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Crimson Tide Original [Soundtrack]

Hans Zimmer Audio CD
4.6 out of 5 stars  See all reviews (50 customer reviews)

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Product Details


1. Mutiny
2. Alabama
3. Little Ducks
4. 1SQ
5. Roll Tide (Includes Hymn 'Eternal Father Strong To Save')

Customer Reviews

4.6 out of 5 stars
4.6 out of 5 stars
Most helpful customer reviews
5.0 out of 5 stars 60 minutes of Absolute Perfection! March 7 2004
Format:Audio CD
Undeniably the greatest score even written.
Bombastic yet peacefully relaxing, tho' never timid, whilst forever breathing a sense of tender compassion.
Mr. Zimmer makes excellent use of the piano, envoking powerful emphasis with deep sustains comprising of single note whilst suppling much of the bass.
The Special Effects are exceptionally well used. Never overpowering, which is so common a trait when systhesizers are used to create music.
The Sensuous picks upon the guital create a pix of a woman pining as she watches her lover march off to war.
The Male choir is exceptional.
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5.0 out of 5 stars Tidal Sound Wave Feb. 22 2004
Format:Audio CD
The music for the film Crimson Tide, ranks as some of the very best work from composer Hans Zimmer.
Like the film itself, the score is quite tense and exciting, almost never letting up. It follows the conflict between Executive Officer Denzel Washington and Gene Hackman's Captain, as they struggle with each other, to avoid starting World War III. The music uses Zimmer's trademark sythesizer sound in some interesting ways. The repeated use of a male chorus throughout is effective here and never seems out of place. Atypical for scome synth heavy scores though--the music never over takes the film or acts as mere background noise. Indeed, the score does what all good music for film should do...enhance the viewing experience, not detract from it. The music acts as the film's "heart" pumping "blood" beat for beat.
The CD's 5 tracks may sound "skimpy". But do not let let that fool you, it's total running time, still comes in at 60:17. The soundtrack is a must for any fan of the film or soundtrack collector
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5.0 out of 5 stars Roll Tide Hans Nov. 12 2003
Format:Audio CD
This is one of my favourite albums. Crimson tide is not only a good film but a good soundtrack, on tracks 3 or 4-5 it has the navy hymn. Track 5 was placed at the start when Gene Hackman called Roll Tide and Roll Tide also pops up again in the credits area (another good choice). A very Good orchestral piece that helps bring tension in this submarine movie (which is also very good). The music also goes with the action genre. Roll Tide Hans and encore
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4.0 out of 5 stars Powerhouse Score July 20 2003
Format:Audio CD
It¡¯s been used in a dozen trailers, most prominently in the ID4 trailer. And why not? Hans Zimmer created 2 of the most powerful themes in the past decade for this movie. It¡¯s so empowering that it¡¯ll fill you with confidence and defiance.
There are only 5 tracks on this CD (all horribly out of order and with incorrect titles) even though it lasts over an hour (the longest track is almost 25 minutes long). It was a bad mistake by Hollywood Records to organise the CD this way as you have to skip thru a lot of tension/filler music (this CD has plenty of exactly that) to get to the good bits.
There is an extended score out there featuring an additional 10 minutes of music, it has a blue cover instead of a red one and has a correct track listing in chronological order. As follows:
1. Opening/Conflict/Alabama-9:42
2. Resurrection-9:47
3. Little Ducks-2:03
4. 1SQ (Alternate)-11:09
5. Mutiny-8:58
6. Day 12-5:44
7. Three, Two, One-1:54
8. 3:00/1SQ-16:09
9. November 2nd/2SQ-2.32
10. End Titles-7:33
Total Time 75:55
It¡¯s a more complete package but a little hard to find so you might have to make do with the commercial release. Still a great purchase and I highly recommend.
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4.0 out of 5 stars Go for the tide March 29 2003
Format:Audio CD
