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4 of 4 people found the following review helpful
5.0 out of 5 stars
A real gem of a novel, Aug 22 2005
This review is from: The Curse of Chalion (Mass Market Paperback)
Famous for her science fiction, Lois McMaster Bujold is an underrated fantasy author. If "Curse of Chalion" is anything to judge by, that won't stay that way for long. Curse of Chalion (and its sequel, Paladin of Souls) is, at its heart, a book about faith, something rare in the fantasy genre. Bujold shows us glimpses of a rich and original theology that seems compellingly real and even inviting. The main character in Curse of Chalion isn't an untried but promising youth or a competent veteran; he is a tired, traumatized man who lost everything - title, land, friends and self-esteem - when he was betrayed and sold into slavery. He has long since lost his defiance or his thirst for vengeance, and now just wants a home where he won't get yelled at much. From these (quite literally) humble beginnings he begins to piece together his life again - only to find the people he has begun to love threatened by the man who sold him to the enemy. Good with a sword, he is nevertheless not a Conan or Arthur who can solve problems by cutting his way through them. He has to rely on his wits, only to find enemies at every turn. In desperation, he makes the ultimate sacrifice...and finds that his work - and his healing - has only just begun. Bujold's writing is evocative, her world original and well-thought out, and her characters deep and human while remaining sympathetic to the reader. Unlike other authors who delve into "realistic fantasy" by making it dark and gritty, Bujold manages to wrest a happy ending for her main characters without making the book saccharine or resorting to Deus Ex Machina. This is a must-read for fantasy lovers! This is one of the best fantasy novels I've ever read, not something I'm prone to saying. It had great versimilitude, was original, intruiging and deeply satisfying. Highly recommended for mature readers, this story of faith, love and redemption will enjoy a place of honor on my bookshelf. I will be watching Lois McMaster Bujold's work closely from now on!
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2 of 2 people found the following review helpful
3.0 out of 5 stars
Neither a curse nor a blessing, Nov 12 2003
By A Customer
This review is from: The Curse of Chalion (Mass Market Paperback)
I read The Curse of Chalion because I was looking for a stand-alone fantasy novel (I'm hesitant to commit to a series after the Wheel of Time debacle), because I hadn't read any of this award-winning author's work, and because of the many glowing reviews here. It's obvious many people have loved this book. I had more mixed feelings about it, but I'll try to give my reasons why honestly. I simply hope that being honest instead of glowing doesn't draw unhelpful marks. Unlike several other non-glowing reviewers, my criticism doesn't come from the author's 'dabbling' outside of the sci-fi genre in which she's established and honored. Readers (and publishers) do authors a great disservice if, and when, we pigeonhole them in that way. My criticism focuses on the more practical areas of the story and writing themselves. The most significant flaw is, in many scenes, the writing is overdone or too descriptive and thus slows the pace considerably or else simply proves distracting. (It reads like a final draft, instead of a professionally edited manuscript.) For example, here's an exchange between a man and woman who have become attracted to each other, though an obstacle remains between them. She asks: "Do you think I lack courage?" "Never that," he breathed. She addressed her feet in a growl. "I'd storm heaven for you, if I knew where it was." So I respectfully disagree with the back cover blurb that this is "writing as good as it gets." It's competent and in some places clever, but hardly Pulitzer-caliber. Overall, I felt the book could have been edited down to three-fourths of its length and been not just as good, but better. It does accelerate nicely to an ending that ties up all the loose ends (but uses a pretty amazing/eye-rolling coincidence to make the ending possible). Also, the main character's self-effacing nature--his great competence in seeing everything except how wonderful people think he is--does become tiresome after a while. And other than him, the characterization is unremarkable. On world-building, the theological system created here is impressive, as is its integration into a well-done calendar, court fashions and funeral rites. There are five gods in Chalion: the Father, Mother, Son, Daughter, and Bastard. Each has his or her own colors and devotees, and while it's a well-developed pantheon, it raises a strange question: where did the Bastard come from, if not the Father and Mother? Also on world-building, the lack of a map greatly inhibited some of the scenes in which the characters discuss plans for traveling or military action. At the core of this book, there's a good story to be found, but you have to be patient, especially through the slow middle chapters. I'd recommend it as either a used paperback purchase or a library loan for fans of medieval court intrigue or this particular author. Three neither-regretful-nor-glowing stars for a novel that's hardly a curse, but not quite a blessing either.
