2 out of 5 stars
4.2 out of 5 stars
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2 of 2 people found the following review helpful
By Dave Id
Format:Audio CD
It’s almost an embarrassment; say mortifying to even comment on a book whose author has an absolute mastery of the English language. If English was made of colors, this book would be its acid trip. Consider the Lobster is a collection of essays on various topics from the AVN Awards (AVN is the Oscars of the porn industry and to open the book with this essay was a brilliant hook for the reader) to the funny side of Kafka to the suffering of lobsters at Maine’s Lobster Fest.

Wallace, a self-described SNOOT of the bard’s verse writes like a salt and pepper professor that put the image of Billy Connelly during his stint as Billy MacGregor, the Irish teacher in the American TV Satire, Head of the Class. The image even now still comes up, since he’s just bloody brilliant and so meticulous, a perfectionist with a singular wit that could make the staunchest and driest of intellectuals crack-up. But on the contrary, looking at his picture on book flap, he looks more like he should be riding a Harley than he does a professor.

Wallace even writes about this type of preconceptions we make of people we read or listen to without ever seeing them. We make assumptions and deduce that one should look a certain way and when we meet them, or see them. We realise that you can’t judge a book by its cover, even if it has an endearing picture of a lobster raising a claw to be counted. As a personal comment, the book cover can’t top the cover of A Party of One, but its damn close

Wallace majored in my favourite subject, philosophy (focused on mathematics and logic) and graduated summa cum laude and detains an MFA in creative writing, making him a power house of intellectual writing.
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4.0 out of 5 stars Interesting essays, good readings by the author July 15 2009
Format:Audio CD
David Foster Wallace was recommended to me by many friends. Most described him as hilarious, and recommended I start with his book "Consider the Lobster".

I read his first essay on the American adult film industry award ceremony (the one most talked about among my friends). The essay was very interesting (Foster Wallace describes a world most of us have little knowledge about), and his wit, pointed comments and background research enhance the story telling. However, I must confess I was not hooked.

I decided to give this book another try as an audio book. The book is abridged (only selected essays are read - the one on the adult industry was among the selectd essays), and it is read by the author. I think hearing the author's voice enhanced the experience, putting emphasis on parts of the text I would have glossed over. There are times when you clearly hear the author's disbelief,or stupor of what he is observing, or annoyance or anger that I simply missed in the text. So now, I am hooked, and I will give the book (and the essays that are not part of the audio book) a second (and enthusiastic) try.

A note. While most things are not for everyone, I think this is particularly true of Foster Wallace's book. I have come to realize that his humour (that my friends had so enthusiastically recommended), is more dry and intellectual than I expected. It comes from the author's keen insights and sometimes bewildered amazement at what he is seeing. It works, but it may take you a while to get into it.
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5.0 out of 5 stars Very Enjoyable Oct. 5 2014
By John
Format:Paperback|Verified Purchase
Great collection of essays by an excellent writer, I do not always agree with the points he is making or even in some cases the questions he is asking... but the subjects are entertaining the writing itself is truly great.
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0 of 2 people found the following review helpful
3.0 out of 5 stars fantastic writer but topics a bore July 22 2011
By Brian Maitland TOP 500 REVIEWER
David Foster Wallace can write up a storm and, if the topic interests me, I'm there. The problem is too many of these essays culled from various publications Wallace wrote for bore the heck out of me.

I enjoyed his visit to Las Vegas for the annual AVN awards as it was both hilarious and penetrating (excuse the use of the bad pun given this was an awards show honoring the "best" in porn video). I also loved most of the essay on the Maine Lobster Festival but he went too far in trying to get to the bottom of whether lobsters felt pain. At first, it was fun to debate in a sort of late at night way you may have debated anything in your youth but it just went on and on with no end in sight.

The same with the other essay I slightly enjoyed about tennis star Tracy Austin's autobiography and how athlete biographies often fail to measure up. Wallace so often repeats himself and not so much hammers home a point but dulls it to death.

The stuff on writers or politics just put me to sleep. The essay on US lexicopgraphy interested me because I work in editing but it too quickly made my eyes glaze over.

Maybe Wallace just needs an editor to reel him in as he does write well in spurts. It just did not work for me as I guess I'm more of a Chuck Klosterman or P.J. O'Rourke fan when it comes to essayists on modern culture.
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Most Helpful Customer Reviews on (beta) 4.2 out of 5 stars  145 reviews
147 of 157 people found the following review helpful
4.0 out of 5 stars Not Perfect, but Awfully Good Nov. 3 2006
By A. Ross - Published on
I've never read Wallace, mostly because his best known work ("Infinite Jest") is so long. But I tend to like writers that digress and use footnotes for asides, so I thought maybe this collection of ten essays would give me enough of a taste to know if I should check out his other stuff. Ranging in length from 7 to 80 pages, the essays all appeared previously (albeit often truncated) in various magazines such as Harper's, The Atlantic, Gourmet, Rolling Stone, Premier, etc. They can be roughly categorized into three categories: brief review, personal piece, and long in-depth topical examination.

