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Cure


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Product Details

  • Actors: Masato Hagiwara, Kôji Yakusho, Tsuyoshi Ujiki, Anna Nakagawa, Yoriko Dôguchi
  • Directors: Kiyoshi Kurosawa
  • Writers: Kiyoshi Kurosawa
  • Producers: Atsuyuki Shimoda, Hiroyuki Kato, Satoshi Kanno, Shigeo Minakami, Tetsuya Ikeda
  • Format: Anamorphic, Color, DVD-Video, Subtitled, Widescreen, NTSC
  • Language: Japanese
  • Subtitles: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • MPAA Rating: UNRATED
  • Studio: eOne Films
  • Release Date: June 21 2004
  • Run Time: 111 minutes
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (11 customer reviews)
  • ASIN: B0000YAEHK
  • Amazon Bestsellers Rank: #54,321 in DVD (See Top 100 in DVD)

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Customer Reviews

4.1 out of 5 stars
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Most helpful customer reviews

By Robert Beveridge on May 20 2004
Format: DVD
Kyua (Kyoshi Kurosawa, 1997)
Veteran director Kyoshi Kurosawa (Serpent's Path, the recently-optioned Pulse) weighs in with this 1997 offering, and the best way to describe it is giallo gone Yakuza. It has all the highlights of good giallo, from an overly gory mystery storyline to broad cinematic shots in the best Argento style to characters who sometimes just say the silliest things imaginable to one particular plot twist that makes absolutely no sense to anyone until you've seen the movie fifty times. And with the Japanese so much farther out on the bleeding edge of extreme horror than the Italians these days, you can bet a Japanese giallo is going to be two hours of bang-up knockdown bloody fun. And oh, my, it is.
Cure (the English title) revolves around a series of brutal murders with one thing in common: the throat of each victim is slashed in a large X. Kenichi Takabe (Koji Yakusho of Tampopo, Warm Water Under a Red Bridge, etc.), the inspector assigned to the murders, soon discovers that they all seem to center around an odd amnesiac (Masato Hagiwara). He's not the murderer, but each one of the murderers-yes, they're all different people-came into contact with him not long before killing their victims.
While the style is giallo all the way, the pacing is Japanese New Horror. Kurosawa starts things off in the nastiest way possible, then gives us the finding of the amnesiac and some buildup in the characters of Kenichi and his reluctant partner in this, Makoto Sakuma (Tsuyoshi Ujiki of The Eight-Tomb City and Full metal Yakuza fame) before the murders kick off again and everything rolls into high gear.
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Format: DVD
A series of grisly murders are committed and they are linked as all victims have a deep "X" cut into their throats. There are strange circumstances with each murder as the murderer is found close to the crime site, and none of the murderers have anything linked to the other besides the carved "X" in the throat. Kenichi Takabe (Koji Yakush) is the detective in charge of the murder investigations and he suspects that the "X" is linked to each murder, but there is no physical evidence to confirm his suspicions. Detective Takabe has help from Makoto Sakuma (Tsuyoshi Ujiki), a clinical psychiatrist, in order to uncover the malevolent truth behind the murderers. Takabe is also suffering from the hardships of having a sick wife and being overworked. These two factors begin to affect Takabe's life and his feelings as he is becoming more involved in the macabre investigations.
Cure provides a suspenseful atmosphere as it dives into the human psyche. This atmosphere is skillfully created by Kiyoshi Kurosawa, who opens the door to notions of amnesia, personality disorders, interpersonal relationships, and fear. These psychological aspects are meticulously dissected by Kurosawa as he tells his story about the detective Takabe and his problems with his job and private life. In the end, Cure offers a suspenseful and absorbing cinematic experience.
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Format: DVD
This is a serial killer movie, but unlike any you have ever seen before. Before watching this, you should know a few things:
1) It has been compared to a lot of movies, but any resemblance to any of these other movies is brief and superficial in many cases, as this film charts a course of its own.
2) This film proceeds at a deliberate pace. It takes its time developing the story; viewing it requires patience and constant attention. This is not a movie for the attention-deficit crowd.
3) The movie is one big jigsaw puzzle. Virtually every scene is an important piece of the puzzle, and you have to figure out where it fits in. As I said, it requires constant attention and analysis.
4) The last scene in the restaurant is very important. I am not giving anything away by saying that the main person in this scene does something he has never done before, and that this is an important clue. I am also not giving anything away by saying watch what the person in the background does in the last two seconds before the credits roll, as this is also an important clue. Once you have begun to unravel the secrets of this movie, the rest is easy. It may take two or three viewings before things become clear, but the effort is worth it. This is a movie that really gets under your skin, and the more you figure out what is going on, the creepier it gets.
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By A Customer on Jan. 12 2004
Format: DVD
I have to chime in with those here who rate this as a modern masterpiece. I especially have to echo one reviewer's comments that "a film like this would only work if everything was done perfectly, and it is" (paraphrasing). Yes and yes. It absolutely is, I can't find a single false move. Towards the end I was starting to cringe, knowing that Kiyoshi would probably take the easy way out and break the steadily-building dread & ambiguity. He doesn't. He builds it all the way to the end, and then caps it off with a final shot that is liable to leave me mystified for years to come. Some people will not "get" this film. They will froth & fume, and claim that there's no easy explanation, no clarifying revelation here to bring everything into the brightness of day & banish the uncertainty. These viewers should do themselves a favor and stick to Freddy/Jason flicks, where easily-digestible horror film cliches can be found in abundance. Cure is that rare spell-binding work that finds a new form to express more vividly the ambiguities of life, identity, and morality. It doesn't strike me as having been a priori a horror film, but rather a very clever philosophical one that along the way exposes something already horrific there in the society we live in.
A smooth, controlled descent into madness, one of the most haunting films I've seen.
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