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2.0 out of 5 stars
D+ for The Curse of Chalion, Dec 23 2011
This review is from: The Curse of Chalion (Mass Market Paperback)
Disclaimer: Reviews will mainly concentrate on novels that I enjoyed, and in writing them I will attempt to be succinct and to avoid all manner of spoilery comments. A grading guide follows my reviews. Also, please note that while I have read widely in the genre, my tastes are quite distinct and thus readers should absorb my wisdom with, at the very least, a few pinches of salt. Cheers. - Review of The Curse of Chalion by Lois McMaster Bujold Characterization: 3/10 Cazaril is a broken man who returns home and is unexpectedly given a position of great influence. Cazaril is the only character in the novel who feels remotely three-dimensional. Everyone else's personalities can be summed up in a single line: ambitious, treacherous nobles; the loyal servant; the strong-willed female 'princess'; etc. Each character performs their narrative function and that's about it. Nowhere near the level of sophistication in character development as books like The Name of the Wind or A Song of Ice and Fire. Plotting and Pacing: 3/5 and 1/5 The plot moves along at a smoothe, consistent pace. Unfortunately, that pace is a slow one. I only bothered to finish reading it because I was going to write this review and even then I was nearly skimming by the end. The plot itself is uncomplicated and the only surprises came at times where I figured the author felt like there needed to be a surprise and just threw it in (instead of being necessary ingredients of the plot, properly foreshadowed, etc.). One of the main plot points, which involes Cazaril using 'the darkest, most forbidden of magics', happens nearly two hundred pages into the novel. Before that nothing much happens except Cazaril settling in, meeting everyone, and then the group being called to court. When I read a fantasy novel, I want to be hooked in the first five chapters, and earlier is usually better. Ice zombies get bonus points. Setting: 5/10 An vaguely medieval setting with some sort of division of worship divided amongst various gods who can perform miracles. I get the feeling that these various gods are worshipped in very different ways and some aspects of how the society works are based on these divisions. Some of the names are changed for various positions of power: a priest is called a divine, a lord is called a roya, etc. Most of these changes seem superficial, but are not detrimental to understanding of the story itself. If the society were a bit more fleshed out and understandable I might have given it a better rating, but it seems pretty standard. Even the magic system is vague and seems to exist solely as a means of killing off characters and making their lives more difficult through curses. Style and Themes: 3/5 and 1/5 Written in an easy-to-read style that nonetheless seems dated nowadays. Very few characters "say" anything. They might chide, or interject, or add or any number of other things. Adverbs are required in every paragraph for it to be complete, or so it seems. I'm probably being a bit harsh in this area, because they were not distracting as I read, but in going back through the book and skipping to random pages it becomes much more easily apparent how often they were used. Theme-wise there is very little to be said. A broken character rises again and though he suffers greatly for his loyalty he is rewarded and the evildoers are defeated in the end. I don't want to get more into the specifics than that, but let's just say that I'm not going to be awake at night wondering whether I would have made the same decisions as some of the characters or pondering the deeper meanings of life. Total: 16/40 As my review suggests, you should borrow this one from the library if you are going to read it. Obviously Lois McMaster Bujold is a skilled author, as the blurb notes that she is a "Multiple Hugo and Nebula Award Winner" but this book simply doesn't work for me. I'd look at her more recent work, but I would highly recommend reading sample chapters before going out and spending your hard-earned money on this. - Grading: Note that '5' is an average grade for each category, unexciting but still decent. Therefore, any novel that scores above twenty is above average and thus better than most of the other stuff floating around in bookshelves (at least in my opinion). Rating Scale 01-09: Nigh unreadable 10-19: Get it from the library 20-24: A modest endorsement 25-29: Well-rounded and enjoyable 30-34: Highly recommended 35-40: A must-read!
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