There's a mellifluous, melodic feel to RJD2's production on Deadringer
that enables him to easily straddle the US/European divide between hip-hop and trip hop, even coming close to the intricate and lucid inventiveness of the Avalanches in places.
Ohio's RJD2 first dropped his wholesome brand of bumpin' beats on Bobbito's Fondle 'Em Records (as producer for MegaHertz), before appearing later on labels such as Rawkus and Def Jux. It's the latter label that has decided to support his talents full-time, and judging by this debut solo joint, it's a very good decision.
Keeping his musical references as wide as possible while retaining a distinctly b-boy soul, RDJ2 casually bunches together disparate sounds and styles--funk, hip-hop, soul, jazz, reggae, blues, industrial grunge, acoustic folk, indie rock--into a fibrous and free-wheeling whole. There's straight up hip-hop for the heads on "Final Frontier", "F.H.H." and "June" (where he teams up with MCs Blueprint, Jakki da Motamouth and Copewrite respectively) but Deadringer is mostly about the producer's experiments with cinematic beatscapes, funny funksters and down-tempo nods, all approached with a twinge of oddness and some deliciously flippant humour. --Paul Sullivan