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A Creed in Stone Creek [Mass Market Paperback]

Linda Lael Miller

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Book Description

Feb. 22 2011 The Creed Cowboys
When single attorney Steven Creed becomes guardian of an orphaned five-year-old boy, he trades his big-city law firm for a ranch near his McKettrick kin in the close-knit community of Stone Creek, Arizona. Taking care of little Matt and fixing up his run-down ranch house with its old barn loosens something tightly wound inside him. But when Steven takes on the pro bono defense of a local teen, he meets his match in the opposing counsel—beautiful, by-the-book county prosecutor Melissa O'Ballivan. It'll take one grieving little boy, a sweet adopted dog and a woman who never expected to win any man's heart to make this Creed in Stone Creek know he's truly found home.

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Product Details

  • Mass Market Paperback: 384 pages
  • Publisher: HQN Books (Feb. 22 2011)
  • Language: English
  • ISBN-10: 0373775555
  • ISBN-13: 978-0373775552
  • Product Dimensions: 16.8 x 10.8 x 2.6 cm
  • Shipping Weight: 181 g
  • Amazon Bestsellers Rank: #250,802 in Books (See Top 100 in Books)

Product Description

About the Author

The daughter of a town marshal, Linda Lael Miller is the author of more than 100 historical and contemporary novels. Now living in Spokane, Washington, the “First Lady of the West” hit a career high when all three of her 2011 Creed Cowboy books debuted at #1 on the New York Times list. In 2007, the Romance Writers of America presented her their Lifetime Achievement Award. She personally funds her Linda Lael Miller Scholarships for Women. Visit her at LindaLaelMiller.com.

Excerpt. © Reprinted by permission. All rights reserved.

Some instinct—or maybe just a stir of a breeze—awakened Steven Creed; he sat up in bed, took a fraction of a moment to orient himself to unfamiliar surroundings. One by one, the mental tumblers clicked into place:

Room 6. Happy Wanderer Motel and Campground. Stone Creek, Arizona.

The door stood open to the fresh high-country air, which was crisply cool on this early June night, but not cold, and the little boy—Steven's newly adopted son— sat on the cement step outside. A bundle—probably his favorite toy, a plush skunk named Fred, rolled up in his blanket—rested beside him, and the boy's tiny frame was rimmed in an aura of silvery-gold moonlight.

Something tightened in Steven's throat at the poignancy of the sight.

Poor kid. It wasn't hard to guess who he was waiting for. Matt was small, with his dad's dark hair and his mother's violet eyes, and he was exceptionally intelligent—maybe even gifted—but he was still only five years old.

How could he be expected to comprehend that his folks, Zack and Jillie St. John, were gone for good? That they wouldn't be coming to pick him up, no matter how hard he hoped or how many stars he wished on, that night or any other.

Steven's eyes burned, and he had to swallow the hard ache that rose in his throat.

Jillie had succumbed to a particularly virulent form of breast cancer a year and a half ago, and Zack had only lasted a few months before the grief dragged him under, too—however indirectly.

"Hey, Tex," Steven said, trying to sound casual as he sat up on the thin, lumpy mattress of the foldout sofa— he'd given the bed to the child when they checked in that evening. Steven shoved a hand through his own dark blond hair. "What's the trouble?" His voice was hoarse. "Can't sleep?"

Matt looked back at him, shook his head instead of answering aloud.

He looked even smaller than usual, sitting there in the expanse of that wide-open doorway.

Steven rolled out of bed, shirtless and barefoot, wearing a pair of black sweatpants that had seen better days.

He crossed the scuffed linoleum floor, stepped over the threshold and sat down beside Matt on the step, interlacing his fingers, letting his elbows rest on his knees. There was enough of a chill in the air to raise goose bumps wherever his skin was bare, so he figured Matt had to be cold, too, sitting there in his cotton pajamas. With a sigh, Steven squinted to make out the winding sparkle of the nearby creek, sprinkled in starlight, edged by oak trees, with night-purple mountains for a backdrop.

Matt leaned into him a little, a gesture that further melted Steven's already-bruised heart.

Carefully, Steven put an arm around the boy, to lend not only reassurance, but warmth, too. "Having second thoughts about turning rancher this late in your life?" he teased, thinking he couldn't have loved Matt any more if he'd been his own child, instead of his best friend's.

