Harlan Ellison's masterwork of myth and terror as he seduces all innocence on a mind-freezing odyssey into the darkest reaches of mortal terror and the most dazzling heights of Olympian hell in his finest collection. Deathbird Stories is a collection of 19 of Harlan Ellison's best stories, including Edgar and Hugo winners, originally published between 1960 and 1974. The collection contains some of Ellison's best stories from earlier collections and is judged by some to be his most consistently high quality collection of short fiction. The theme of the collection can be loosely defined as God, or Gods. Sometimes they're dead or dying, some of them are as brand-new as today's technology. Unlike some of Ellison's collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two. One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction. His stories will rivet you to the floor and change your heartbeat...as unforgettable a chamber of horror, fantasy and reality as you'll ever experience. -Gallery "Brutally and flamboyantly shocking, frequently brilliant, and always irresistibly mesmerizing." -Richmond Times-Dispatch
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4.7 out of 5 stars
28 reviews
25 of 28 people found the following review helpful
5.0 out of 5 stars
JUST ANOTHER COLLECTION THAT SHOWS WHY ELLISON IS THE BEST
Aug 21 2001
By EMAN NEP
- Published on Amazon.com
Format:Paperback
This is a very black, dark book. This is not a book for kids, nor is it a book for people who haven't read anything by Ellison previously. Harlan Ellison is one of those rare writers that can finish a story so powerfully, that you'll feel like you've been literally stabbed in the heart. Like many of Ellison's short story collections, he deals with a specific theme. In this book, he writes short stories about gods, in all their myriad shapes and forms. Gods of machines, pain, rocks, speed, revenge, among others. Of the 19 stories in this collection, let me tell you what I consider to be the best. THE WHIMPER OF WHIPPED DOGS: Ellison's award-winning retelling of the Kitty Genovese incident. Never heard of Kitty Genovese? Don't worry, after reading this chilling tale, you'll make sure you remember. BASILISK: A traitor to his country comes home and finds that he is not welcome. A little confusing at first, but you'll soon get the hang of it. PRETTY MAGGIE MONEYEYES: Don't let the strange title deceive you. This is Ellison in TOP form. Ever wondered what gods reside at the casinos and what they have in mind. It's not PRETTY, I can assure you. ERNEST AND THE MACHINE GOD: An easy-to-visualize story about a girl in a car-accident and her meetings at a gas station. ADRIFT OFF THE ISLETS OF LANGERHANS . . . : Another award-winning story about a man trying to find the geographical location of his soul. THE DEATHBIRD: Still another award-winner. This one is Ellison's retelling of Genesis. This story has a very innovative structure to it. You'll see what I mean, when you buy this book.
10 of 10 people found the following review helpful
5.0 out of 5 stars
A great collection from SF's master of short fiction.
Dec 10 2000
By John Peter O'connor
- Published on Amazon.com
Format:Paperback
This collection groups nineteen of Ellison's stories dealing with subjects such as gods spirits and suchlike. In former times, people created numerous gods and spirits for just about every aspect of their lives. Gods for thunder the moon and the sea. Spirits and Ghosts living in caves, rivers etc. What if we still felt the need to invent and invoke such gods and spirits today? What would they be like? A god for machines? A spirit in a slot machine? A demon ruling over violent crime? These are the subjects that Ellison deals with in this collection of stories.
The book straddles the boundaries between science fiction, fantasy and horror and as such it will not satisfy SF purists but it does contain a number of very powerful stories. The opening tale, "The Whimper of Whipped Dogs" is a shocking and worrying take on the cruelty of city violence. It is followed by "Along the Scenic Route" in which modern day knights in armour fight their jousts to the death on the public highway. Those two, along with "Ernest and the MachineGod", "Basilisk" and "Deathbird" are my favourites but they are not the only stories to leap off the page and grab hold of your imagination. There are some weaker tales here too but they are outnumbered by the good ones.
I'd not recommend this as an introduction to Ellison. The anthology "The Essential Ellison" fills that role perfectly but, if you read and enjoyed that, you will like this book. If you like this book, I'd recommend Ellen Datlow's themed anthology "Alien Sex" though not her rather weak follow up.
6 of 6 people found the following review helpful
4.0 out of 5 stars
Cruel gods
Mar 1 2006
By David Hood
- Published on Amazon.com
Format:Paperback
Harlan presents some stellar stories here about what modern gods might be like in what one would call a pessimistic, cynical outlook. He moves through such milieus as sci-fi, high fantasy and even urban fantasy through this book.
The best stories are very hard-hitting and emotionally affecting. These include The Whimper of Whipped Dogs, a retelling of the Kitty Genovese episode about the alleged god of New York City, The Basilisk, where the most terrifying aspect of the story is how a small town treats a returning POW and Pretty Maggie Moneyeyes where a manipulative woman continues to manipulate even after death. There are some other good stories, such as the road rage tale, though not as emotionally hard-hitting.
The problems in several of the stories stem from an abundance of cleverness. Rather than letting the story take the forefront, Harlan chooses to favor style over substance in an attempt to showcase his virtuoisity in the various methods of writing. This lessened some of his stories for me. He is most successful doing this in the titular tale, The Deathbird, but it was still distracting even there.
A very good collection though, despite the flaws. It is unapologetic and uncomprimising demanding you take the stories on their own terms.
The best stories are very hard-hitting and emotionally affecting. These include The Whimper of Whipped Dogs, a retelling of the Kitty Genovese episode about the alleged god of New York City, The Basilisk, where the most terrifying aspect of the story is how a small town treats a returning POW and Pretty Maggie Moneyeyes where a manipulative woman continues to manipulate even after death. There are some other good stories, such as the road rage tale, though not as emotionally hard-hitting.
The problems in several of the stories stem from an abundance of cleverness. Rather than letting the story take the forefront, Harlan chooses to favor style over substance in an attempt to showcase his virtuoisity in the various methods of writing. This lessened some of his stories for me. He is most successful doing this in the titular tale, The Deathbird, but it was still distracting even there.
A very good collection though, despite the flaws. It is unapologetic and uncomprimising demanding you take the stories on their own terms.
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4.7 out of 5 stars
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