The brief reviews generally tend to take an item and use it as a staging area for discussing something more interesting than the given subject. For example, in "Certainly the End of Something or Other", Wallace uses his review of John Updike's novel Toward the End of Time to highlight the general narcissism and shallowness of writers such as Updike, Philip Roth, and Norman Mailer. His 20-page review of Joseph Frank's biography of Dostoevsky is largely dedicated to making a larger point about literary criticism, and his 25-page review of tennis player Tracy Austin's autobiography is similarly dedicated to identifying the fundamental problem of sports memoirs. I have to admit that the essential point of the shortest piece, "Some Remarks on Kafka's Funniness", eluded me.

The two more personal pieces are strikingly different, but in each one gets a vivid impression of Wallace working through his own feelings. In, "The View From Mrs. Thompson's", he uses 13 pages to recount his own September 11 experience in Bloomington, Indiana. As one reads of the mysterious sprouting of flags, Wallace's hunt for a flag of his own, and his spending the day watching the footage with old ladies who've never been to New York, his mounting alienation from his neighbors is fascinating. The titular story is ostensibly a standard travel piece on a Maine lobster festival, but rapidly evolves into a thoughtful meditation (with scientific research) on the ethics of preparing and eating lobster.

The four in-depth essays are the real stars of the book, in each Wallace gets deep into his material and wallows in it with intellectual vigor and above all, wit. In the 50-page "Big Red Son", he covers the porn Oscars and emerges with scenes and quotes so surreal they must be true. Over the course of the 50-page "Authority and American Usage", he takes a topic close to his heart as a writing instructor and provides a layman's overview of the Prescriptivist vs. Descriptivist "usage wars". The underbelly of political campaigning is exposed in the 80-page "Up Simba", detailing his week on the John McCain's 2000 campaign trail -- the ultimate lesson is that if you want the most astute and nuanced political analysis, turn to the camera and sound techs, not the journos. Finally, the 70-page "Host" takes us into the world of talk radio, via a profile of an LA radio personality. All of these long pieces are wonderful (albeit in very different ways), as they allow Wallace's intellect the space to range free and elaborate.

Ultimately, it's not hard to see why Wallace is a MacArthur Foundation "Genius" award-winner. His combination of smarts, thoughtfulness, self-awareness, wit, and ability to write killer prose simply can't be ignored. One does have to raise an eyebrow at his overuse of footnotes, however. While I'm a big fan of footnotes (yes, even in fiction), I find Wallace's use of footnotes within footnotes rather tiresome (not to mention tough on the eyes). In many instances, it seems like the material could have been handled much more elegantly within the text, or within a parenthetical. This is especially true of "Host", which is very nearly ruined by the attempt to use boxed text and arrows to replace footnotes. There's no textual reason for the method, and the experiment doesn't work at all, only serving to highlight the unnecessary divisions of information and reducing their navigability.

Although a few of the pieces failed to totally captivate me, and the overfootnoting grated (especially in it's final iteration), this is still a highly entertaining and enlightening book. Chuck Klosterman's essays are like potato chips -- yummy, hard to stop at just one, and not super filling. Wallace's are generally a full nutritious meal at your favorite restaurant.
65 of 70 people found the following review helpful
5.0 out of 5 stars Wallace (finally?) delivers the goods Oct. 17 2006
By Bart King - Published on
Probably no contemporary writer has to meet higher expectations than David Foster Wallace. He's a genius. Ask anyone. In some cases, this works against him; as someone who survived reading Wallace's essay collection A SUPPOSEDLY FUN THING..., I can testify that Mr. Wallace sometimes has aspirations that even his prodigious skills can't meet, and the results ain't pretty.

But in CONSIDER THE LOBSTER, he is hitting on almost all of his many cylinders. In fact, it is high praise indeed for me to report that on a flight to Phoenix, I was laughing so hard at this book's first essay (it's about a pornography awards show), I almost felt compelled to explain to my fellow passenger the source of my mirth.

I didn't. (I'm not insane.) But it was that good.

The rest of the topics examined by Wallace's gimlet eyes are, shall we say, wide-ranging, but aside from an enervating and lengthy examination of A DICTIONARY OF MODERN USAGE, Wallace lives up to his "genius" billing. I did grimace when I saw that the book contained a piece devoted to one of his pet topics, (namely tennis), but even this essay transcended its subject and was eminently worthwhile.

