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Danse Macabre(MP3)(Unabr.) MP3 CD – Audiobook, MP3 Audio, Unabridged

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Product Details

  • MP3 CD
  • Publisher: Brilliance Audio; MP3 Una edition (Jan. 26 2010)
  • Language: English
  • ISBN-10: 9781441831071
  • ISBN-13: 978-1441831071
  • ASIN: 144183107X
  • Product Dimensions: 13.7 x 1.3 x 19 cm
  • Shipping Weight: 100 g
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (37 customer reviews)
  • Amazon Bestsellers Rank: #2,327,907 in Books (See Top 100 in Books)

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In the fall of 1978 (between The Stand and The Dead Zone), Stephen King taught a course at the University of Maine on "Themes in Supernatural Literature." As he writes in the foreword to this book, he was nervous at the prospect of "spending a lot of time in front of a lot of people talking about a subject in which I had previously only felt my way instinctively, like a blind man." The course apparently went well, and as with most teaching experiences, it was as instructive, if not more so, to the teacher as it was to the students. Thanks to a suggestion from his former editor at Doubleday, King decided to write Danse Macabre as a personal record of the thoughts about horror that he developed and refined as a result of that course.

The outcome is an utterly charming book that reads as if King were sitting right there with you, shooting the breeze. He starts on October 4, 1957, when he was 10 years old, watching a Saturday matinee of Earth vs. the Flying Saucers. Just as the saucers were mounting their attack on "Our Nation's Capital," the movie was suddenly turned off. The manager of the theater walked out onto the stage and announced, "The Russians have put a space satellite into orbit around the earth. They call it ... Spootnik."

That's how the whole book goes: one simple, yet surprisingly pertinent, anecdote or observation after another. King covers the gamut of horror as he'd experienced it at that point in 1978 (a period of about 30 years): folk tales, literature, radio, good movies, junk movies, and the "glass teat". It's colorful, funny, and nostalgic--and also strikingly intelligent. --Fiona Webster --This text refers to the Mass Market Paperback edition.


The indisputable king of horror TIME One of the few horror writers who can truly make the flesh creep SUNDAY EXPRESS --This text refers to the Paperback edition.

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4.2 out of 5 stars

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2 of 2 people found the following review helpful By JR Pinto on June 28 2004
Format: Mass Market Paperback
For any serious fan of horror, Stephen King's Danse Macabre is an invaluable book, right up there with Lovecraft's Supernatural Horror in Literature. To use a rough analogy, it is as if Hitchcock wrote a book on suspense (actually, Truffaut's interviews with him amount to just that). Some of the negative reviews I've read on this site claim that King is too digressive. Well, it is digressive - the paperback clocks in at just over 400 pages - but Stephen King is not an academic, and he does not write like one. For me, that made this scholarly work all the more readable and enjoyable. (I am a King fan, so my opinion is biased).
The stated goal of the book is cover Horror from 1950 to 1980. However, he cannot do this without turning to the horror "heavy-hitters" of literature - Dracula, Frankenstein, and Dr. Jekyll & Mr. Hyde. According to King, these books define the three archetypes (he calls them "Tarot Cards") of horror - the Vampire, the Thing with No Name, and the Werewolf, respectively. (There is a fourth card for the Ghost or the Bad Place, but that can't be narrowed down to one book.)
He discusses movies, books, and television. What is refreshing is how critical King is - even about his own novels. He has bad things to say about a lot of popular works - he will annoy fans of The Exorcist, The Twilight Zone, and other popular books. But, as any lover of horror movies must admit, King opens up about his love of bad movies and even finds nice things to say about the movies, The Amityville Horror and The Prophecy. (I am also shocked about how many nice things he has to say about Stanley Kubrick and The Shining - a film he supposedly doesn't like.)
Fortunately, I had read most of the books and seen most of the movies that King discusses.
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1 of 1 people found the following review helpful By Ryan Costantino on Oct. 21 2000
Format: Mass Market Paperback
This in depth exploration into the psyche of Stephen King is essential reading for any aspiring writer. Memories of childhood, of inspirations to write, and even some method to the madness fill this book; making it feel like a cross the table conversation. Discussing influential books and authors, films and directors, and pertinent world events, King implores his fans to pay attention to the world around them, citing that as the writer's best source of material. Friendly advice from the world's best selling author for the price of a paperback! You can't beat that! If you don't own this book immediately purchase a copy.
Also included are two appendixes, one for films and one for books that make great to watch/ to read lists. Many of the books and films suggested are out of print or have moratorium status, which will prompt a treasure hunt for avid fans. The only fault with this book is that Mr. King hasn't updated it or written a sequel since the book is almost twenty years old! An inspiring and informative book.
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1 of 1 people found the following review helpful By Dan Seitz on Sept. 12 2001
Format: Mass Market Paperback
When it comes to serious studies in horror by actual authors (which are usually much more useful than those by academics, although those are generally good for a laugh), there's Lovecraft's "Supernatural Literature" and this.
In terms of sheer fun, this book is a goldmine and very well thought out. You can read a chapter separately, or read the whole thing at one shot, but you keep going back to it and rereading it.
Especially useful to film fans and scholars is King's analysis and dissection of the horror movie. I'm recommending this to a friend of mine in the hopes that he will loosen up a bit after reading King's sometimes-hilarious take on the truly awful horror movies out there.
"Danse Macabre" is both a lot of fun and a great study of an often misunderstood genre. Take a look!
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By John M. Ford TOP 100 REVIEWER on Feb. 19 2013
Format: Hardcover
This book, written using the author's notes from a college course he taught, explores the techniques that horror writers, filmmakers, and television producers use to scare us, entertain us, and keep us coming back for more. Along the way, King explores the horror genre from the 1950's through the 1980's and traces several key influences on his development as a horror fan, then author.

The author finds the roots of modern horror in three "tarot cards" or character archetypes, each represented by a key literary work. Our expectations about "The Vampire" were formed by Bram Stoker's Dracula; we see the essence of "The Werewolf" in the protagonist of Robert Lewis Stevenson's Dr. Jekyll & Mr. Hyde; and experience "The Thing Without a Name" as recurring versions of Mary Wollstonecraft Shelley's Frankenstein. He traces the influence of these themes in written fiction, radio, movies, television and in popular culture.

Most interesting is King's three-level taxonomy of fear reactions. The most refined is "terror" as the suspenseful anticipation of fright which can be induced by a skilful writer with the monsters off-stage. He believes that finely-tuned terror is best achieved through books and radio because they require more active engagement by their audiences. "Horror" is secondary, as we recoil from the hidden monster as it is revealed. "Revulsion" is the lowest, most visceral reaction triggered when we are "grossed out" by slime, gore and vomit.
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