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Cooking by Hand [Hardcover]

Paul Bertolli
4.4 out of 5 stars  See all reviews (5 customer reviews)
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Book Description

Aug 19 2003
One of the most respected chefs in the country, Paul Bertolli earns glowing praise for the food at California’s renowned Oliveto restaurant. Now he shares his most personal thoughts about cooking in his long-awaited book, Cooking by Hand. In this groundbreaking collection of essays and recipes, Bertolli evocatively explores the philosophy behind the food that Molly O’Neill of the New York Times described as “deceptively simple, [with] favors clean, deep, and layered more profusely than a mille-feuille.”

From “Twelve Ways of Looking at Tomatoes” to Italian salumi in “The Whole Hog,” Bertolli explores his favorite foods with the vividness of a natural writer and the instincts of a superlative chef. Scattered throughout are more than 140 recipes remarkable for their clarity, simplicity, and seductive appeal, from Salad of Bitter Greens, Walnuts, Tesa, and Parmigiano and Chilled Shellfish with Salsa Verde to Short Ribs Agrodolce and Tagliolini Pasta with Crab. Unforgettable desserts, such as Semifreddo of Peaches and Mascarpone and Hazelnut Meringata with Chocolate and Espresso Sauce, round out a collection that’s destined to become required reading for any food lover.

Rich with the remarkable food memories that inspire him, from the taste of ripe Santa Rosa plums and the aroma of dried porcini mushrooms in his mother’s ragu to eating grilled bistecca alla Fiorentina on a foggy late autumn day in Chianti, Cooking by Hand will ignite a passion within you to become more creatively involved in the food you cook.

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From Publishers Weekly

Bertolli (Chez Panisse Cooking), former chef at Chez Panisse and now chef and co-owner of Oliveto restaurant in Oakland, Calif., persuasively encourages cooks to understand ingredient essentials and to appreciate the open-ended joy of learning and discovery. With stimulating essays on everything from gathering wild mushrooms and types of pasta flour to a 14-page section on the wonders of balsamic vinegar, Bertolli is nothing less than a pied piper for the Italian kitchen. Irresistibly, he explains how to replicate his restaurant's take on the Bloody Mary by using fresh tomatoes, how to prepare Risotto of Leeks with Balsamico and how to plan a menu by choosing dessert first, thus ensuring that it is a fitting conclusion for preceding courses. Atypically arranged in thematic sections-"Twelve Ways of Looking at a Tomato," "Bottom-Up Cooking," "The Whole Hog"-this volume is seductive, both in voice and because some of the 120-plus recipes, such as the one for Saltimbocca of Chicken, are so conversationally presented as to be narratives rather than precise lists of components and directions. When Bertolli extols the virtues of a home extruder machine for making fresh macaroni or supplies an illustrated seven-page procedure for curing prosciutto at home, he often gives the home cook a process to marvel at rather than aspire to. But even then, his enthusiasm for the result is infectious. This is an absorbing effort throughout.
Copyright 2003 Reed Business Information, Inc.

From Booklist

Dedicated chefs recognize that every ingredient is unique and that the flavors and textures of a finished dish rely on each component's fundamental excellence. Not only is season important to harvesting the best but geography is critical, too. Paul Bertolli's Oliveto Restaurant in Oakland, California, makes use of the best of local produce of land and of sea. Cooking by Hand summarizes his approach. Not content with commercial dried pasta, Bertolli takes pages and pages of text to explain the significance of flours and how their milling affects the finished product. He elaborates how different grains such as spelt and farro produce different pastas. The sauces he offers are classics: Amatriciana, rabbit, truffles, butter and sage, and arrabbiata. His recipe for basic ragu consumes paragraphs. Bertolli serves up a definitive approach to hog butchering and sausage making, offering recipes for cotechino sausage and formulas for curing pork products. The serious Italian cook will revel in Bertolli's detailed approach. Mark Knoblauch
Copyright © American Library Association. All rights reserved

