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Crack'd Pot Trail: A Malazan Tale of Bauchelain and Korbal Broach [Hardcover]

Steven Erikson
4.0 out of 5 stars  See all reviews (2 customer reviews)
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Book Description

Sep 13 2011

It is an undeniable truth: give evil a name and everyone’s happy.  Give it two names and…why, they’re even happier.

Intrepid necromancers Bauchelain and Korbal Broach, scourges of civilization, raisers of the dead, reapers of the souls of the living, devourers of hope, betrayers of faith, slayers of the innocent, and modest personifications of evil, have a lot to answer for and answer they will. Known as the Nehemoth, they are pursued by countless self-professed defenders of decency, sanity, and civilization. After all, since when does evil thrive unchallenged? Well, often—but not this time.

Hot on their heels are the Nehemothanai, avowed hunters of Bauchelain and Korbal Broach. In the company of a gaggle of artists and pilgrims, stalwart Mortal Sword Tulgord Vise, pious Well Knight Arpo Relent, stern Huntsman Steck Marynd, and three of the redoubtable Chanter brothers (and their lone sister) find themselves faced with the cruelest of choices. The legendary Crack’d Pot Trail, a stretch of harsh wasteland between the Gates of Nowhere and the Shrine of the Indifferent God, has become a tortured path of deprivation.

Will honor, moral probity, and virtue prove champions in the face of brutal necessity? No, of course not. Don’t be silly.


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Product Description

About the Author

STEVEN ERIKSON is an archaeologist and anthropologist and a graduate of the Iowa Writers’ Workshop. His previous novels in the Malazan Book of the Fallen series—Gardens of the Moon, Deadhouse Gates, Memories of Ice, House of Chains, Midnight Tides, The Bonehunters, and Reaper’s Gale—have met with widespread international acclaim and established him as a major voice in the world of fantasy fiction. He lives in the United Kingdom.

Excerpt. © Reprinted by permission. All rights reserved.

“There will always be innocent victims in the pursuit of evil.”
 

The long years are behind me now. In fact, I have never been older. It comes to a man’s career when all of his cautions—all that he has held close and private for fear of damaging his reputation and his ambitions for advancement—all in a single moment lose their constraint. The moment I speak of, one might surmise, arrives the day—or more accurately, the first chime after midnight—when one realizes that further advancement is impossible. Indeed, that caution never did a thing to augment success, because success never came to pass. Resolved I may be that mine was a life gustily pursued, riches admirably attained and so forth, but the resolution is a murky one nonetheless. Failure wears many guises, and I have worn them all.
The sun’s gilded gift enlivens this airy repose, as I sit, an old man smelling of oil and ink, scratching with this worn quill whilst the garden whispers on all sides and the nightingales crouch mute on fruit-heavy branches. Oh, have I waited too long? Bones ache, twinges abound, my wives eye me from the shadows of the colonnade with black-tipped tongues poking out from painted mouth, and in the adjudicator’s office the water-clock dollops measured patience like the smacking of lips.
Well I recall the glories of the holy cities, when in disguise I knelt before veiled tyrants and god-kissed mendicants of the soul, and in the deserts beyond the crowded streets the leather-faced wanderers of the caravan tracks draw to the day’s end and the Gilk guards gather in shady oases and many a time I traveled among them, the adventurer none knew, the poet with the sharp eyes who earned his keep unraveling a thousand tales of ancient days—and days not so ancient, if only they knew.
They withheld nothing, my rapt listeners, for dwelling in a desert makes a man or woman a willing audience to all things be they natural or unnatural; while I, for all the wounds I delivered, for all the words of weeping and the joys and all the sorrows of love and death that passed my tongue, smooth as olives, sweetly grating as figs, I never let a single drop of blood. And the night would draw on, in laughter and tears and expostulations and fervent prayers for forgiveness (eyes ashine from my languid explorations of the paramour, the silk-drenched beds and the flash of full thigh and bosom) as if the spirits of the sand and the gods of the whirlwinds might flutter in shame and breathless shock—oh no, my friends, see them twist in envy!
My tales, let it be known, sweep the breadth of the world. I have sat with the Toblai in their mountain fastnesses, with the snows drifting to bury the peeks of the longhouses. I have stood on the high broken shores of the Perish, watching as a floundering ship struggled to reach shelter. I have walked the streets of Malaz City, beneath Mock’s brooding shadow, and set eyes upon the Deadhouse itself. Years alone assail a mortal wanderer, for the world is round and to witness it all is to journey without end.
But now see me in this refuge, cooled by the trickling fountain, and the tales I recount upon these crackling sheets of papyrus, they are the heavy fruits awaiting the weary traveler in yonder oasis. Feed then or perish. Life is but a search for gardens and gentle refuge, and here I sit waging the sweetest war, for I shall not die while a single tale remains to be told. Even the gods must wait spellbound.
Listen then, nightingale, and hold close and sure to your branch. Darkness abides. I am but a chronicler, occasional witness and teller of magical lies in which hide the purest truths. Heed me well, for in this particular tale I have my own memory, a garden riotous and overgrown yet, dare I be so bold, rich in its fecundity, from which I now spit these gleaming seeds. This is a story of the Nehemoth, and of their stern hunters, and too it is a tale of pilgrims and poets, and of me, Avas Didion Flicker, witness to it all.
There on the pilgrim route across the Great Dry, twenty-two days and twenty-three nights in a true season from the Gates of Nowhere to the Shrine of the Indifferent God, the pilgrim route known to all as Cracked Pot Trail. We begin with the wonder of chance that should gather in one place and at one time such a host of travelers, twenty-three days beyond the Gate. And too the curse of mischance, that the season was unruly and not at all true. Across the bleak wastes the wells were dry, the springs mired in foul mud. The camps of the Finders were abandoned, their hearth-ashes cold. Our twenty-third day, yet we still had far to go.
Chance for this gathering. Mischance for the straits these travelers now found themselves in. And the tale begins on this night, in a circle round a fire.
What is a circle but the mapping of each and every soul?

