From Publishers Weekly
The often macabre world of high-tech dying seems all too real in this provocative, sardonic first novel about an intensive care unit where terminally ill patients hooked up to machines are kept alive in impersonal surroundings at frightful expense, often against their will. Using incredibly poor judgment, sleep-deprived Dr. Peter Werner Ernst, a second-year medical resident, becomes romantically entangled with Felicia Potter, the daughter of a patient who's been in a coma for months. Felicia is an air-head fashion model and a tremendous user, whose desire to pull the plug on her father is linked to a vicious family squabble over his estate. Dooling, a lawyer who once worked as a respiratory therapist in intensive care units, makes riveting use of the legal details when cynical Dr. Ernst gets dragged into a lawsuit. Although he sometimes overdoes attempts at sexual humor and surreal phantasmagoric fantasies, his handling of the medical satire is gut-wrenchingly accurate, authentically frightening and certainly timely.
Copyright 1991 Reed Business Information, Inc.
From Library Journal
This novel moves between the extremely vivid realities of a hospital's intensive care unit to the surreal dreaming of terminally ill patients. It describes the hospital setting from the viewpoint of a young resident, Peter Werner Ernst. Ernst is caught up in many crises, including a legal battle between two daughters who are fighting for control of their father's money. One daughter wants to end his life support systems immediately so that she can inherit his fortune. The other daughter wants to prolong his life for a few months so that the fortune will fall to her. Through their manipulations, Ernst faces the decision of whether to let the man live or die. Detailed descriptions of the frenetic hospital activity make this exciting to read. Recommended for popular fiction collections.
- Kathy Armendt Sorci, IIT Re search Inst., Annapolis, Md.Copyright 1992 Reed Business Information, Inc.