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Cosmopolis: A Novel [Paperback]

Don DeLillo
3.1 out of 5 stars  See all reviews (51 customer reviews)
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Book Description

Jun 26 2012
It is an April day in the year 2000 and an era is about to end. The booming times of market optimism—when the culture boiled with money and corporations seemed more vital and influential than governments— are poised to crash. Eric Packer, a billionaire asset manager at age twenty-eight, emerges from his penthouse triplex and settles into his lavishly customized white stretch limousine. Today he is a man with two missions: to pursue a cataclysmic bet against the yen and to get a haircut across town. Stalled in traffic by a presidential motorcade, a music idol’s funeral and a violent political demonstration, Eric receives a string of visitors—experts on security, technology, currency, finance and a few sexual partners—as the limo sputters toward an increasingly uncertain future.

Cosmopolis, Don DeLillo’s thirteenth novel, is both intimate and global, a vivid and moving account of the spectacular downfall of one man, and of an era.


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Cosmopolis is Don DeLillo's 13th novel. His reputation as one of the most provocative and innovative of American writers is assured, thanks to such books as Underworld and Americana, but this new outing is as likely to challenge the author's legion of admirers as much as it will exhilarate them--and there's nothing wrong with that.

DeLillo's protagonist this time is a well-heeled American, Eric Packer, who sets out one eventful day for a haircut. Gazing through the windows of his white limousine (and availing himself of its state-of-the-art technology), this self-made millionaire takes in the spectacle of financiers being murdered, the funeral of a rapper and some violent anti-globalisation protests. As we come to know DeLillo's anti-hero, we realise that Eric Packer is by no means the most ingratiating of individuals. Cheating on his new wife, he specialises in using people in a cynical and exploitative way. And as this self-serving captain of industry takes an ever-more dangerous journey through a bizarrely rendered New York, it's inevitable that comparisons with Tom Wolfe's classic Bonfire of the Vanities will spring to mind. Resemblances of plot aside, however, the book is a very different animal. Wolfe's narrative had the epic spread of a latter-day War and Peace, whereas DeLillo sharpens and condenses his prose in Cosmopolis to produce an altogether more concise novel.

There are two ways to approach Cosmopolis: as a rudely pointed dissection of the American Dream, or as a surreal, symbolic (and disturbing) road trip. This is not a comforting book, but a bracing and caustic one. --Barry Forshaw --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

DeLillo skates through a day in the life of a brilliant and precocious New Economy billionaire in this monotone 13th novel, a study in big money and affectlessness. As one character remarks, 28-year-old Eric Packer "wants to be one civilization ahead of this one." But on an April day in the year 2000, Eric's fortune and life fall apart. The story tracks him as he traverses Manhattan in his stretch limo. His goal: a haircut at Anthony's, his father's old barber. But on this day his driver has to navigate a presidential visit, an attack by anarchists and a rapper's funeral. Meanwhile, the yen is mounting, destroying Eric's bet against it. The catastrophe liberates Eric's destructive instinct-he shoots another character and increases his bet. Mostly, the action consists of sequences in the back of the limo (where he stages meetings with his doctor, various corporate officers and a New Economy guru) interrupted by various pit stops. He lunches with his wife of 22 days, Elise Shifrin. He has sex with two women, his art consultant and a bodyguard. He is hit in the face with a pie by a protester. He knows he is being stalked, and the novel stages a final convergence between the ex-tycoon and his stalker. DeLillo practically invented the predominant vernacular of the late '90s (the irony, the close reading of consumer goods, the mock complexity of technobabble) in White Noise, but he seems surprisingly disengaged here. His spotlighted New Economy icon, Eric, doesn't work, either as a genius financier (he is all about gadgetry, not exchange-there's no love of the deal in his "frozen heart") or a thinker. The threats posed by the contingencies that he faces cannot lever him out of his recalcitrant one-dimensionality. DeLillo is surely an American master, but this time out, he is doodling.
Copyright 2002 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