In short, I'm quite glad to have read this book. More, please.
91 of 105 people found the following review helpful
5.0 out of 5 stars Fine Dining for the Mind July 21 2006
By Jennifer A. Cummings - Published on
I was introduced to DFW by the classic essay "A supposedly fun thing I'll never do again," but stupidly lost track of him until picking up "Lobster" on a whim a few weeks ago.

Let me say this first: even though DFW is a freak for the correct use of language, I love him because he can break all the pesky little rules we've all learned about clear writing (eg, no fifty-cent words, limit footnotes, limit adverbs, two simple sentences are better than one complex sentence, etc), and write vividly, clearly, engagingly, etc (see, he's already liberated my long-caged drive to adverbize.) Perhaps even better, he writes so that it feels we are in his head, and doesn't patronize his reader by tidying up messy internal disputes, which is damn refreshing.

Many of the essays are are similarly conceived (it somehow all seems to do with marketing to the least common denominator, and the way this marketing glosses over so much that is complex and difficult and important to think about, and the author's simulataneous fascination with and and revulsion regarding said marketing, in an "I'm revolted but I can't look away... and in fact am I actually that revolted?.... Gosh, should I be more revolted? Am I actually falling for this?" kind of way).

At this point, I'm thinking that my favorite is the title essay, which is among the shortest in the collection but definitely the most visceral and, at many points, just plain sad. I have a neuroscience background, and can vouch for the moral and biological complexity of the question over whether animals without cerebral cortices "experience" pain. Warning: yes, the essay's description of a lobster's behavior during the boiling process dissuaded me from eating lobster ever again.

Other standouts: "Up, Simba," about the author's travels with a press contingent during John McCain's 2000 "Straight Talk Express" ride for the Republican presidential nomination. This is one that, again, just ends up damn sad, showing just how meaningless political campaigns are. [Side note to those who have read this essay -- DFW's account of McCain's well-documented POW years is fantastic, but raised a questions I'd never thought of before, and apparently DFW didn't either -- Could young McCain have "refused" to be released from the POW camp based on his adherence to a code? I mean, if the VietCong had wanted to release him for publicity reasons, they could have just knocked him upside the head, dumped him in a jeep, and driven him to wherever they wanted to leave him. The very fact that I'm thinking this probably means that I am one of the young American cynics DFW both chastizes and sympathizes with in the course of the essay.] Also outstanding are "Big Red Son" and "Host," the latter of which is made fascinating by the use of sidenotes, with sidenotes on sidenotes, and I think in one case a sidenote on a sidenote on a sidenote. (I like the sidenotes; there will be dissenters I'm sure)

Do it -- this is filet mignon -- I mean lobster -- I mean uh a high-quality vegetarian feast for the mind.
12 of 13 people found the following review helpful
5.0 out of 5 stars Smart, eclectic, and hilariously funny. Jan. 31 2008
By David M. Giltinan - Published on
Full disclosure: I have a major intellectual crush on David Foster Wallace. Yes, yes, I know about his weaknesses - the digressions, the rampant footnote abuse, the flaunting of his amazing erudition, the mess that is 'Infinite Jest'. I know all this, and I don't care. Because when he is in top form, there's nobody else I would rather read. The man is hilarious; I think he's a mensch, and I don't believe he parades his erudition just to prove how smart he is. I think he can't help himself - it's a consequence of his wide-ranging curiosity. At heart he's a geek, but a charming, hyper-articulate geek. Who is almost frighteningly intelligent.

The pieces in "Consider the Lobster" have appeared previously in Rolling Stone, The Atlantic Monthly, the New York Observer, the Philadelphia Enquirer, Harper's, Gourmet, and Premiere magazines. Among them are short meditations on Updike's `Toward the end of Time', on Dostoyevsky, on Kafka's humor, and on the `breathtakingly insipid autobiography' of tennis player Tracy Austin. An intermediate length piece describes Foster Wallace's (eminently sane) reaction to the attacks of September 11th. Each of these shorter essays is interesting, but the meat and potatoes of the book is in the remaining five, considerably longer, pieces. They are:

Big Red Son: a report on the 1998 Adult Video News awards (the Oscars of porn) in Las Vegas.
Consider the Lobster: a report on a visit to the annual Maine Lobster Festival (for Gourmet magazine).
Host: a report on conservative talk radio, based on extensive interviews conducted with John Ziegler, host of "Live and Local" on Southern California's KFI.
Up Simba: an account of seven days on the campaign trail with John McCain in his 2000 presidential bid (for Rolling Stone).
Authority and American Usage: a review of Bryan Garner's "A Dictionary of Modern American Usage" , which serves as a springboard for a terrific exegesis of usage questions and controversies.

