From Publishers Weekly
Starred Review. Seven years after
Cities of the Plain brought his acclaimed Border Trilogy to a close, McCarthy returns with a mesmerizing modern-day western. In 1980 southwest Texas, Llewelyn Moss, hunting antelope near the Rio Grande, stumbles across several dead men, a bunch of heroin and $2.4 million in cash. The bulk of the novel is a gripping man-on-the-run sequence relayed in terse, masterful prose as Moss, who's taken the money, tries to evade Wells, an ex–Special Forces agent employed by a powerful cartel, and Chigurh, an icy psychopathic murderer armed with a cattle gun and a dangerous philosophy of justice. Also concerned about Moss's whereabouts is Sheriff Bell, an aging lawman struggling with his sense that there's a new breed of man (embodied in Chigurh) whose destructive power he simply cannot match. In a series of thoughtful first-person passages interspersed throughout, Sheriff Bell laments the changing world, wrestles with an uncomfortable memory from his service in WWII and—a soft ray of light in a book so steeped in bloodshed—rejoices in the great good fortune of his marriage. While the action of the novel thrills, it's the sensitivity and wisdom of Sheriff Bell that makes the book a profound meditation on the battle between good and evil and the roles choice and chance play in the shaping of a life.
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From Booklist
*Starred Review* Dark themes suffuse McCarthy's first offering since his completion of
The Border Trilogy, wose opening installment,
All the Pretty Horses earned him both the National Book Award and National Book Critics Circle Award in 1992. Texas welder Llewelyn Moss makes a dubious discovery while out hunting antelope near the banks of the Rio Grande: a dead man, a stash of heroin, and more than $2 million in cash. Moss packs out the money, knowing his actions will imperil him for the rest of his life. He's soon on the run, left to his own devices against vengeful drug dealers, a former Special Forces agent, and a psychopathic freelance killer with ice blue eyes. Shades of Dostoyevsky, Hemingway, and Faulkner resonate in McCarthy's blend of lyrical narrative, staccato dialogue, and action-packed scenes splattered with bullets and blood. McCarthy fans will revel in the author's renderings of the raw landscapes of Mexico and the Southwest and the precarious souls scattered along the border that separates the two. Many are the men here who maim in the name of drugs. "If you killed 'em all," says the local sheriff, "they'd have to build an annex onto hell."
Allison BlockCopyright © American Library Association. All rights reserved
--This text refers to the
Hardcover
edition.