Here lies another great score by Hans Zimmer in the likes of The Rock and The Peacemaker. Here, the music runs at one hour, split into only 5 tracks. The music overall is powerful and testosterone filled with a large orchestra and an all male choir. The main theme is one of Zimmer's best that perfectly represents the trials and tribulations of battle in a submarine. "Mutiny" starts out with the chorus humming along with a synths and a gently played guitar that then leads into the main theme introduced lightly and then once again in full force. "Alabama" is the longest track I have ever come across on a film score album, clocking in at almost 24 minutes! "Little Ducks" features the choir singing the traditional Navy hymn, "Eternal Father Strong to Save", which is perfectly appropriate for a film like this and sounds wonderful as well. "1SQ" is a more hard hitting action cue than the others, as "Roll Tide" comprises the main theme and the Navy hymn together. All of the tracks basically sound the same, which is why I didn't go into specific detail on each one. That would take forever, especially on "Alabama". But all in all, a great score that I think you will enjoy, especially if you are a Zimmer fan.
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5.0 out of 5 stars Absolute perfection on a round, compact disc March 3 2003
Format:Audio CD
From one of the best composers in modern cinema, one of the best soundtracks to a movie of this kind. Bombastic, Patriotic and filled to the edge with dramatic synths and orchestras. This is top action music, in the same class as The Rock. No doubt since Hans Zimmer also worked on the Rock, signing his incredible style like no one else.
There are only 5 songs on Crimson Tide, but they are very good. Alabama is totally unbelivable, 22 minutes non stop wonderful filmscore. Mutiny is bombastic and explosive, it just kicks you right into the sub and back again!
Its so hard to write a good, serious review of this album. It just raises your hair and kinda takes your stomach on an epic journey, an emotionalfilled ride thru the best moments of the movie. The Rock did the same thing, however I have not yet decided which one is the best.
There are other sub soundtracks out there, most well known is the equal Hunt for Red October, and comparing them is hard. Very hard. They both got their up`s and downs, but my feeling is that Crimson Tide sounds very american(NOT a bad thing!), while Red October sounds more..real. They both excel most of the competition of soundtracks on the market, but ends up staggering each others sides...just like the two main characters in the movie.
I give up writing a good review for this one, just buy it and love it. It is just so fantastic.
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Most recent customer reviews
5.0 out of 5 stars Incredibly moving!
Hans Zimmer catches the mood of this intense movie very powerfully in his music! I would recommend this cd for anyone. Read more
Published on Dec 2 2002
5.0 out of 5 stars Score of the year 1995
Hans Zimmer's best work. The theme has been used in several commericals dealing with military. This is among the best soundtack/original score i have ever heard. Read more
Published on June 1 2002 by Mark A. Buensalida
5.0 out of 5 stars One of the most powerful themes in movie history
Hans Zimmer was just statring to become a household name to movie score fans when he made Crimson Tide. Read more
Published on April 25 2002 by Jeff
5.0 out of 5 stars Hans Zimmer has no equal
The power that this score has can simply not be put into words. This score contains some of the most mysterious, nervous, beautiful music that has ever graced a film. Read more
Published on Jan. 17 2002 by Sebastian Valmont
5.0 out of 5 stars The Hunt is over!
Longtime Zimmer fans will love the terrific score that
blows away Basil Poledouris' score for The Hunt For Red October. Read more
Published on Jan. 6 2002 by C. Wilkinson
4.0 out of 5 stars Crimson Tide
I very much enjoy this score. The main title is very powerful and memorable, unfortunately it only appears once in the beginning of the score and then twice towards the end. Read more
Published on Dec 7 2001 by Benzi
3.0 out of 5 stars A Mixed Bag of Beautiful vs. Redundancy and Packaging
The best I can say about the film score for Crimson Tide is that it is a mixed bag. I'll start with the good. Read more
Published on Nov. 27 2001 by Zachary S. Houp
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