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The Dead Zone (Widescreen)
 
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The Dead Zone (Widescreen)

Christopher Walken , Brooke Adams , David Cronenberg    R (Restricted)   DVD
4.3 out of 5 stars  See all reviews (71 customer reviews)

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The Dead Zone is based on a novel by Stephen King, directed by David Cronenberg (Scanners, The Fly) and produced by Debra Hill (Halloween, The Fog). Such a trio of horror vets would be expected to come up with an evening of shocks and gore, but The Dead Zone is a surprise. While it has great atmospheric eeriness and undeniably scary moments, The Dead Zone is at heart a sensitive and thoughtful portrayal of main character Johnny Smith's dilemma. Christopher Walken, king of the vaguely creepy, plays Smith, a man who awakens from a five-year coma with the very mixed blessing of second sight. At the mere touch of a hand, Smith is unwillingly launched into scenes of past and future terror. (Director Cronenberg is said to have fired blanks from a .357 Magnum just out of camera range to keep Walken's flinching spontaneous.) The Dead Zone wisely takes its time telling the story, and thus allows for some great performances. Walken gives a rich portrayal of the conflicted Smith, and Colleen Dewhurst and Tom Skerritt both do welcome turns in smaller roles. The most fun of all, though, is clearly being had by Martin Sheen, who gives a spirited performance as a complete sleazebag. --Ali Davis

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71 Reviews
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4.3 out of 5 stars (71 customer reviews)
 
 
 
 
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4.0 out of 5 stars One of the Better Stephen King Screen Adaptations, July 5 2007
By 
K. Driscoll - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
This review is from: The Dead Zone (Widescreen) (DVD)
David Cronenberg directs the Stephen King novel about a man who awakes from a coma with a life draining ability to see future tragedies when making contact with people. He also finds he can change these morbid outcomes. The screenplay (not written by Cronenberg or King) remains the films only real flaw besides some questionable supporting cast members. The novel is not a book that would make a perfect story to tell on film so the screenplay sort of stays in the shallow end and spits forth each episode that our hero Johnny Smith expereinces one at a time and without the level of understanding and depth King's book has. That is not to say The Dead Zone isn't a good movie. It's actually a very good movie.

The film remains a semi-classic in the suspense genre. Cronenberg has a way of handling scenes that is very European despite lacking the technical skills of his peers. He can give the actors very specific emotional direction and tell so much with using little or no dialogue. This helps the screenplay because it only offers some flashes of great dialogue. Cronenberg loves taking on films that lack certain aspects and giving them depth in places you never thought could have it. He is a unique force in independant films and earns his stars among the mainstream fans with this film. Martin Sheen surprisingly gives a solid performance here as well. He plays a crooked politician bent on gaining the presidency and earns our hatred quickly. He is actually quite remarkable here.

O.K., now it's time to play favorites. Johnny Smith is played by one of the most identifiable actors of all time. The greatest character and supporting acting of all time in my eyes and here we see him in a rare feature role. He is Christopher Walken and with all the imitations of his wild talk and bizarre off-screen shenanigans aside, he is quite simply an amazing actor. He takes his role very seriously here and turns the film from mediocrity into a very good movie. He takes the character for what readers may have loved about him and that is that he is your every day guy who happened upon some very usual and at times deeply sad circumstances...it just wasn't in the cards or it wasn't meant to be like Smith's Doctor felt. For those who read the novel you'll see subtle references to some of the more robust thinking in the story but never quite enough. There is an underlying message in the film that I really wish wasn't somewhat lost among the communication of the screenplay and the direction. King's novel touches on these things tremendously well and makes us question fate and wonder if time and death is really just so one-dimensional. The film makes you think if you want it to, but not like the novel which is truly one of King's greatest. I honestly believe Walken may have been the only guy on the set who understood this about the story.

If you are looking for a film full of suspense and several exciting climaxes and you like Christopher Walken, then I highly recommend The Dead Zone...but keep in mind that so few King novels have been done real justice with a film and where this is probably not one of them it remains a very good movie. It isn't quite Carrie or The Shining but it is still very good.
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5.0 out of 5 stars The Best King Adaption!, July 18 2004
This review is from: The Dead Zone (Widescreen) (DVD)
John Smith (Walken) leads a humble, but fulfilling life as a teacher, has a sweet girlfriend and an all around normal life until, in his words: "God through and 18-wheeler at me." After a 5 year coma Johnny wakes up to find he knew is a different place and that he is a different person.

