- Actors: Edmond O'Brien, Pamela Britton, Luther Adler, Beverly Garland, Lynn Baggett
- Directors: Rudolph Maté
- Writers: Clarence Greene, Russell Rouse
- Producers: Harry M. Popkin, Joseph H. Nadel, Leo C. Popkin
- Format: Black & White, DVD-Video, NTSC
- Language: English
- Region: All Regions
- Aspect Ratio: 1.33:1
- Number of discs: 1
- MPAA Rating:
- Studio: Troma/Conveyor
- Release Date: May 28 2008
- Run Time: 83 minutes
- Average Customer Review: 4.7 out of 5 stars See all reviews (12 customer reviews)
- ASIN: B00003RQO8
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Amazon Bestsellers Rank:
#37,993 in DVD (See Top 100 in DVD)
- #77 in DVD > Mystery & Suspense > Film Noir
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Product Details |
Product Description
From Amazon.com
A faceless figure marches down an endless hallway as dark, driving music underscores his doom. It's stocky, stalwart Edmond O'Brien, who plows through the police detective's office like he's got nothing to lose. "I want to report a murder," he demands, grim and sleepy-eyed. Who was killed? "I was." It's a brilliant opening to a memorable film noir classic. O'Brien is a CPA who flees his dull job and small California town for a wild weekend in San Francisco, only to be poisoned and doomed to certain death. With only days to live, his incredulity morphs into a searing drive to find his killers and stinging regrets for what might have been. O'Brien is a familiar noir face, but he usually plays figures of authority: a cop in White Heat; an investigator in The Killers. He's a little stiff here, but his blunt, unglamorous persona is perfect for the Everyman who is randomly visited by death. Rudolph Maté, a cinematographer turned director, moves from sun-bright day scenes to busy nighttime locations with few visual flourishes, but when he takes the camera into the streets of Los Angeles and San Francisco the film is energized with a gritty, restless vigor. It's one of the most relentlessly dark films noir ever made--taut, edgy, and low budget. Watch for the Bradbury building in the film's climax, made famous by its memorable use decades later in the sci-fi noir classic Blade Runner. --Sean Axmaker
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Customer Reviews
Most helpful customer reviews
D.O.A.
Sep 13 2004
Format:DVD
As Socrates once said "I drank what?"
Frank Bigelow (Edmond O'Brien, you may remember him as Winston Smith in `1984' 1956) realizes after he had a one night fling that he does not feel so good. He feels bad enough to see a doctor. Yep he is D.O.A. (Dead On Arrival) as he has been poisoned and only has a little time left to live.
Obsessed with finding out who did it and why, Frank has to reconstruct his wild night. Will he find out in time? If so what then?
Frank Bigelow (Edmond O'Brien, you may remember him as Winston Smith in `1984' 1956) realizes after he had a one night fling that he does not feel so good. He feels bad enough to see a doctor. Yep he is D.O.A. (Dead On Arrival) as he has been poisoned and only has a little time left to live.
Obsessed with finding out who did it and why, Frank has to reconstruct his wild night. Will he find out in time? If so what then?
An unusually cynnical film noir
May 10 2004
Format:DVD
The concept of a murder victim who functions as his own detective, gives to D.O.A. a unique point of view and also gives it a major status.
The inspiration for D.O.A. comes from a 1931 german film entitled Der mann, der seinen morder sucht, directed by Robert Siodmak (The dark mirror).
People manipulated by forces they are unable to control and comprenhend; that's a another important component of the film noir's profile.
This film, altogether with Kiss me deadly (Robert Aldrich, 1955) are the best exponents in remarking this point, because also establish a crossroad about the unknown consequences derivated from the technology.
Don't miss this weird story; an unvaluable gem and also well done film of Rudolf Mate.
Edmond O' Brien is top-notch.
The inspiration for D.O.A. comes from a 1931 german film entitled Der mann, der seinen morder sucht, directed by Robert Siodmak (The dark mirror).
People manipulated by forces they are unable to control and comprenhend; that's a another important component of the film noir's profile.
This film, altogether with Kiss me deadly (Robert Aldrich, 1955) are the best exponents in remarking this point, because also establish a crossroad about the unknown consequences derivated from the technology.
Don't miss this weird story; an unvaluable gem and also well done film of Rudolf Mate.
Edmond O' Brien is top-notch.
based in false facts but superb
Jan 12 2004
Format:VHS Tape
This movie is a clear demonstration of how it's possible to make excellent cinema based on premises frontally opposite to the movies of today. We will see the protagonist to react as a madman when he finds out that someone has poisoned him with an terrible, fluorescent, imaginary toxin. Also I doubt very much that can be real the attitude of the physicians dealing with such a case in saying crudely to the patient that he has only a few hours of life, and I don't dare to enter in ethical considerations. This movie doesn't admit microscopic vision.
And nevertheless and against all these, the spectator follows this unreal plot and remains magnetized by the movie. How is this possible? The response only can be one: an enormous amount of talent. Let's rest in peace the unfortunate DOA, he has deserved it after 90 minutes of a nightmare that we do not understand but fascinates us. Today, with all the special effects and computers of the world the same results aren't reached.
And nevertheless and against all these, the spectator follows this unreal plot and remains magnetized by the movie. How is this possible? The response only can be one: an enormous amount of talent. Let's rest in peace the unfortunate DOA, he has deserved it after 90 minutes of a nightmare that we do not understand but fascinates us. Today, with all the special effects and computers of the world the same results aren't reached.
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Most recent customer reviews
The Film Noir Without Peer!
I'd love to give this wonderful film full marks(as it deserves),but this DVD release comes up a bit short on the technical and the extras side,as you will see.
D.O.A. Read more
D.O.A. Read more
Published on Feb 21 2009 by Robert Badgley
Forces Beyond Our Control.
A man named Frank Bigelow (Edmund O'Brian) shows up at Los Angeles police station to report a murder: his own. Frank is dying of luminous toxin poisoning. Read more
Published on Oct 13 2003 by mirasreviews
A film noire classic in every sense of the word
1950's D.O.A. is classic film noire, one of the true classics of the genre. The characters are intense, everyone is up to something, and the clock is ticking for one Frank Bigelow... Read more
Published on Sep 27 2003 by Daniel Jolley
Don't read the other reviews about D.O.A.
The reviews earlier than this one (shown below this review) reveal too much of the plot of D.O.A. See the movie first then read the remaining reviews. Read more
Published on May 9 2002
One OF The best Film Noir's Ever Made!
D.O.A. starts off with one hell of a bang a hulky and overwhelmed Edmund O'Brien musters his way into a ploice station. Read more
Published on Sep 29 2001 by A*
D.O.A.
D.O.A. is quintessential 1950's film noir (though it was shot in 1949) and in my opinion the best of the genre. Read more
Published on Aug 27 2001 by Rix Roundtree-Harrison
I . T . S . O . K .
Why does this movie, in my opinion, deserves five stars ? Because, if you're a film noir fan, you cannot be but astonished by the treatment of the subject. Read more
Published on Jun 11 2000 by Daniel S.
A Strong Three Stars
A classic example of 'Film Noir'; a movie where a poisoned man searches for his killer. Contains the immortal line, "I'm sorry Mister Bigelow -- but you've been... Read more
Published on Jan 7 2000 by FilmFool
inventive murder mystery with great plot twist
If you obsess so much over the "funny clothes" that people wear in old movies that you can't follow the plot, this film is not for you. Read more
Published on Sep 18 1999
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