In the morning, Steven would attend the closing over at the Cattleman's Bank, and sign the papers making him the legal owner of a fifty-acre spread with a sturdy though run-down two-story house and a good well but not much else going for it. The rickety fences had toppled over years ago, defeated by decades of heavy snow in winter and pounding rain come springtime, and the barn was unsalvageable. Yet something about the place had reached out to him and grabbed hold, just the same.

The small ranch had been a home once, and it could be one again, with a lot of elbow grease—and a serious chunk of change. Fortunately, money wasn't a problem for Steven, which wasn't to say there weren't plenty of other things to chap his figurative hide.

Sometimes, he felt just as lost as Matt did.

Matt's mouth quirked up at one side in a flimsy attempt at a smile, all the more touching because of the obvious effort involved. "I'm only five years and three months old," he said, in belated reply to Steven's question, in that oddly mature way of his. "It's not late in my life, because my life just got started." The little guy had skipped the baby-talk stage entirely; he hadn't even tried to talk until he was past two, but he'd spoken in full sentences from then on.

"Five, huh?" Steven teased, raising one eyebrow. "If you weren't so short, I'd say you were lying about your age. Come on, admit it—you're really somebody's grandfather, posing as a kid."

The joke, a well-worn favorite, fell flat. Matt's small shoulders moved with the force of his sigh, and he leaned a little more heavily into Steven's side.

"Feeling lonesome?" Steven asked, after clearing his throat.

Matt nodded, looking up at Steven. His eyes were huge and luminous in the predawn darkness. "I need a dog," the boy announced solemnly.

Steven chuckled, ruffled Matt's hair, gleaming dark as a raven's wing in the night. Relief swelled inside him, flailed behind his chest wall like a living thing doing its best to escape. A dog was something he could manage.

"Soon as we're settled," he promised, "we'll visit the animal shelter and pick out a mutt."

"Do they have ponies at the shelter, too?" The question cheered Steven; Matt was pushing the envelope, so to speak, and that had to be a good sign.

They'd already had the pony discussion—repeatedly.

"You know the deal, Tex," he reminded the little boy quietly. "The fences need to be replaced before we can keep horses, and the barn, too."

Matt sighed again, deeply. "That might take a long time," he lamented, "since you'll be working in town every day."

Steven fully intended to settle down in Stone Creek, build a normal life for his young charge and for himself. And to him, normal meant showing up somewhere on weekday mornings and putting in eight hours—whether he needed the paycheck or not.

He'd had to fight just to get through high school, let alone prelaw in college, and then earn the graduate degree that had qualified him to take the bar exam—a frustrating variety of learning disorders had all but crippled him early in his life. Although they'd been corrected, thanks to several perceptive teachers, he'd had a lot of catching up to do.

Still felt as if he was scrambling, some of the time.

Steven ruffled Matt's hair. "Yep," he agreed. "I'll be working."

"What about me? Where will I be when you're gone?"

They'd already covered that ground, numerous times, but after everything—and everybody—the little guy had lost over the past couple of years, it wasn't surprising that he needed almost constant reassurance. "You'll be in day camp," Steven said. "Until you start first grade in the fall, anyhow."

Matt's chin jutted out a little way, the angle obstinate and so reminiscent of Zack that the backs of Steven's eyes stung again. Zack St. John had been his best friend since middle school, a popular athlete, excellent student and all-around good guy. Losing Jillie had been a terrible blow, knocking Zack for the proverbial loop—he'd gone wild and finally died when, driving too fast down a narrow mountain road, he'd lost control somehow and laid his motorcycle down.

"Couldn't I just go to the office with you?" the boy asked, his voice even smaller than he was. "I might not like day camp. Anyhow, it's summer. Who goes to day camp in summer?"

Steven sighed and got to his feet. "Lots of kids do," he said. "And you might just wind up thinking day camp is the greatest thing since 3D TV." He extended a hand. "Come on, Tex. Let's get you back to bed. Tomorrow might be a long day, and you'll need your rest."

Matt reached for the stuffed skunk, and wound up in the now-tattered blanket he always kept close at hand. Jillie had knitted that herself, especially to bring her and Zack's infant son home from the hospital in, but the thing had been through some serious wear-and-tear since then.