 
Copyright © 2009 by Steven Erikson


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Most helpful customer reviews
2 of 2 people found the following review helpful
3.0 out of 5 stars Disappointing. . . July 31 2010
By Patrick St-Denis TOP 500 REVIEWER
Format:Hardcover
As you're all undoubtedly aware, over the last few years I became a huge Steven Erikson fan, and I'm always looking forward to the next Malazan installment. Surprisingly, though I can't get enough of The Malazan Book of the Fallen due to it being so ambitious a tale and so vast in scope, the author's hilarious short fiction stories comprised of the Bauchelain and Korbal Broach novellas have been totally satisfying reading experiences. So far at least. . .

Here's the blurb:

It is an undeniable truth: give evil a name and everyone's happy. Give it two names and . . . why, they're even happier.

The intrepid necromancers Bauchelain and Korbal Broach, scourges of civilization, raisers of the dead, reapers of the souls of the living, devourers of hope, betrayers of faith, slayers of the innocent and modest personifications of evil, have a lot to answer for and answer they will. Known as the Nehemoth, they are pursued by countless self-professed defenders of decency, sanity and civilization. After all, since when does evil thrive unchallenged? Well, often: but not this time.

Hot on their heels are the Nehemothanai, avowed hunters of Bauchelain and Korbal Broach. In the company of a gaggle of artists and pilgrims, stalwart Mortal Sword Tulgord Vise, pious Well Knight Arpo Relent, stern Huntsman Steck Marynd, and three of the redoubtable Chanter brothers (and their lone sister) find themselves faced with the cruelest of choices. The legendary Cracked Pot Trail, a stretch of harsh wasteland between the Gates of Nowhere and the Shrine of the Indifferent God, has become a tortured path of deprivation.

Will honour, moral probity and virtue prove champions in the face of brutal necessity? No, of course not. Don't be silly.

Having thoroughly enjoyed Blood Follows, The Healthy Dead, and The Lees of Laughter's End, I couldn't wait to sink my teeth into Crack'd Pot Trail. For if I couldn't read Erikson's The Crippled God, then a new novella featuring my two favorite necromancers and their manservant seemed to be the next best thing. Expecting more of the same in style and tone, I was sorely disappointed. Indeed, while the first three novellas were fun-filled reads showcasing the misadventures of this unlikely trio, Crack'd Pot Trail is more akin to a weird experimental theatre play. The narrative is all over the place and often lacks coherence. At times I found myself wondering what the heck this novella was supposed to be about.

