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Daniel Deronda Audio Cassette – Audiobook, Apr 23 1997


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Audio Cassette, Audiobook, Apr 23 1997
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Product Details

  • Audio Cassette
  • Publisher: Penguin Audio UK (April 23 1997)
  • Language: English
  • ISBN-10: 0140863842
  • ISBN-13: 978-0140863840
  • Product Dimensions: 50.8 x 50.8 x 50.8 cm
  • Shipping Weight: 259 g
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (18 customer reviews)
  • Amazon Bestsellers Rank: #3,199,394 in Books (See Top 100 in Books)

Product Description

From Library Journal

Nadia May meets the strenuous demands of Eliot's narration with easy assurance. In this enduring Victorian classic written in 1876, two stories weave in and out of each other: The first is about Gwendolen, one of Eliot's finest creations, who grows from a self-centered young beauty to a thoughtful adult with an expanded vision of the world around her. The second is about Daniel Deronda, adopted son of an aristocratic Englishman who becomes fascinated with Jewish traditions when he meets an ailing Jewish philosopher named Mordecai and his sensitive sister, Mirah. Providentially, Daniel then discovers that he himself is Jewish. Eliot's (Middlemarch, Audio Reviews, LJ 3/15/95) tender portrait of Mordecai is considered by some critics to be one of the most sympathetic treatments of a Jewish character in Victorian literature. Characterizations are strong throughout, except when the author takes center stage and delivers one of her lengthy monologs. Once the compelling drama resumes, it makes incredible demands on the narrator. However, whether May is reading French or German or Italian quotations, or interpreting Mordecai's Zionist speeches, she deserves to share the final applause with George Eliot herself.?Jo Carr, Sarasota, FL
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Review

Daniel Deronda is a startling and unexpected novel . . . it is a cosmic myth, a world history, and a morality play.” —A. S. Byatt --This text refers to the Paperback edition.

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1 of 1 people found the following review helpful By A.J. on Feb. 12 2004
Format: Paperback
"Daniel Deronda," the culmination of George Eliot's distinguished career, is a tale of two cultures which explores the themes of concealed heritage, bigotry, and marriages of convenience in a manner never done before or since. Like its predecessor "Middlemarch," it is a long novel of perfectly structured complexity and impressive intellectual exposition, built upon a cast of characters so sharply and meticulously defined that the plot is propelled solely by the power of their presence. This is the novel that Henry James wanted to write, and even he could never match Eliot's passion and linguistic effortlessness.
The forward story in "Daniel Deronda" is that of Gwendolen Harleth, a coquettish, conceited, superficial girl -- in company she often affects a sophistication that is never quite convincing -- who could be called the heroine even though she lacks most heroic attributes. She is from an upper class family, but when misfortune strikes and she is faced with poverty, she consents to marry a man named Mallinger Grandcourt, heir to a large estate, rather than reduce herself to taking a job as a governess, and despite having received a warning from a mysterious lady about Grandcourt's having fathered illegitimate children.
The secondary story is that of Daniel Deronda, the title character, a young man who first sees Gwendolen in a casino in Leubronn at the beginning of the novel. Daniel, who happens to be the ward of Mallinger Grandcourt's uncle, Sir Hugo Mallinger, is inquisitive about his obscure parentage and unsure of his place in the world. One portentous day, he rescues a girl from drowning herself -- this is Mirah Lapidoth, a Jewish girl who has run away from her father in Prague and come to London to look for her long-lost mother and brother.
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By E. A Solinas HALL OF FAMETOP 50 REVIEWER on June 6 2009
Format: Paperback
"Daniel Deronda" was the last novel George Eliot wrote, and it's an appropriate finale to her career -- a lushly-written, heartfelt story about a young man searching for his past (and clues to his future), as well as a vibrant strong-willed young lady who discovers that life doesn't always go your way. Even better, Eliot deftly avoided the cliches and caricatures of the Jewish people, portraying them with love and respect.

Daniel Deronda is the ward (and rumored illegitimate son) of a nobleman, who is unsure of his past (particularly of his mother) catching a glimpse of pretty, reckless, arrogant Gwendolyn Harleth at a casino. Gwendolyn (who boasts that she gets everything she wants) is interested in Daniel, but when her family loses all their money, she marries a rich suitor, a relative of Daniel's -- knowing that his mistress and illegitimate children will be disinherited. But she soon finds that her new husband is a sadistic brute, and sees Daniel as her only help.

Meanwhile, Daniel rescues the despairing Mirah Lapidoth from a suicide attempt in the river, and he helps the young Jewish singer find a home and friends to care for her. As he helps her find her family, he becomes passionately attached to the Jewish population and their plight, embodied by a dying young visionary and a kindly shopkeeping family. Then he receives an important message -- one that will illuminate his roots, and give him a course for the future.

When Eliot published her final novel, it caused a massive stir -- not many novelists tackled the plight of the Jewish population, or how it compared to the gilded upper classes.
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By A Customer on June 28 2004
Format: Paperback
This is the first of Eliot's novels that I read. For being a Victorian women, I must say that it's also one of her most thematically adventurous novels as well. She addresses so much within the pages of this novel that it's amazing that one can still be interested in the plot. For a 500-page novel, it's thick with symbolism and social themes such as womens' rights (or lack thereof in society), Judaism, the difference in social classes, etc... Although the two contrasting stories of Daniel and Gwendolen seem somewhat strangely juxtaposed, they are actually complimentary and intertwining at points in this coming-of-age novel.
Eliot's writing is typical Victorian: winded and the usage of the appendix in the back becomes tiresome, but it also shows intellect behind the pseudonym that one is forced to appreciate. It's hard to find a lovable character in this story because of the purposeful idealism and poorly sketched minor characters, but the portrait she draws of Gwendolen and Daniel's mother (who seemingly parallels Mrs. Havisham in Great Expectations, I think) are memorable.
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Format: Paperback
Middlemarch is perhaps the most near to perfect novel there is, but Deronda is a flawed one. It should certainly not be ignored, but I fear it might discourage some from reading Middlemarch, the novel that made Eliot's reputation what it is.
Deronda is a lot like Anna Karenina in that it focuses on two primary characters almost as if it were two separate novels. The stories do intersect, but the intersections seemed to me to be hindering contrivances. I did not enjoy the Deronda string very much; the Gwendolen string was much more moving. Indeed, Gwendolen Harleth is as memorable a character as Anna Karenina. Deronda, unfortunately, is not nearly as memorable as Levin.
I read the introduction to this edition after finishing the novel and was a little dismayed to find an apologia for the novel focusing precisely on the those same criticisms I owned. There were vague hints of cultural bias suggested as the cause of not finding the Deronda string aesthetically pleasing and I found this quite not to my taste. I would recommend skipping the introduction.
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