Most helpful customer reviews
1 of 1 people found the following review helpful
3.0 out of 5 stars Interesting but tough to follow the plot. Feb 2 2012
Format:Paperback
I read this book over a year ago and it was very well written but I often found it hard to follow the plot. A lot of stuff is happening around Eric Packer and often I felt like it had no point and was not sure what was going on. Overall, I liked the book but it was not a book you picked up for a casual read, you really had to be paying attention to the entire scene. Interesting to see what the movie will be like.
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1 of 1 people found the following review helpful
4.0 out of 5 stars Simple, it isn't a novel Jan 3 2004
Format:Hardcover
As a novel it fails in every possible way: plot, characterization, dialogue etc.
If you consider Cosmopolis a prose poem it works a lot better. DeLillo should have gone all the way and write directly in verse. Cosmopolis could have been compared to The Dunciad, The Age of Anxiety, the 'dramatic monologues' of Robert Browning, The Vanity of Human Wishes, The Prelude, Byron.
In poetry the greatest possible meaning has to be expressed in the smallest possible space, and I think it works (to a point) in Cosmopolis.
The dialogues don't have to be naturalistic - just meaningful. The characters don't be to well rounded - they are just human types. The plot doesn't have to hang togheter - it has to illustrate the morality of the story.
The writing of DeLillo, in this way, is quite beatiful and his description of the effects that ridicolous wealth and power can have on people (both the rich, the hangers-on, the others) feels right.
And I don't really think that Cosmopolis is dated. A lot of things have changed after 9/11: among them not the lives of people like Eric Packer. Frankly I don't understand people who thinks that people like him are uninteresting or not important. Rich and powerful people are always interesting and important and no, they don't have to be sympathetic or human to command obedience, respect and even affection.
Of course, a real novel would have been better. Underworld is much better and important. Cosmopolis is an interesting attempt.
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2 of 3 people found the following review helpful
1.0 out of 5 stars Cosmopolis: A Novel July 14 2004
Format:Paperback
This is absolutly, by far, the worst book I have ever read. I purchased it in Germany at a train station where they did not have many english books to choose from. I should have just stared out the window during the long train ride! It was awful, depressing and just plain odd. The protagonist, Eric Packer is not the least bit interesting. He spends the day driving across Manhatten trying to get his hair cut, he meets various people along the way and has sex with many of them. He is married, but somehow he does not really know he is married. The odd thing is that he keeps running in to his wife when he decides to get out of his limo to get something to eat. How can she get across town when he can't? None of it makes any sense.

Don't bother!

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Most recent customer reviews
3.0 out of 5 stars A bad DeLillo is still better than a good Anybody
I guess I was lucky in that I began with Mao II and White Noise and went from there. So I know what DeLillo is capable of. I was giddy to read this new one. Read more
Published on Jun 24 2004 by zorkie1966
3.0 out of 5 stars Heavy Stuff
Right from the beginning, this book gives you an eerie feeling. It has an unsettling mood, set off initially by being told that the young 28-year old hero/tycoon hasn't slept in 4... Read more
Published on Jun 22 2004
1.0 out of 5 stars White Noise As Literature
I enjoyed Libra-- or remember enjoying it. I enjoyed the idea behind The Players and some of his other devices-- the Hitler porno tape in one of his other novels. Read more
Published on Jun 6 2004 by gordon keegan
3.0 out of 5 stars It's DeLillo, but...
I was fortunate to read End Zone in the year of publication. Great Jones Street, et al - I've been on board. Even attended the Underworld book tour appearance in Los Angeles. Read more
Published on May 16 2004 by Mark Twain
3.0 out of 5 stars Slow but not exactly sweet...
Right about the time I polished off "Underworld" for the third time, this new tome by the same author comes along. Read more
Published on Mar 9 2004 by Jeremy Ulrey
4.0 out of 5 stars A Yen is not just a unit of currency.
The dismissive reviews I read of Cosmopolis made me hesitate to buy it. After reading a library copy, I bought Cosmopolis to read a second time. Read more
Published on Feb 1 2004 by A DC Reader
3.0 out of 5 stars A Pastiche of Fascinating Set Pieces
DeLillo's latest novel continues his tradition of being more interested in the ideas his characters represent than in the characters themselves. Read more
Published on Jan 23 2004 by Gordon Neufeld
3.0 out of 5 stars delillo, up to a point anyway
cosmopolis is wanting in many ways. if you have come to appreciate the remarkable humour in an average delillo book, this will, no doubt, disappoint. Read more
Published on Dec 10 2003 by Charlie Mcintosh
2.0 out of 5 stars Even my favorites let me down once in a while
Bottom line: This is not one of DeLillo's best, and close to one of his worst. While it started out with promise, the promise was unfulfilled.

To me the pacing was interminable. Read more

Published on Nov 7 2003 by Rocco Dormarunno
2.0 out of 5 stars Some sentences worth reading; whole book is not
I went to see DeLillo read from this at the Steppenwolf in Chicago and left half way through. A friend who had attended the reading with me had bought a copy of the book. Read more
Published on Nov 5 2003 by J. Amedio
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