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Customer Reviews

4.4 out of 5 stars
4.4 out of 5 stars
Most helpful customer reviews
5.0 out of 5 stars Absolutely Amazing! Dec 25 2004
By Nathan
Format:Hardcover
If you enjoy cooking, and wish to establish yourself further in the trade (as an amateur or professional) this book is imperative. I've used and adapted more recipies from this book than any other I own. Bertolli strives to describe what you should be looking for, smelling, and feeling in a product. However, you'll find his writing much easier to deal with if you've already a background in the kitchen, or have some basic knowledge of fundamental culinary techniques. Overall, this is a fantastic book, particulary the chapters on Tomatoes and Balsamico. Enjoy!
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3.0 out of 5 stars A great book to read, not to cook from Jan 28 2004
Format:Hardcover
I pretty much read this book cover to cover, and in that context would give it four stars, but as a practical cookbook for the home cook, would give it two stars. It carries with a bit of pretension and impracticality for the home cook. Still, for those interested in tomatos 12 ways.. then pick it up for a read, and for the adventurous.. try a recipe or two.
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5.0 out of 5 stars Graduate Level Courses on Prima Materia Dec 1 2003
By B. Marold TOP 1000 REVIEWER
Format:Hardcover
You buy this book for culinary inspiration and insights into how the very greatest chefs think. It's most proper neighbors on your bookshelf are titles such as Eric Rippert's 'A Return to Cooking', James Beard's 'Delights and Prejudices', and Mario Batali's 'Simple Italian Food'. Each of these volumes, in their own very personal ways explore the authors' inspirations and love of food.

This volume combines monographs on ingredients, personal memoirs, and exacting techniques into a web of very enlightening recipes and insights.

Paul Bertolli is the owner and executive chef of the restaurant Oliveto in Oakland, California and a former head chef at Alice Waters' Chez Panisse. Unlike Jeremiah Tower, Bertolli makes no mention of Waters except for the obviously shared devotion to fine, local ingredients. Instead, I am delighted to see him acknowledge assistance from Harold Magee and several other culinary academics.

If Mario Batali gives us the college courses in proper Italian cuisine, then Paul Bertolli gives us the post-graduate training, citing in the introduction the Elizabeth David epigram that 'Good Cooking is Trouble' meaning that good cooking requires painstaking effort with lots of circles and switchbacks in one's path to mastery.

The book is in no way a traditional cookbook and anyone who buys it just for the recipes will be missing over half the value. The eight chapters comprising the bulk of the book deal with some materials and techniques at the heart of Italian cuisine.

The first topic deals with respect for fresh ingredients. This begins Bertolli's illuminations on the life of ingredients such as polenta, artichokes, zucchini, spring vegetables, eggplant, olives, mushrooms, and pears. The book reveals something new and exciting about each material and breaks a few rules along the way. In explaining the methods for curing olives, the author also begins offering the reader an entrance into a wonderland of new ways to be involved with our food.

The second main topic is an essay on 'Ripeness'. It stresses that good cooking does not come from recipes but from looking at and listening to your ingredients.

The third topic is tomatoes and looking at them for color, juice, essence, shape, sauce, conserva, complement, braise, container, condiment, and side dish. This section contains many tomato based recipes, but the real gem is the discussion of 'conserva', a preparation similar to tomato paste, but a much more potent carrier of flavor.

The fourth topic is an essay on the techniques for making balsamic vinegar plus the ways of using young, middle-aged, and old balsamico.

The fifth topic is a primer on pasta making. This takes one beyond Mario's well method into a world of fussiness about the quality of the wheat which rivals the obsessions of the very best artisinal bakers. This chapter is worth the price of admission.

The sixth topic is entitled 'Bottom up cooking' and introduces at the reader to meat 'sugo' which is created by the repeated browning and deglazing of meat and broth until you reach a concentration of flavor I have never seen discussed before in depth, although it is similar to the French notion of 'jus'.

The seventh topic treats pork and the many ways of curing pork including the making of sausage and ham. While there is enough information here to give one a credible start at salume, the author points out that this is a skill which requires a substantial amount of practice. Even if one never touches a sausage casing or a meat grinder, this chapter is well worth the background it gives to assist one in respecting their ingredients.

The last major topic is devoted to menu building, mostly by working backward from the dessert. This section should be very familiar to Chez Panisse devotees, where daily menus were built upon the produce of the day. Like Chez Panisse and some other very high end restaurants, Olivato presents fixed price tasting menus with several courses, each paired with an appropriate bottle of wine.

I suspect there are people who will buy this book and be disappointed because all they wanted was a book of good Italian recipes. If that is what you want, check out Marcella Hazan, Lidia Bastianich, or Giuliano Bugialli. This book has very good recipes, but it includes so much more. I give Bertolli and his editors extra credit for giving a complete list of all the recipes at the beginning of the book, since the recipes are not organized by chapters one commonly uses to find them.

The book also includes a better than average list of sources to support the author's emphasis on excellence. There are few photographs and very few color photographs. I don't miss them.

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