Despite challenges from Ruth Rendell and (more recently) Minette Walters, P.D. James's position as Britain's Queen of Crime remains largely unassailable. Although a certain reaction has set in to her reputation (and there are those who claim her poetry-loving copper Adam Dalgliesh doesn't correspond to any of his counterparts in the real world), her detractors can scarcely deny her astonishing literary gifts. More than any other writer, she has elevated the detective story into the realms of literature, with the psychology of the characters treated in the most complex and authoritative fashion. Her plots, too, are full of intriguing detail and studed with brilliantly observed character studies. Who cares if Dalgliesh belongs more in the pages of a book than poking around a graffiti-scrawled council estate? As a policeman, he is considerably more plausible than Doyle's Holmes, and that's never stopped us loving the Baker Street sleuth. Death in Holy Orders
represents something of a challenge from James to her critics, taking on all the contentious elements and rigorously reinvigorating them. She had admitted that she was finding it increasingly difficult to find new plots for Dalgliesh, and the locale here (a theological college on a lonely stretch of the East Anglian coast) turns out to be an inspired choice. We're presented with the enclosed setting so beloved of golden age detective writers, and James is able to incorporate her theological interests seamlessly into the plot (but never in any doctrinaire way; the nonbeliever is never uncomfortable). The body of a student at the college is found on the shore, suffocated by a fall of sand. Dalgliesh is called upon to reexamine the verdict of accidental death (which the student's father would not accept). Having visited the College of St. Anselm in his boyhood, he finds the investigation has a strong nostalgic aspect for him. But that is soon overtaken by the realization that he has encountered the most horrific case of his career, and another visitor to the college dies a horrible death. As an exploration of evil--and as a piece of highly distinctive crime writing--this is James at her nonpareil best. Dalgliesh, too, is rendered with new dimensions of psychological complexity. --Barry Forshaw, Amazon.co.uk
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From Publishers Weekly
Baroness James may have turned 80, but neither she nor her dogged Scotland Yard detective Commander Adam Dalgliesh (last seen in 1997's A Certain Justice) shows any sign of flagging in this superb whodunit, with its extraordinarily complex and nuanced plot and large cast of credible characters. When the body of a young ordinand, Ronald Treeves, turns up buried in a sandy bank on the Suffolk coast near isolated St. Anselm's, a High Anglican theological college, it's unclear whether his death was an accident, suicide or murder. The mystery deepens a few days later when someone suffocates Margaret Munroe, a retired nurse with a bad heart, because she remembers an event 12 years earlier that could have some bearing on whatever's amiss at St. Anselm's. Enter Dalgliesh at the behest of Ronald's father, Sir Alred, who's received an anonymous note suggesting foul play in his son's death. It isn't long before another death occurs, and this time it's clearly murder: late one night in the chapel, somebody bashes in the head of Archdeacon Crampton, a hard-nosed outsider who wanted to close St. Anselm's. Dalgliesh and his investigative team examine the complicated motives of a host of suspects resident at the college, mostly ordinands and priests, slowly unveiling the connections among the various deaths. Illegitimacy, incest, a secret marriage, a missing cloak and a valuable altar triptych are just some of the ingredients in a case as contrived as any Golden Age classic but presented with such masterful ease and conviction that even the most skeptical readers will suspend disbelief. This is a natural for PBS Mystery adaptation. (Apr. 19)Forecast: With a 300,000-copy first printing, this BOMC main selection is sure to race up the bestseller lists.
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