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Crossing Delancey


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Crossing Delancey + 84 Charing Cross Road (Sous-titres français)
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Product Details

  • Actors: David Hyde Pierce, George Martin, Jeroen Krabbe, John Bedford Lloyd, Kathleen Wilhoite
  • Directors: Joan Micklin Silver
  • Writers: Susan Sandler
  • Format: Closed-captioned, Color, DVD-Video, NTSC, Widescreen
  • Language: English, French, Hebrew, Yiddish
  • Subtitles: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.78:1
  • Number of discs: 1
  • Canadian Home Video Rating : Parental Guidance (PG)
  • Studio: Warner Bros. Home Video
  • Release Date: Feb. 6 2007
  • Run Time: 97 minutes
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (18 customer reviews)
  • ASIN: B000JU8H9C
  • Amazon Bestsellers Rank: #8,604 in DVD (See Top 100 in DVD)

Product Description

Product Description

Crossing Delancey (DVD)

Amazon.ca

A sweet tempered urban love story, Crossing Delancey argues that true love may be in the first place you look. Amy Irving is a single Jewish woman working at an upscale bookstore on the Upper West Side of New York. As much as she longs to be a part of the intellectual literary scene, she is tethered to her roots on the Lower East Side, where her old-fashioned grandmother is forever trying to fix her up. Irving has her eye on a handsome brooding author, but her grandmother enlists the help of a local matchmaker to fix her up with Peter Riegert, a quiet Jewish man who runs a pickle stand in the neighborhood. Soon she must decide what it is she really wants out of life and what love really means to her. Though a very traditional love story, Crossing Delancey has its moments of soul searching drama and an unlikely romance. --Robert Lane --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

4.8 out of 5 stars
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Most helpful customer reviews

1 of 1 people found the following review helpful By Kelly Wadsworth on Jan. 17 2002
Format: VHS Tape
Every once in a while, I come across a film who's central characters are so honest in their look, sound and feel, that they could easily be long lost members of my own family. Crossing Delancey is one of those rare films. One that I can easily watch over and over, particularly when I need a little 'pick me up'. Peter Riegert's 'Sam' is so charming and genuine in his demeanor that 'Izzy', once the two are introduced, stands little chance of escaping back to her artificial and mostly barren existence among the cultured elite.
Having been born and raised in a city tenement, I remember thinking back then in much the same way as Izzy. Given the opportunity, it was a place from which I wanted to be far removed. Izzy makes the classic mistake of confusing her need to better herself and her surroundings with her almost compulsive need to divorce herself from the very people who know, love and best understand her. Her journey back to the realization that, regardless of where she lives and works, Izzy will always be from the same cut of cloth as the people from whom she had been trying to escape, is ultimately what makes this movie worth watching.
In most films, there's a standout moment or a scene, and Crossing Delancey is no exception. Blessed with a great cast (Izzy's grandmother steals the show), the film is riddled with humorous and sometimes very funny moments. However, it is one of the film's more serious and unsettling moments (I refer to the classic scene at the eatery where the 'has been' torch singer with the tip can appears to sing directly to Izzy), that seems to capture, for me, the magic of Crossing Delancey. Overall, a charming winner of a film that is made significantly better by a wonderful and offbeat Roche sisters soundtrack.
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Format: VHS Tape
"Crossing Delancey" is presumed at first a romance, and it is. Deeper than the romance is a search for meaning. This two-level movie is funny with an undercurrent of a genuine plot stronger than the usual romantic comedy.

Part of the ego-driven, superficial but pretentious New York literary scene, Isabelle Grossman brings together writers and other literati for soirees feting the personalities behind the books.

Isabelle, or Izzy, herself is not a writer, but feels she is important because of the names and numbers in her Rolodex. She works hard and late, only to go home to an empty apartment. Her only love is accommodating the occasional lonely nights of a friend who fights with his wife. She tolerates his affections in what amounts to be no more than a recurring one-night stand.

Although Izzy's emptiness surrounds her, she never notices it, not even when her grandmother has a matchmaker attempt setting her up with Sam, a neighbor bachelor. Unfortunately for Sam, her intentions are set on Anton, a dashing, but caddish author whose books are bestsellers. He only wants her to appease his desires, and has no love for her, but she is blind to his true intentions. She curtly rejects another date with Sam.

With a single romantic signal, Pickleman Sam, the man she pushed away in a matchmaking dinner now effectively woos her heart into confusion. He had noticed her years ago and now happily accepted the chance to be introduced by the matchmaker. When he tells her this, a spark is lit. He isn't the suave author she begs for, and his lifestyle is more simple than those whose books are reviewed in the New York Times. She fumbles opportunity after opportunity to connect with Sam, but he is patient.
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Format: VHS Tape
"Crossing Delancey," directed by Joan Micklin Silver, tells the story of Isabelle (also known as "Izzy"), a single Jewish woman who lives in New York City and works for a bookstore. Izzy's loving but meddling Bubbie (i.e. grandmother), upset that Izzy is still single, sees a matchmaker about finding Izzy a husband. Izzy soon finds her life complicated by the results of Bubbie's actions.
"Crossing" is a sweet, gentle, and marvelously funny film. As Izzy, Amy Irving gives a wonderfully likeable and full-bodied performance. She is fun to watch as Izzy navigates her way through awkward social and professional situations. Irving gets terrific support from the rest of the cast, which includes Peter Riegert as a romantic pickle vendor and Jeroen Krabbe as a writer. Sylvia Miles is hilariously over-the-top as the matchmaker, and Reizl Borzyk nearly steals the film as Bubbie. Borzyk has particularly great chemistry with Irving.
The film features great New York scenes, and the visuals are full of wonderful details (such as a priceless storefront ad for Kosher wine). The script makes effective use of the ethnic theme. This is a simple story, but told with warmth and intelligence. And the film does ask a serious question: what do you really think is important in a potential life partner? For a great companion film, try "Kissing Jessica Stein," another delightful New York/Jewish romantic comedy.
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Format: VHS Tape
I hate to use the word "adorable", but, I must. This film is just adorable. The story of Izzy, the sophisticated, independent, N.Y. City career girl (wonderfully played by Amy Irving), and "Sam , The Pickle Man", (also wonderfully played by Paul Riegert), is a heartwarming, funny, sweet love story. Izzys "Bubby" hires a marriage broker, hysterically played by Sylvia Miles, to "match-up" her granddaughter, "Miss Fancy", who she perceives as living a lonely life.."A dog should live alone !" Izzy is involved in the literary world, and aspires to an intellectual, sophisticated life, only miles away, but a million miles away from the old -world kosher existance of her beloved Bubby. Reizl Bezyk ,who was a popular star in Yiddish theater, plays Bubby, and she is really the outstanding character in this movie. Her practical, no-nonsense approach to life & love, with a kind of "you're born, you eat, you love, you die" mentality, is in direct opposition to granddaughter Isabelles (Izzy). She speaks in "Bubby-isms", and she is hysterical, implying the world in just a look. Izzy immediatley rejects the arranged match-up with Riegerts "Sam", the pickle man, simply because she can't get past the pickles. She sees the pretentious Russian author, to whom she is associated in her job at an old book store, as being more complementary to her. He is a cad who woos her with quotes from Confucious, and he can offer her the prestige and entree into the world of intelligensia that she aspires to be in. The ensuing conflict, between the world she hopes for, and the opportunity that's right in front of her... that she won't see, is very touching and funny.Read more ›
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