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D.O.A.


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Product Details

  • Actors: Edmond O'Brien, Pamela Britton, Luther Adler, Beverly Garland, Lynn Baggett
  • Directors: Rudolph Maté
  • Writers: Clarence Greene, Russell Rouse
  • Producers: Harry M. Popkin, Joseph H. Nadel, Leo C. Popkin
  • Format: Black & White, DVD-Video, NTSC
  • Language: English
  • Region: All RegionsAll Regions
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • MPAA Rating: NR
  • Studio: eOne Films
  • Release Date: Oct. 1 2002
  • Run Time: 83 minutes
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (13 customer reviews)
  • ASIN: 6305770328
  • Amazon Bestsellers Rank: #57,478 in DVD (See Top 100 in DVD)


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1 of 1 people found the following review helpful By bernie TOP 100 REVIEWER on Sept. 13 2004
Format: DVD
As Socrates once said "I drank what?"

Frank Bigelow (Edmond O'Brien, you may remember him as Winston Smith in `1984' 1956) realizes after he had a one night fling that he does not feel so good. He feels bad enough to see a doctor. Yep he is D.O.A. (Dead On Arrival) as he has been poisoned and only has a little time left to live.

Obsessed with finding out who did it and why, Frank has to reconstruct his wild night. Will he find out in time? If so what then?
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By bernie TOP 100 REVIEWER on Nov. 25 2013
Format: DVD
Frank Bigelow (Edmond O'Brien, you may remember him as Winston Smith in `1984' 1956) realizes after he had a one night fling that he does not feel so good. He feels bad enough to see a doctor. Yep he is D.O.A. (Dead On Arrival) as he has been poisoned and only has a little time left to live.

Obsessed with finding out who did it and why, Frank has to reconstruct his wild night. Will he find out in time? If so what then?

D.O.A. ~ Dennis Quaid
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Format: DVD
The concept of a murder victim who functions as his own detective, gives to D.O.A. a unique point of view and also gives it a major status.
The inspiration for D.O.A. comes from a 1931 german film entitled Der mann, der seinen morder sucht, directed by Robert Siodmak (The dark mirror).
People manipulated by forces they are unable to control and comprenhend; that's a another important component of the film noir's profile.
This film, altogether with Kiss me deadly (Robert Aldrich, 1955) are the best exponents in remarking this point, because also establish a crossroad about the unknown consequences derivated from the technology.
Don't miss this weird story; an unvaluable gem and also well done film of Rudolf Mate.
Edmond O' Brien is top-notch.
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Format: VHS Tape
This movie is a clear demonstration of how it's possible to make excellent cinema based on premises frontally opposite to the movies of today. We will see the protagonist to react as a madman when he finds out that someone has poisoned him with an terrible, fluorescent, imaginary toxin. Also I doubt very much that can be real the attitude of the physicians dealing with such a case in saying crudely to the patient that he has only a few hours of life, and I don't dare to enter in ethical considerations. This movie doesn't admit microscopic vision.
And nevertheless and against all these, the spectator follows this unreal plot and remains magnetized by the movie. How is this possible? The response only can be one: an enormous amount of talent. Let's rest in peace the unfortunate DOA, he has deserved it after 90 minutes of a nightmare that we do not understand but fascinates us. Today, with all the special effects and computers of the world the same results aren't reached.
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Format: DVD
A man named Frank Bigelow (Edmund O'Brian) shows up at Los Angeles police station to report a murder: his own. Frank is dying of luminous toxin poisoning. He recounts to police the incredible story that brought him to be at the brink of death in this police station in a strange city. Just a few days ago, he was a small business owner in a little town called Banning. He had an adoring girlfriend, Paula Gibson (Pamela Britton), who was also his personal secretary. But Frank had cold feet about marrying Paula and decided to take a little vacation to San Francisco to give himself some air. Paula called to tell him that a man named Phillips was desperately trying to reach him, but the name didn't ring a bell. The next day, Frank found out that he had been fatally and irreversibly poisoned. Frank's increasingly frantic search for the identity and motivation of his murderer takes him to two cities, into the criminal underworld, and onto the wrong end of several pistols before all is done.
Rudolph Mate's "D.O.A." is a film noir classic. And it takes the cynical view typical of the genre. Frank is a man whose fate is entirely beyond his control. As the audience roots for Frank to solve the mystery and find his murderer, fate unabashedly mocks his efforts. Frank is a dying man; what earthly difference will it make if he finds his killer? Whatever Frank does, the result will be the same. And it's all because he notarized a bill of sale...one out of hundreds of bills of sales. Who knew what being a notary could lead to? But for a movie with such a cynical story to tell, "D.O.A." has always been immensely popular. I think that's because Frank Bigelow is an "everyman" who rises to the occasion when difficult circumstances require it. He's not too smart and not too dumb. He has a nice girlfriend...
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Format: DVD
1950's D.O.A. is classic film noire, one of the true classics of the genre. The characters are intense, everyone is up to something, and the clock is ticking for one Frank Bigelow (Edmond O'Brien), who must attempt to find his own murderer before his last grain of sand trickles to the bottom of the hourglass. Bigelow is an accountant who up and takes a week off to visit San Francisco, ostensibly to get away from his secretary and incredibly needy, codependent, marathon-talking girlfriend Paula (Pamela Britton). Once he arrives at the hotel, he's like an elephant in a peanut factory, trying to go every direction at once in order to have a good time with every woman he sees. While the neurotic Paula broods, Bigelow goes out to paint the town red with a gang of his hotel neighbors, only to wake up the next morning feeling less than healthy. A trip to the doctor's office instantly changes his entire perspective on life, for he finds out that he has been poisoned with a luminous toxin, for which there is no cure whatsoever. With anywhere from a day to two weeks to live, he starts off on a relentless quest to discover his murderer. The plot takes a number of twists and turns, and it can get a little confusing at times because of all the characters and all the shenanigans each of them are pulling. Bigelow has nothing to lose, though, and he refuses to give up as long as he has a breath in his body.
D.O.A. starts off a little slow, and the fact that a silly musical wolf call greeted the appearance of any woman early on had me doubting the merits of this film, but when things really get going, they really get going. The action and suspense build inexorably with each passing minute of the film, and the background music only reinforces the gripping effect upon the viewer.
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