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Dead Voices: Natural Agonies in the New World
 
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Dead Voices: Natural Agonies in the New World [Paperback]

Gerald Vizenor
4.2 out of 5 stars  See all reviews (4 customer reviews)

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From Publishers Weekly

This schematic satire pits Native Americans against naturalized ones, much to the detriment of the latter. Divorced from nature, Vizenour fictionally contends, non-Indians have lost the stories that liberate the mind and hold the world together; now they are "wordies," hearing only the dead voices of the printed page and the university lecture. The Native American wise woman Bagese, in contrast, hears great stories. She and the novel's unnamed narrator (a lecturer in "tribal philosophies") play a meditation game in which they actually become animals by entering into the beasts' images on tarot-like cards. As the shape-shifting duo transform themselves into bears, fleas and other creatures, the narrator learns from Bagese to hear the voices. Vizenour ( The Heirs of Columbus ) has always been the literary equivalent of a drive-by shooter; anything can become the target of his satiric sensibilities. Here, anthropologists are revealed to have been created out of excrement, and a shaman makes money by using her power to clean up a chemical company's wastes on weekends. The author's words tumble over one another with a poetic ferocity as he celebrates the "crossblood" and the drive to survive in a world where the tribes are gone and the voices are dead. He is a true Native American original.
Copyright 1992 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Library Journal

Chippewa author Vizenor ( Interior Landscapes , LJ 7/90) continues his exploration of urban mixed-blood Indians, whom he calls crossbloods, in this cycle of trickster tales told by a woman/bear named Bagese. Using the "wanaki" game, a device to meditate on animal voices in the natural world, Bagese explores urban crossblood society through the eyes of a bear, beaver, squirrel, crow, flea, praying mantis, and, finally, a trickster. Sly and humorous, these stories poke fun at the ways of the "wordies" (white people) as interpreted by the various animal tricksters. Full of fantastic images presented in a lyrical writing style, Vizenor's work demands an acceptance of other realities while it challenges the New Age shamans.
- Lisa A. Mitten, Univ. of Pittsburgh Lib.
Copyright 1992 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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Customer Reviews

4 Reviews
5 star:
 (3)
4 star:    (0)
3 star:    (0)
2 star:
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Average Customer Review
4.2 out of 5 stars (4 customer reviews)
 
 
 
 
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2.0 out of 5 stars Dries out with time, Nov 12 1998
By A Customer
This review is from: Dead Voices: Natural Agonies in the New World (Paperback)
Vizenor cleverly describes the world of animalia while preserving Native American culture, but it's not enough. Several parts were amusing, others deeply philosophical. Towards the end, however, the abstract nature of the text kills the creative voice and makes it more post-modern than literature.
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5.0 out of 5 stars Dead Voices suggests a change in our perception of nature., Feb 27 1998
By A Customer
The message in Dead Voices is simply that I am energy, all matter in the universe is energy, therefore I am the universe and the universe is me. And that such energy is constantly being transferred from one entity to another, always reshaping itself. What the protagonist in Dead Voices does is ride this energy. Getting rid of such neurotic thinking patterns of distorted human identity and its relation to everything else in nature brings true divinity and enlightenment. Almost all tribal cultures provide their young with the opportunity to seek their selves and enter adulthood with a spiritual connection to the Universe. The visions obtained from such experiences provide the young with self-actualization and a strong connection to their surroundings, animate and inanimate. Western Civilization somehow thinks itself separate or divorced from Nature. Vision quests provide the young with the opportunity to find their innerselves . The sociohistorical concept of race and identity that newly borns are thrown into is but the neurotic social residue of previous generations. The vision quest to understand nature serves to dissolve this neurotic state and allow for the evolution of higher, more intelligent and all-encompassing cosmic consciousness of non duality. But instead, our young are faced with this neurotic social residue and brainwashed, forced to conform to compulsory education/ignorance and once their fragmented and confused self is formed , thrown into stale and meaningless lives to suffer in a racist system. Gerald Visenor in <Dead Voices> puts it so clearly, they are dead men and dead women in a dead world. The visionary experience dissolves one's socially conditioned, 20th century, hive mind allowing the self to come to its senses. "If the door of perception were cleansed open everything would appear to man as it is, infinite" writes William Blake in <the Marriage of Heaven and Hell>. As exemplified by <Dead Voices> "WE" the self-actualized identity sees intelligence in its raw form--Nature, which operates in complete harmony, without effort or waste. The realization that YOU and I are WE and not that you "black" and me "white" or that you are a cat and I am a human, leads to one of the most ancient philosophical principles, cosmic consciousness. The connection between universe (nature) and humans is evident even in the most basic fact of life--nutrition. "The sun belts out photons of intelligence we call sunlight. That sunlight is captured by plants and is trapped in the excited electron orbits of carbon based molecules. We humans eat the plants, exhale carbon dioxide and release the stored sunlight into our consciousness" writes Michael Eisner. The problem is that Western Civilization denies itself "the photons of intelligence" by not realizing this. Gerald Visenor in <Dead Voices> suggests that perhaps what Western Civilization so desperately needs is to take a deeper look into the psyche of pre-literate tribal peoples, if we are to survive and reach a peaceful future resembling our own ancient tribal past. It is obvious where Western Civilization is heading but what is not obvious to many is that tribal societies, who are thought of as barbaric and uncivilized, have maintained a harmonious balance with nature and themselves for thousands of years. Before there were alphabets, tribal people did not read "dead words," they talked, told and retold, sung, chanted, danced, and more importantly experienced life. As some historian, which I do not remember or really think it important to remember said, "history begins when people start keeping track of events by writing things down." And so, tribal people are thought of as prehistoric and uncivilized. What Visenor suggests is that perhaps tribal peoples have a deeper insight into themselves and nature. A change in our perception is suggested in <Dead Voices.> A re-examination of the distorted and self-destructive Western dualistic paradigm.
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5.0 out of 5 stars Classic Vizenor, Feb 21 1997
By A Customer
This review is from: Dead Voices: Natural Agonies in the New World (Paperback)
Throw out your old, tired American Indian stereotypes before stepping
through Gerald Vizenor's looking glass, Alice; there are bears and tricksters in
here! Very funny and true-to-form
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