Steven supposed that Matt was too old to be so attached to a baby blanket, but he didn't have the heart to take it away.

So he watched as the little boy got to his feet, trundled back inside, took a brief detour to the bathroom and then stood in the middle of the small room, looking forlorn.

"Can I sleep with you?" he asked. "Just for tonight?"

Steven tossed back the covers on the sofa bed and stretched out, resigned to the knowledge that he probably wouldn't close his eyes again before the morning was right on top of him. "Yeah," he said. "Hop in."

Matt scrambled onto the bad mattress and squirmed a little before settling down.

Steven stretched to switch off the lamp on the bedside table.

"Thanks," Matt said, in the darkness.

"You're welcome," Steven replied.

"I dreamed about Mom and Dad," Matt confided, after a silence so long that Steven thought he'd gone to sleep. "They were coming to get me, in a big red truck. That's why I was sitting on the step when you woke up. It took me a little while to figure out that it was just a dream."

"I thought it was something like that," Steven said, when he could trust himself to speak.

"I really miss them," Matt admitted.

"Me, too," Steven agreed, his voice hoarse.

"But we're gonna make it, right? You and me? Because we're pardners till the end?"

Steven swallowed, blinked a couple of times, glad of the darkness. "Pardners till the end," he promised. "And we are definitely gonna make it."

"Okay," Matt yawned, apparently satisfied. For the moment, anyhow. He'd ask again soon. "'Night."

"'Night," Steven replied.

Soon, the child was asleep.

Eventually, though he would have bet it wouldn't h...

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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 3.8 out of 5 stars  113 reviews
25 of 28 people found the following review helpful
1.0 out of 5 stars Miller Is Better Than This March 15 2011
By Melissa McHugh - Published on Amazon.com
Format:Mass Market Paperback
I have two things to say before I explain why I thought this book was bad. First, I like series--I like to get to know my characters before they have their own book, I like that I get to see what happens to my characters after their book and one of the strong things about Linda Lael Miller is that she uses a lot of the same characters due to her McKettrick series. I also love Linda Lael Miller in particular, mostly because I like westerns and I can always count on her to write them.

What went wrong with this book is what usually goes wrong with series. A good romance series is connected but books should stand alone and this didn't happen. Melissa O'Ballivan didn't work as a character because I feel like I was obligated to read her siblings' books to understand her. I also have a very big problem with her occupation -- Miller writes Melissa as Maricopa County prosecutor, who has very little to do at all the entire day. That doesn't work for me and Miller should know better. It's her misfortune that I was watching an episode of Cold Case Files the day after reading this book and saw Maricopa County's District Attorney's office interviewed and saw that were many people involved in the office and that Scottsdale and Phoenix are part of the county. It's population is over 3 million. It's office wouldn't be in Stone Creek, AZ and Melissa would have more to do. If it's just a satellite office and she's one of many attorneys, fine. But that's not Miller's Melissa O'Ballivan is written.

So the heroine is weakly written and kind of just walks through the book. The hero is even worse. There's too much about his cute adopted son, his cute adopted dog, and his complicated family. He doesn't like strong female lawyers because of a past relationship. And what's all I know about Steven Creed. Oh, and he's sexy.

I never saw relationship that was more than physical in nature. I never saw why Melissa would decide to marry Steven over a past relationship. I didn't understand why Miller wrote a conflict between the two with Melissa as prosecutor and Steven as a defense attorney, and rather than have them work it out, Melissa decides she'll change her job after her term is over. That's not much of a strong female character.

The ending is rushed, as if Miller realized she had about two chapters to get these two together and instead of fixing the conflict, she just eliminates it. I didn't really get that Melissa was all that disatisfied with her job, so her decision to change it based on a guy she doesn't know that well isn't satisfying.

I love Linda Lael Miller, but the only thing this book did was set up books for Steven's family and tie up the last unmarried O'Ballivan. The only aspect I enjoyed was the subplot of Byron Cahill's redemption, but even that was relegated to the background and not well dealt with.