Here's what I like about David Foster Wallace's writing: I know of nobody else who writes as thoughtfully and intelligently. That he manages to write so informatively, with humor and genuine wit, on almost any subject under the sun is mind-blowing - it's also why I am willing to forgive his occasional stylistic excesses. (Can you spell `footnote'?) You may not have a strong interest in lobsters or pornography, but the essays in question are terrific. The reporting on Ziegler and McCain is amazingly good, heartbreakingly so, because it makes the relative shallowness of most reporting painfully evident. Finally, the article on usage is a tour de force - when it first appeared in Harper's, upon finishing it, I was immediately moved to go online and order a copy of Garner's book (which is just as good as DFW promised).

How can you not enjoy an essay that begins as follows?

"Did you know that probing the seamy underbelly of US lexicography reveals ideological strife and controversy and intrigue and nastiness and fervor on a near Lewinskian scale?

....... (several other rhetorical questions) ......

Did you know that US lexicography even *had* a seamy underbelly?"

And which later contains sentences such as:
"Teachers who do this are dumb."
"This argument is not quite the barrel of drugged trout that Methodological Descriptivism was, but it's still vulnerable to objections."
and - my personal favorite -
"This is so stupid it practically drools."

Not everyone will give this collection 5 stars, but I do.
13 of 15 people found the following review helpful
5.0 out of 5 stars consider the lobster: and other essays Jan. 16 2006
By julius - Published on
Warning: If you abhor explanatory footnotes and asides, this book may not be for you.

Members of the American literati, the admitted audience for at least one essay in this collection, will already be familiar with DFW. For the rest of you: young (as in under 40), hip (as in long hair, swear words and breaching convention), and extremely smart and well read (as in English prof, and essay topics that include Kafka and Dostoevsky and prescriptive vs. descriptive American usage).

Somewhere in here there may be a reference to the fact that the aim of writing is to connect with the reader. DFW certainly did with me. I ripped through the collection over the weekend and enjoyed every one of the nine essays (having only come across one previously). Some of the reasons I liked them, in no particular order:

1) DFW points out, in reviewing Joseph Frank on Dostoevsky, that "Russian is notoriously hard to translate into English, and when you add to this the difficulty the archaisms of nineteenth-century literary language, Dostoevsky's prose/dialogue can often come offmannered and pleonastic and silly". I still don't know what pleonastic means, but have often felt that someone should make this point (as in "silly") about the prose/dialogue in some of the great Russian literature. The examples he goes on to give are hilarious, but I won't spoil it for you.

2) All the essays were to varying degrees funny. Big Red Son (on the 1998 Adult Video Awards) and Consider the Lobster (on the Maine Lobster Festival) standout in this regard.

3) The title essay was a review of the Maine Lobster Festival for Gourmet magazine. DFW paints a disturbing picture of the MLF and raises for consideration whether boiling lobsters alive is a good thing. One suspects that this may not have been what the Gourmet editors had in mind. Kudos to them for publishing it anyway and to DFW, because knowing the intended audience makes the piece even funnier for the rest of us.

4) Somewhere in here DFW uses the verb "is" back to back and it seems right (wish I could find the sentence, but trust me). I personally never would have done this, but as the piece on American usage demonstrates, DFW is the expert, and if he's defying convention (I actually don't know for a fact that he is, but I rarely see "is" used back to back)you can't help but think his defiance is considered and ultimately right. It is this confidence DFW builds with me as a reader, rather than the actual consecutive use of "is" that I liked.

5) Sometimes directly, but mostly not, DFW points out the absurdity of the extreme "cross-firish" nature of American discourse. I find his sophisticated middle of the road tone compelling.

I could go on, but the bottom line is that I feel better for having read this collection of essays.


The asides get completely out of control in "Host". The essay is a dizzying presentation of arrows pointing to boxes, themselves containing arrows pointing to other boxes (and so on), which the reader has to follow all over the place to follow DFW's deliberately (one hopes) meandering train of thought. Some might not like this. Even I found it distracting, though not to the point of annoyance (as may have been intended).

Also, "Some Remarks on Kafka's Funniness" is the least funny of the nine works. Since it is "the text of a very quick speech" one presumes that it was intended to provoke at least an awkward giggle from the audience (and my guess is that it did, though in my opinion not deservedly). More to the point, Kafka's central joke, according to DFW is: "that the horrific struggle to establish a human self results in a self whose humanity is inserparable from that horrific struggle." Maybe it's just me, but... not laughing. Besides, if someone has to explain why it's funny (as DFW is here), my first intinct tells me it might not be.

These last two points were for balance. I strongly recommend this book.
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