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Counterparts Original recording remastered, Import


Price: CDN$ 18.38 & FREE Shipping on orders over CDN$ 25. Details
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Product Details

  • Audio CD (Aug. 31 2004)
  • Number of Discs: 1
  • Format: Original recording remastered, Import
  • Label: Wrong
  • ASIN: B0002NRQTI
  • Other Editions: Audio CD  |  Audio Cassette
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (98 customer reviews)

1. Animate
2. Stick It Out
3. Cut To The Chase
4. Nobody's Hero
5. Between Sun & Moon
6. Alien Shore
7. The Speed Of Love
8. Double Agent
9. Leave That Thing Alone
10. Cold Fire
11. Everyday Glory


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Customer Reviews

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By Stephen Bieth TOP 50 REVIEWER on Jan. 11 2013
Format: Audio CD Verified Purchase
This the first album Rush started to move back to their power trio roots. Except for Show Don't Tell on Presto this the heaviest Rush got until the last couple of records. Was not sure about this one until a friend told me to give it another try. Glad I did because it's an excellent SACD. As for the SACD it sounds great. Only in stereo but the bass has much more of a presence here then the current domestic CD. If you are a fan and have equipment to play it I promise you will love it.
Hopefully there will be more but it's hard to say what if any they might be. Between the early catolog being reissues in 5.1 and the fact that Rush's new material is their strongest in years I doubt very much it's at the top of their list.
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1 of 1 people found the following review helpful By John Alapick on Dec 21 2003
Format: Audio CD
Counterparts continued Rush's return to the heavy sound of their earlier releases. While their albums from 2112 to Moving Pictures were fantastic all the way through, most of their subsequent albums were uneven, even though the musicianship was always stellar. Counterparts was their first album since Moving Pictures that was strong all the way through, containing no mediocre tracks.
The uptempo "Animate" starts out the album with a bang and hints at the heavier direction of the album. Geddy Lee's bass playing is in fine form throughout, particularly on "The Speed Of Love" and on the instrumental "Leave That Thing Alone." His vocals are also in fine form, especially on the excellent ballad "Nobody's Hero." Neil Peart's drumming continues to be impressive and his lyrics on many of the tracks, particularly on "Nobody's Hero", are among his most personal. Alex Lifeson continues to be pushed closer to the spotlight and his solos on the heavier cuts "Cut To The Chase" and "Alien Shore" are among his best. His background vocals are also more prevalent here than previous albums. Other strong tracks here include "Open Fire", "Double Agent", "Between Sun & Moon" and their ode to grunge, "Stick It Out." There are no instant classics here, like "Tom Sawyer" or "The Spirit Of Radio", but this is certainly one of Rush's more consistent albums and is definitely worth checking out.
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Format: Audio CD
Geddy is still using the Wal bass, but here it sounds so much better than on the previous few albums. Alex is still using Paul Reed Smith guitars to great effect. It seems that Engineer Kevin Shirley was able to really bring out the strengths of those instruments.

Overall the album has a warm, luxurious sound. The drums are full and thundering, unlike the previous couple of albums. Alex is playing in the mid- and lower-range which really pushes Geddy down into the lower registers where his bass really shines. The improvement over the last couple of albums is immediately obvious.

The boys are BACK!

This new sound really comes across in the opening track, "Animate". They really rock out for the first time in a long time--probably not since 'Hemispheres'. In certain places Geddy takes the beat and enables Neil to focus on some incredible fills. This song reminds me of some of the most powerful parts of '2112'.

"Stick It Out" has a really cool opening with a simple, biting riff and loads of feedback. Like "Animate", this is a solid rocker with some of Geddy's best singing on the album. I am fondly reminded of "Cygnus X-1". It is also very "Zepplin-esque". Alex burns up the solo!

The album continues with one great song after another! "Cut to the Chase" rocks out with beautiful doubling of bass and guitar in the opening riff. Again I am fondly reminded of "Cygnus X-1".

Then comes "Nobody's Hero". Erk! This song just doesn't belong beside "Cut to the Chase". It is too simple and melodic. It kills the momentum of the album. It really should have been grouped with "Alien Shore" and "The Speed of Love". "Hero" is a nice little song, but a bit over dramatic and over produced compared to the first three tracks.
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By A Customer on July 3 2004
Format: Audio CD
In my eyes, there are four different types of Rush fans.
1)Those that think that they like Rush because they've heard some of their songs and think they sound cool, but still don't really appreciate Neil's lyrical genius, or the entire trio's musical ingenuity.
2)Those that just think that Rush could never do better than Moving Pictures
3)Those that think the band has serious musical talent but can't stand Geddy's voice, and finally
4)Those who buy every cd they have ever released, eat, drink, breath, and sleep their music, have every single lyric memorized, and would do just about anything to get to meet the band.
I consider myself a member of the fourth group, as I fit almost all of that criteria, and becuaes none of the other three are close to me. People who think that Counterparts is a bad album, or not their best or slightly less than what they are capable of achieving should find themselves in the first three groups. Any fan who is true to the band, and who understands and appreciates both the entire trio's musical talents, as well as Neil's sheer lyrical genius should know that this is another winner. This band has been making the best music around for a long time, and they continue to do so with this album. Some say that some of the songs are lacking in various areas, and to those people I say this: Are you out of your mind? This is some of my favorite Rush material ever. The powerful opening tracks(Animate, Stick it Out, and Cut to the Chase) demonstrate Alex's ability to write strong, moving riffs, and almost shows Neil's ever present skill behind a drum kit. The ballads of the album(Nobody's Hero, Speed of Love, and Everyday Glory) clearly show Neil's talent in lyric writing.
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