3.0 out of 5 stars
me and Amis, May 29 2002
In the Rachel Papers, Amis claims that as a modern writer one can no longer write seriously about such things as love, the moon's reflection in the pond, the stars... This may be the case, but that doesn't mean that you are confined to writing only about pornographers, seedy, violent urban people and wise-acre nihilists. These types of people (and they are merely types) fit better in movies and TV than they do in fiction. Because they're boring and wooden, is why. The dialouge in this book (and man, is there a lot of it) is comprised of the characters (or caricatures) all trying to be more witty and nihilistic than each other. The reader comes away with feelings about how essentially boring human conversation is. Also there is something old-fashioned about the fascination in this book with sex and drugs... If you've already had sex and experimented with drugs (as presumably most of Amis's readers have) then this book just often seems juvenile.
Also, a bone to pick re: Amis's Americans: They are wooden and reflect common Euro misconceptions about what Americans are like.
Amis seems to cling to these stereotypes (eg. all Americans are tall, tan, and filled with "American resolve" as he says in the Information, his best novel (I think)). His Americans, at least in his early fiction, are absolute cartoons, even more cardboard-like than his other characters. You can't understand a culture by watching its TV and reading its newpapers. As the kid says below, so much for the War against the Cliche. From reading Amis's fiction, I'm surprised by the fact that he actually has been here... Plus, gritty urban America is merely one facet of the country, and even within this small section, there is endless variation (eg. the world of Seattle is far from the world of Chicago).
Boy, I don't want it to seem like I don't like Amis; he's great and really funny, but this is the weakest novel of his I've read, so everything that bothers me about him kinda stood out.
His influences are so clearly felt (Bellow, Nabokov, Updike, Delillo) that you can almost pick any paragraph and easily see which of these four comes through the most. I'm not saying Amis is derivitave, though; he's got his own thing going on...
The cool thing about Dead Babies is the "time situation": in the narration, the events that you are reading are still off in the future; "now" all the characters haven't even met, the situations have barely even come together. So there is a subjunctive, elusive feel to the narrative...cool.
Personally, I'd suggest the Information if you've never read him before. And really maybe the reason his characters grate on me is because I'm too "tender and wooly" as Updike has said of himself.
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2.0 out of 5 stars
A Disappointment, May 13 2002
Initially, this book looked rather promising. Amis's stylistic touches were nice as usual and for the first hundred or so pages it seemed as though this was really building up towards an intense and revealing climax. Unfortunately, Amis failed to make the plot nearly as interesting as the setting or characters. The ending was horrid and sudden and although it appeared to say something, it really said nothing about either our condition or the mindset of the characters. All in all, an easy read with its fair share of good lines and amusing scenes, but ultimately as unsatisfying as the drugs the characters intake.
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5.0 out of 5 stars
Feelgood hit of the century., Nov 20 2001
By A Customer
This book touched me in places no other novel could. I felt so impressed by Amis' ability to handle drug abuse in a way that wasn't belittling or mocking as far as the victims went. He makes it very clear that these are people who deserve all the help and sympathy we can give them. Page after page, Amis' empathy flows while he presents truly alive characters who any one of us would want to meet and help. If you want a book that makes you feel like life is worth living again, this is your book. You could make the difference. Help an addict today!
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