I habitually go through Erikson's novellas in one or two sittings, always bemoaning the fact that the end is reached all too rapidly. Yet with Crack'd Pot Trail, it took me about two weeks to finish a 181-page novella. I kept expecting, or at the very least hoping, that Erikson would turn it around with one of his unanticipated twists that would leave me dumbfounded. But alas, in the end the novella turns out to be a collection of reflections on the nature of art, being an artist, and their relationships with inspiration, their fans, and their craft.

Moreover, the novella's focus remains on the various members of the Nehemothanai. Emancipor Reese, Bauchelain, and Korbal Broach don't make a single appearance until the bottom of page 180. Considering that these three are at the heart of the stories, this was a major disappointment.

As always, humor abounds in this latest short fiction piece, but it doesn't always work. Whereas I found myself chuckling often while reading its predecessors, the humor in Crack'd Pot Trail frequently felt strained and wasn't as funny as in the previous novellas.

The ending, at least, promises more interesting adventures to come. Still, Crack'd Pot Trail, based on the potential of the novellas which came before it, can't be considered anything but a letdown.
Was this review helpful to you?
By R. Nicholson TOP 500 REVIEWER
Format:Hardcover
"Crack'd Pot Trail: A Malazan Tale of Bauchelain and Korbal Broach" is a short fantasy adventure by Canadian author Steven Erikson. This is available in hardcover for $16.49 while the Kindle e-version is a 271 Kb download and is priced at $9.99

SPOILER

An unlikely group of travelers going from the 'Gates of Nowhere' to the 'Shrine of the Indifferent God', find themselves in great difficulty on the Crack'd Pot Trail (also known as the Great Dry, because of its extreme aridity and the long stretches of barren rocky and dust filled terrain). Provisions dwindle as the trip takes much longer than expected and our sordid group of misfits are left with some difficult choices. Of course being 'sordid' and 'misfits' qualifies them (some might say joyously) to come up with some unique and enterprising solutions. Fair to say, some of our travelers might be a tad shocked with the ideas put forth.

END SPOILERS

Steven Erikson is a brilliant writer...his Malazan series is a testament to his genius. However having said that, the writing, as evidenced in the latter books of that series, was at times difficult to interpret and understand. Such is the case here. This is not a book for a simple casual read...it is a tale of veiled intentions many of which are shrouded in double ententes. However if you take your time you will savor this unusual and most interesting story.

I've been fortunate enough to have read all the Bauchelain and Korbal Broach series and I must say they keep improving with every new book. In fact, I think I'm beginning to enjoy Erikson's short works more than his longer traditional novels simply because I don't have to spend as much time and energy continually deciphering some of the obscure meanings written into some of his characters' dialogues.

The tale itself is typically Erikson and his unusual, (often unsavory) characters. It is a testament to the depravities of man, crimes against human nature and of moral bankruptcy; all told with a biting, cutting truth and more often as not, with some subtle humor...there were several laugh-out-loud moments in this short work.

My only complaint...the price ($9.99)...maybe a bit high. But then again I wasn't forced to buy it.

Conclusion:
I suspect there will be some that won't like this work, because they'll have to...er...well, work at it. Not an easy read...Erikson is never an easy read. But there is something deeper here than seem first apparent...if you have the time and inclination to get below the surface, then this is a work I'm sure you'll enjoy.

As it is...5 Stars.

Ray Nicholson
raynicholsonsreviews@hotmail.comk
Was this review helpful to you?
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 3.4 out of 5 stars  5 reviews
7 of 8 people found the following review helpful
3.0 out of 5 stars Disappointing. . . July 31 2010
By Patrick St-Denis - Published on Amazon.com
Format:Hardcover
As you're all undoubtedly aware, over the last few years I became a huge Steven Erikson fan, and I'm always looking forward to the next Malazan installment. Surprisingly, though I can't get enough of The Malazan Book of the Fallen due to it being so ambitious a tale and so vast in scope, the author's hilarious short fiction stories comprised of the Bauchelain and Korbal Broach novellas have been totally satisfying reading experiences. So far at least. . .

Here's the blurb:

It is an undeniable truth: give evil a name and everyone's happy. Give it two names and . . . why, they're even happier.

The intrepid necromancers Bauchelain and Korbal Broach, scourges of civilization, raisers of the dead, reapers of the souls of the living, devourers of hope, betrayers of faith, slayers of the innocent and modest personifications of evil, have a lot to answer for and answer they will. Known as the Nehemoth, they are pursued by countless self-professed defenders of decency, sanity and civilization. After all, since when does evil thrive unchallenged? Well, often: but not this time.

