With his aptly titled Contempt
, Jean-Luc Godard embraced the widescreen splendor of Hollywood while thumbing his nose at Hollywood itself. A rebel with a cause, Godard pursues an iconoclast's agenda, using the Franscope format (expertly controlled by cinematographer Raoul Coutard) to undermine the grandeur of widescreen melodramas. The story ostensibly concerns an innovative production of Homer's Odyssey
and the struggle of a respected screenwriter (Michel Piccoli) to please a pugnacious producer (Jack Palance), a veteran director (Fritz Lang, essentially playing himself), and a petulant wife (Brigitte Bardot) who's grown tired of their turbulent relationship. It's all pretense, however, for Godard's mischievous (and yes, contemptuous) deconstruction of commercial Hollywood filmmaking, potently infused with film-buff in-jokes, astute observations about love, stardom, and artistry, and enough glossy style to suggest that Godard had mastered the craft he so willfully rejects. Contempt
is one of his most accessibly fascinating films. --Jeff Shannon
Jean-Luc Godard's subversive foray into commercial filmmaking is a star-studded Cinemascope epic. Contempt (Le M pris) stars Michel Piccoli as a screenwriter torn between the demands of a proud European director (played by legendary director Fritz Lang), a crude and arrogant American producer (Jack Palance), and his disillusioned wife, Camille (Brigitte Bardot) as he attempts to doctor the script for a new film version of The Odyssey.