I've seen The Dead Zone in bits and pieces many MANY times on TV, but surprisingly never sat down and watched it from beginning to end. Well, one night I popped this baby in and realized what a dumbass I had been. The Dead Zone is simply an unforgettable thriller and quite possibly the best film based on a Stephen King novel. Our hero in this film is the everyman, a man who lives humbly and happily. A man with a lovely girlfriend and would-be wife who is respected in his community. Everything is good in his little world until one rainy night when he has a run in with a big truck that puts him in a coma for 5 years. When Johnny wakes up he finds the world has changed. His girlfriend is now married with child, his job is gone, and his body is shot. AND on top of that he can predict the future of those he touches. Mostly predicting death and destruction, but occasionally seeing the past. This new ability is considered a curse at first. As though God played a cruel trick on him, but after saving a little girl's life, solving a series of brutal murders, and saving a boy from drowning, Johnny considers his gift a blessing.

Just as Johnny begins coming to grips with his abilities he meets Greg Stillson (Sheen), a candidate for a senator and very dangerous man who dreams of becoming president. After seeing some kind of Hitler-esque prophecy Smith sets out to change the future, even if he has to sacrifice himself.

The Dead Zone is of course based on the book by Stephen King and is directed by David Cronenberg who's best known for making sexually surreal thrillers. This is definitely Cronenberg's most straight forward and best film. Shot in the fall, covered in bleak gray skies, and snow, the atmosphere of The Dead Zone couldn't be more perfect. The small town adds a sense of isolation that forces Smith to take digs at a new location at the half way point of the film to get his back together. Cronenberg's usual bleakness is here, but in this film is means something is crucially needed not just for the sake of atmosphere.

Christpher Walken is riveting as Smith, one of his best performances. The tragic everyman, who didn't ask to be anything special, but when it came down to crunch time the guy wagered it all to save the many. A truly powerful exercise in selflessness. Brooke Adams is great as Smith's would-be wife, now torn between her feeling for him and her new love. Great performance! Martin Sheen is a good villain, but takes his character a bit over the top at times. Herbert Lom is good as Johnny's friend/slash doctor as well.

The Dead Zone can be looked upon as a depressing tragedy, but I don't consider it to be that way. The finale speaks volumes about selflessness, seizing your potential and not pissing away your true gifts. The finale while sad is more chilling and unforgettable, not a tragic fate, but a product of ultimate sacrifice.

The Dead Zone is simply a brilliant film, an unforgettable journey, and one of the most fulfilling films I've seen. A true classic and one film that deserves it's place in cinema history. Check it out!

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4.0 out of 5 stars Best Stephen King adaption?, April 1 2004
By 
R Jess "Raymond Jess" (Limerick, Ireland.) - See all my reviews
(REAL NAME)   
This review is from: Dead Zone (VHS Tape)
When it was released in 1983, many people thought 'The Dead Zone' was a sell-out for director David Cronenberg. Up until that point Cronenberg had stayed faithful to his auteur vision, writing and directing all his own films in Canada, each one with a strong concentration on original and spectacular special effects (usually based around the body). 'The Dead Zone' proved to be unusual for Cronenberg in that he didn't write the script, it was made in the U.S. with mostly American money and it doesn't feature his trademark gorey effects. In fact this film is the inverse of the usual Cronenbergian theme of the body rebelling against the mind. As Christopher Walken's visions become more and more intense, his body ages faster and he moves closer and closer to death.

Instead of spine-chilling special effects, most of the terror here is realized through the stength of the actors' performances. Compared to previous Cronenberg movies the acting here is more interior, more emotional and a deep sense of melancholia prevades throughout.

This may have been a conscious choice on behalf of the director whose previous movie 'Videodrome' wasn't such a success at the box office. He wanted to stay within the horror genre he knew but wished to reach a wider audience. What better way to do that than to adapt a story by the self-styled 'Big Mac of literature', Stephen King. Many regard 'The Dead Zone' as the finest cinematic adaption of a Stephen King story.

Oh and by the way, did anyone notice that at the beginning of the movie when Walken is teaching his English class he asks them to read 'The Legend Of Sleepy Hollow'? He would eventually play the headless horseman in Tim Burton's version of the tale.

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