From Publishers Weekly
This schematic satire pits Native Americans against naturalized ones, much to the detriment of the latter. Divorced from nature, Vizenour fictionally contends, non-Indians have lost the stories that liberate the mind and hold the world together; now they are "wordies," hearing only the dead voices of the printed page and the university lecture. The Native American wise woman Bagese, in contrast, hears great stories. She and the novel's unnamed narrator (a lecturer in "tribal philosophies") play a meditation game in which they actually become animals by entering into the beasts' images on tarot-like cards. As the shape-shifting duo transform themselves into bears, fleas and other creatures, the narrator learns from Bagese to hear the voices. Vizenour ( The Heirs of Columbus ) has always been the literary equivalent of a drive-by shooter; anything can become the target of his satiric sensibilities. Here, anthropologists are revealed to have been created out of excrement, and a shaman makes money by using her power to clean up a chemical company's wastes on weekends. The author's words tumble over one another with a poetic ferocity as he celebrates the "crossblood" and the drive to survive in a world where the tribes are gone and the voices are dead. He is a true Native American original.
Copyright 1992 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
From Library Journal
Chippewa author Vizenor ( Interior Landscapes , LJ 7/90) continues his exploration of urban mixed-blood Indians, whom he calls crossbloods, in this cycle of trickster tales told by a woman/bear named Bagese. Using the "wanaki" game, a device to meditate on animal voices in the natural world, Bagese explores urban crossblood society through the eyes of a bear, beaver, squirrel, crow, flea, praying mantis, and, finally, a trickster. Sly and humorous, these stories poke fun at the ways of the "wordies" (white people) as interpreted by the various animal tricksters. Full of fantastic images presented in a lyrical writing style, Vizenor's work demands an acceptance of other realities while it challenges the New Age shamans.
- Lisa A. Mitten, Univ. of Pittsburgh Lib.Copyright 1992 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.