The publicity bumpf for Dianne Warren’s first novel compares it to the work of Carol Shields and Miriam Toews, but Thornton Wilder’s Our Town is its true kindred spirit. Set in the fictional prairie hamlet of Juliet, Saskatchewan, Cool Water takes place over the course of a single day. Naturally, the day is anything but ordinary: secrets are revealed, marriages tested, and a life ended.
The novel takes up the stories of a dozen of the town’s inhabitants. Particularly well-drawn are the portraits of Norval Birch, Juliet’s bank manager, and Vicki Dolson, a struggling mother of six. Although the two never meet over the course of the novel, their lives are inextricably connected, in the manner of folks who live in a small town. Birch is aware of Vicki’s situation and empathizes with her; thoughts of her and her family consume him throughout his day. Vicki, meanwhile, moves through the novel, herding her kids and demonstrating her sweet, clueless-yet-knowing nature with every word she utters. The two characters are simply and truthfully drawn, and Warren avoids the kind of cloying “just folks” attitude that could so easily overwhelm such portrayals.
The bit players are often kept too far in the background, only to appear, chorus-like, to witness the last hour of a man’s life or to offer up a long-lost box of letters before vanishing entirely from the scene. Would that such story elements were handled with the same grace Warren demonstrates when she describes a new widow cleaning up the chopsticks used by her husband for what would be his last supper. The stunning, crushing sense of loss in this scene feels like the reader’s own.
Warren’s treatment of the town’s sand dunes as a metaphor for the lives of its inhabitants is problematic. The novel’s penultimate sentence reads, “The surface slowly changing shape.” The implication here is that the surface of the dune changes but the essentials remain the same, which seems to contradict the experience of the townspeople, whose surfaces never change although their depths roil with emotion and incident. It’s a puzzling way to leave these characters, who nevertheless remain in the reader’s mind, along with the town in which they live.--This text refers to the Hardcover edition.
?Warren demonstrates a finely tuned understanding of the importance of everyday life that is reminiscent of Carol Shields' abilities to transform the quotidian into something meaningful.?
- Winnipeg Free Press ()
A beautiful look at everyday lives. I couldn't put it down, In fact I read it in just 24 hours.Published on Aug. 21 2013 by Julie Topp
This was a book club choice and not gripping enough to finish. It would be interesting to know who the Govenor General Award review panel was and why they choice this book. Read morePublished on March 26 2013 by Etobicoke Book Clubbette
I received this book as a Christmas present, and was looking forward to reading it after noticing the Governor General Literary Awards sticker prominently displayed on the cover. Read morePublished on Oct. 5 2012 by M. Yakiwchuk
A wonderful book. Who knew that the relatively mundane lives of Canadians in small- town Saskatchewan could capture a reader's attention and hold it to this extent?! Read morePublished on Sept. 18 2011 by Sandra
This book was a major disappointment and I wonder at the selection of it as a GG award winner. It was passed on to me by my book buddy who feels exactly as I do - not a book we... Read morePublished on July 25 2011 by Matilda
The modern Canadian writer Dianne Warren has written a very powerful novel about life on the Canadian prairies in the twenty-first century. Read morePublished on May 13 2011 by Ian Gordon Malcomson
This is a wonderful book. I loved the characters and felt drawn in to their stories. I thought about them long after the book was finished... that's a sign of a great book, to me! Read morePublished on Jan. 30 2011 by Jessica