- Audio CD (Feb 20 2003)
- SPARS Code: DDD
- Number of Discs: 1
- Label: Nonesuch
- ASIN: B00004SUVK
- Average Customer Review: 3.0 out of 5 stars See all reviews (4 customer reviews)
- Amazon Bestsellers Rank: #112,386 in Music (See Top 100 in Music)
Product Details
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| 1. New York Counterpoint: Fast |
| 2. New York Counterpoint: Slow |
| 3. New York Counterpoint: Fast |
| 4. Eight Lines (Octet) |
| 5. Four Organs |
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Most helpful customer reviews
4.0 out of 5 stars
This is not bad...,
By A Customer
This review is from: Ny Counterpoint/Eight Lines... (Audio CD)
This is, in my opinion not so good as Reich classic "Music for 18 mussicians" (I recommend Nonsuch version of that one because it is longer, more filled, has better sound than the others and sound IS importent for "cold" minimalist works I think).Even if it not so good as "Music for 18 musicians" it is very good but I cant give THIS a five because composers/jazz musicians/rock band sometimes do masterpieces and sometimes not and this is, comparing to "Music for 18 musicians" not in the same class but it has a lot. "New York counterpoint" reminds a BIT of piece mentioned above, "Eight lines" is a good one and "Four organs" could be annoying OR fun, depending on your mood. This is something for both newies AND old Rech fans here but if you are completly new... start with "Music for 18 musicians" then go to "Triple Quartet" and THEN to this is my advice. Dont let other bad reviews scare you about this. IT IS GOOD but it is a bit short (ca 45 minutes). Anyway it is intresting, fun and has a clear sound and it is very well performed.
3.0 out of 5 stars
Some interesting works. Some uninteresting.,
By
This review is from: Ny Counterpoint/Eight Lines... (Audio CD)
In my opinion, minimalist music definitely has its hits and misses. However, Steve Reich tends to weave far more aurally interesting patterns into his music than, say, Phillip Glass. On this CD is what I consider to be one of Reich's successes; the New York Counterpoint. This work for recorded clarinet soloist is able to hold its own as an interesting piece of music. It is in some ways reminiscent of Reich's 'Music for 18 Instruments,' as there are droning pulses that appear periodically and contrapuntal repetitions. The movements each have a distinct character. The first is mysterious, the second contemplative and the third silly and carefree. The third movement also incorporates jazzish rhythms into the mix. This piece is a really excellent example of using minimal means to maximum effect.The other pieces are less interesting. The 'Octet' often drags and 'Four Organs' definitely does, although it has a certain hypnotic quality that the Octet lacks. Four Organs is one of those pieces that created audience uproar when it was played in New York, so it's always interesting to hear what people fussed about. Overall, 'Four Organs' is the earliest and most experimental piece. By contrast it is pretty rugged; the Hammond organs create a wall of homogenous sound that really starts to grate on you unless you stop waiting for it to change. The Octet, I think straddles the line between 'New York....' and 'Four Organs' both chronologically and in terms of the duration of repetitions. In 'New York...' things change just when they become uninteresting. In 'Four Organs' things don't change and you just need to adapt yourself to what is going on. 'Octet' yields a little; it is not as mechanistic as 'Four Organs,' but still leaves you getting bored with the events before they change. New York Counterpoint is worth it, and 'Four Organs' is historically interesting. Perhaps the octet is interesting filler.
1.0 out of 5 stars
RepeticiónRepeticiónRepeticiónetc,
By Francisco J. Muñoz (Santa Cruz, Bolivia) - See all my reviews
This review is from: Ny Counterpoint/Eight Lines... (Audio CD)
La verdad es que la música de Steve Reich, es de lo más aburrida y poco creativa que uno se pueda imaginar. Al margen de alguna que otra idea bien realizada, el resto del disco es decepcionante.Un disco para obviar.
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