It's such a disappointment to me and I know Miller can be better than this.
24 of 28 people found the following review helpful
5.0 out of 5 stars Engrossing Best Book!! Feb. 22 2011
By LAS Reviewer - Published on Amazon.com
Format:Mass Market Paperback
When you discover an author who talks to you through their writing, it is an exciting moment. Then when that author delivers one great series after another and connects them by beginning another series, well that is even more exciting.

Linda Lael Miller is truly the Queen of contemporary westerns and delivers the beginning of another of her wonderful, heartwarming series bringing together the McKettricks, the Creeds, the O'Ballivans and Stone Creek.

Prosecutor Melissa O'Ballivan and Defense Attorney Steven Creed meet when Steven brings his newly adopted godson to Stone Creek to begin a new life. Surrounded by relatives galore, the inevitable occurs when they meet and have instant attraction and sizzle. Dealing with locals, parades and opposing sides of a case bring out the best and worst of each of them, but will they overcome their personal issues and learn to love?

Steven and Melissa are very contemporary but have the same issues and dynamics of their predecessors in Miller's historical pieces of their family tree. Love and relationships don't change, the only thing that changes are the circumstances and hem length.

I do so love the dialogue and banter between her characters. It is so natural, free flowing and emotional without being silly, syrupy or underwhelming.

The author brings to life the many different personalities who are entertaining and versatile while meeting Steven's twin cousins set up the rest of the series perfectly...introductions without too much information.

Sit back and enjoy the newest members of Linda Lael Millers series library. They welcome you into their lives with every turn of the page.

Originally posted at The Long and Short of It Romance Reviews
12 of 14 people found the following review helpful
2.0 out of 5 stars disappointed Feb. 28 2011
By bjsmith - Published on Amazon.com
Format:Mass Market Paperback|Verified Purchase
I was so disappointed in this book. I am huge fan of LLM but this one fell flat and well, boring. There was virtually no chemistry between the two main characters. I guess we were supposed to read between the lines and understand "the connection" they felt. Too many pages devoted to Melissa and Tom and Steven and Matt and the two women arguing about toilet paper. I love western romances and reading about a cowboy but Steven seemed to tear up at the drop of a hat. My picture of a cowboy is a Sam Elliott type. I want my heroes to be a little more rugged. Also, it seems that LLM is falling into a rut with these series books. I have enjoyed them but they all follow a pattern. I hope LLM doesn't fall into the Diana Palmer style of writing where the theme of her books are so repetitious. I so hope that the next book in the series is better.
5 of 6 people found the following review helpful
2.0 out of 5 stars A lukewarm and dated, washed out Western romance March 28 2011
By Stella (Ex Libris) - Published on Amazon.com
Format:Mass Market Paperback
My Thoughts: I'm not an expert when it comes to Western romances, so far I have only read about half a dozen of this genre, but I enjoyed those a lot, so I was looking forward to A Creed in Stone Creek, especially given its single-dad-raising-an-orphaned-little-boy premise and that as a junior lawyer I like reading novels where the hero and heroines are law practioners. Unfortunately A Creed in Stone Creek left me lukewarm.

A Creed in Stone Creek takes place in nowadays' Arizona, but it feels dated, as if the reader is back in the '50s and that made me lose my grip on the story and its reality a couple of times.

Though there is a blatant black and white categorization: happy women living in Stone Creek are married, pregnant, great cooks and happy housewives, it wasn't even this that I took offense with. It was the fact that Linda Lael Miller tries hard to portray Melissa, our heroine as feminist and independent, but it rings hollow as Melissa is like a Stepford housewife from the '50s in mentality (except for the cooking) (which don't get me wrong I don't have a problem with, if it isn't stated every chapter how modern and independent she is). Melissa, after completing years of law studies, exams and having worked hard to be a prosecutor is having some sort of crisis not being happy with her work and personal life. I can understand her needing a change from law but at the end of the novel she takes a 180° turn and it's as if she becomes just one of the many streotypical small town women, shedding her personality and individuality.

Though I like my heroine and hero to discover each other and for their affection and love to grow gradually and develop realistically, I can understand that sometimes love can be more instinctive and overwhelming. However the romance between Steven and Melissa was completely unrealistic: two intelligent grown up people always experiencing the Earth moving, tilting on its axis every time the other is around? The very first time they glimpse each other only the lightning is missing, because it sure is described as if they have been struck with such a powerful attraction and blossoming love (without knowing anything about the other..).