Hot on their heels are the Nehemothanai, avowed hunters of Bauchelain and Korbal Broach. In the company of a gaggle of artists and pilgrims, stalwart Mortal Sword Tulgord Vise, pious Well Knight Arpo Relent, stern Huntsman Steck Marynd, and three of the redoubtable Chanter brothers (and their lone sister) find themselves faced with the cruelest of choices. The legendary Cracked Pot Trail, a stretch of harsh wasteland between the Gates of Nowhere and the Shrine of the Indifferent God, has become a tortured path of deprivation.

Will honour, moral probity and virtue prove champions in the face of brutal necessity? No, of course not. Don't be silly.

Having thoroughly enjoyed Blood Follows, The Healthy Dead, and The Lees of Laughter's End, I couldn't wait to sink my teeth into Crack'd Pot Trail. For if I couldn't read Erikson's The Crippled God, then a new novella featuring my two favorite necromancers and their manservant seemed to be the next best thing. Expecting more of the same in style and tone, I was sorely disappointed. Indeed, while the first three novellas were fun-filled reads showcasing the misadventures of this unlikely trio, Crack'd Pot Trail is more akin to a weird experimental theatre play. The narrative is all over the place and often lacks coherence. At times I found myself wondering what the heck this novella was supposed to be about.

I habitually go through Erikson's novellas in one or two sittings, always bemoaning the fact that the end is reached all too rapidly. Yet with Crack'd Pot Trail, it took me about two weeks to finish a 181-page novella. I kept expecting, or at the very least hoping, that Erikson would turn it around with one of his unanticipated twists that would leave me dumbfounded. But alas, in the end the novella turns out to be a collection of reflections on the nature of art, being an artist, and their relationships with inspiration, their fans, and their craft.

Moreover, the novella's focus remains on the various members of the Nehemothanai. Emancipor Reese, Bauchelain, and Korbal Broach don't make a single appearance until the bottom of page 180. Considering that these three are at the heart of the stories, this was a major disappointment.

As always, humor abounds in this latest short fiction piece, but it doesn't always work. Whereas I found myself chuckling often while reading its predecessors, the humor in Crack'd Pot Trail frequently felt strained and wasn't as funny as in the previous novellas.

The ending, at least, promises more interesting adventures to come. Still, Crack'd Pot Trail, based on the potential of the novellas which came before it, can't be considered anything but a letdown.
3 of 4 people found the following review helpful
5.0 out of 5 stars The genius is in the story beneath the story Sep 19 2011
By Flash - Published on Amazon.com
Format:Hardcover
If you are considering this book because you are ready to dive into the latest outlandish adventure featuring none other than the evil Necromancer's, Bauchelain and Korbal Broach, then HOLD OFF because that is not what this book is. If instead, you want to gain a little insight into the mind of the artist/author (in this case Steven Erikson), then this book is definitely worth your time. Underlying the Malazan setting and story is a clearly satirical story about art, criticism, and the methods employed by the artist in making their art. And despite the satire, I believe there are some revealing (autobiographical) tidbits to take away on Steve Erikson's own opinions on the making of his art. Where I found this most book interesting was in those introspective moments by the story's narrator. Here is one example: "I look upon the young and see a generation of such courage as to dare nothing more than the ankle-deep, and see them standing proud and arrogant upon the thin shorelines of unknown seas-and to call this living!" There truly are some profound insights in this book, many worth underlining for future reference. Probably not what you'd expect from a B&KB novella. When you understand what this book is about, the Malazan story itself becomes very enjoyable. And in the end, then there is something that makes me think the next B&KB book will have a lot more action. Read and find out.
5.0 out of 5 stars Twisted Feb 11 2013
By R. Richards - Published on Amazon.com
Format:Hardcover
Erikson is either a very sick or a semi-enlightened man (both?). Hopefully he has a wife that keeps a close watch on him. This presentation bears the dramatic feel of a comedic stage play, with poignant, cynical, thinly veiled social commentary throughout (I must confess to agree). This little story is a true blatant fantasy, written in a deliciously loose style. Erikson is inviting the reader to come out and play---in the daaaaark! Do so your own peril. Brilliant! I just finished a new book in a different(lighter)genre that I enjoyed. Check it out:The Sacred Spring of the Blood Royal: The Secret Order of the Grail
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