Her smile nearly knocked Steven over. [...] Holy crap. Steven thought, because the ground shook under his feet and the sky tilted at such a strange angle that his equilibrum was skewed.

Their romance was instantenous and unfounded, and the hot and cold hesitation of Melissa felt very naive and immature. One minute she is:

Steven Creed. The man was a sin sundae, and she was so tempted to dig in.

Then the next she is acting all timid and virginal. I couldn't really know what to do of her hot and cold behaviour, which didn't fit the bill of her pantsuit, independent persona which was projected.

The love conflict/difficulties between the hero/heroine were forced and artificial; and Melissa despite being a mature 30 year old adult threw such irrational, stubborn hissy fits that Steven wasn't the only one not understanding what the hell was up.

The highlight of the novel were definitely the scenes about Steven's parenting and Matt's cute one liners:

"Is she anybody's mommy?" Matt wanted to know.
Steven swallowed. Just when he thought he has a handle on the single-dad thing, the kid would throw him a curve. "I don't know, Tex," he answered. "Why do you ask?"
"I like her," Matt said. Simple as that. I like her. "I like the way she smiles, and the way she smells."
Me too, Steven thought. "She seems nice enough."
"So if she's not already somebody's mommy, she might want to be mine," Matt speculated.
Steven's eyes burned. How was he supposed to answer that one?
"And she's going to make a parade," Matt enthused.

"I want Dad to marry Melissa," Matt said with so much enthusiasm that more people than just his grandparents heard the statement and turned to grin as they registered it. "But I'm not getting anywhere with it."

Matt mumbled something as Steven set him in the car seat and began buckling him in but, true to form, he didn't wake up.
"He's terrific," she said softly.
"I agree," Steven told her, after Matt was secured. They stood facing each other now, on that darkened sidewalk. "Of course it would be a real plus if he'd stop proposing to women."

My other main problem despite the romance lacking credibility and gradual progress was that although A Creed in Stone Creek is the first book in Linda Lael Miller's new Creed Cowboys contemporary western romance trilogy, it is too interwoven with her previous novels. I had a hard time reading and following the plot as a standalone. This I bet is something longtime fans might enjoy, but as a newbie Linda Lael Miller reader I was lost with the constant name dropping of dozens of secondary characters who were mostly just props in this story. Those who have read Linda Lael Miller's previous novels might have been familiar characters, but I just felt like the new kid at school exluded from the happenings because the characters just kept to themselves and closed their ranks.

Besides my feeling left out I also felt confused a couple of times when some characters were first mentioned this way, then a couple of sentences later differently, see for yourself:

"Looks like Tanner and Olivia are here," Tessa said, with obvious relief.
Melissa had gotten out of Steven's rig to speak to them. The two women were embracing, while Tanner took the stairs two at a time.
Steven nodded to him and stepped back and Quinn pulled Tessa in for a quick brotherly hug.

It took me two re-reads to realize that Quinn and Tanner were the very same person since there was noone else on the porch besides Tessa and Steven... But don't ask me why he has two names, it is never mentioned in the novel whether one of them is his surname or what.

Despite dozens of supporting characters being mentioned I seriously missed being introduced in more details to a few secondary characters, they seemed to act merely as props, which knowing that they had their own novel in the past I can understand, but greatly affected my enjoyment of the novel, since (again) as a new reader I couldn't place these characters.

There is a suspense subplot which in my opinion was completely unnecessary to the story.

All in all A Creed in Stone Creek is not a novel I will re-read, but it might be enjoyed more by those who have read Linda Lael Miller's previous series and know already some of the characters.
5 of 6 people found the following review helpful
2.0 out of 5 stars Not what I've come to expect from Linda Lael Miller.... March 24 2011
By ckinaz - Published on Amazon.com
Format:Mass Market Paperback|Verified Purchase
I'm a huge fan of LLM, however, if this were my first read by this author it would probably be my last. I didn't find the characters believable. Matt was too precocious, Steven excessively sensitive and frequently choking up or becoming teary over the least little things. Melissa didn't seem to have much going for her other than her good looks. I forced myself to keep reading expecting something intriguing or some interesting conflict to be just around the corner....unfortunately that was not the case. Dull , disjointed plot and flat from beginning to end.

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