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The Deposition of Father McGreevy Hardcover – May 19 1999


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Product Details

  • Hardcover: 416 pages
  • Publisher: Turtle Point Pr (May 19 1999)
  • Language: English
  • ISBN-10: 1885983395
  • ISBN-13: 978-1885983398
  • Product Dimensions: 12.9 x 3.3 x 19.8 cm
  • Shipping Weight: 667 g
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Bestsellers Rank: #2,626,107 in Books (See Top 100 in Books)

Product Description

From Amazon

It is London in the late 1950s. William Maginn is a literary editor who believes he has left the Ireland of his childhood behind when one of his relatives and drinking partners tells him the mysterious story of "a dead village up in the mountains" in County Kerry, involving "a trial that shamed the town". Travelling back to Kerry, Maginn begins to trawl the court records, where he stumbles across the deposition of Father Hugh McGreevy, the unfortunate priest of the village who died. The majority of the rest of the terrible story is told in the words of the priest, who insists that "I kept a Christian community together in its extremity, and prevented it, through the grace of God as conveyed by his sacraments, from falling into barbarity". The story is an unabating one of misery, suffering and ignorance, as over the space of two winters the small rural village first loses all its women to sickness, and then descends into bestial and pagan acts, as Father Hugh tries in vain to keep his flock together, with the Second World War a distant "echo" on the wireless.

Short-listed for the Booker Prize, The Deposition of Father McGreevy is an elegant, unrelenting story of the disintegration of an Irish way of life as institutional religion, nationalism and the darker forces of human nature conspire to destroy a people and a place that O'Doherty evokes with great pathos. Musing on the Father's deposition, Maginn ponders "I'm not sure what it tells us beyond the fact that there are some good people, some bad people, and a lot of people who are one or the other depending on the circumstances". The moral may be simple, but as the Irish would say, it's the way that you tell it. --Jerry Brotton --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

What was the cause of the destruction of an Irish mountain village? In the fictive memoir that makes up the bulk of this book, the village's priest recounts the macabre events that began with the swift deaths of six women in the winter of 1939, and ended with the village deserted, himself defrocked, others dead, rumors of men copulating with beasts and a man charged with murdering his own son. Father McGreevy vows to be "as honest as I can in this deposition, and the word can't help but bring to mind the Deposition of Our Lord Himself from the Cross." Trying to explain what he has seen, he draws on Catholic theology, Irish history and folklore and Irish-language literature. Are his parishioners victims of S! (vengeful Irish spirits)? Of the forces fighting in WWII? Of an angry God seeking a sacrificial lamb? The fictitious London editor William Maginn introduces Father McGreevy's manuscript in a prologue set in the 1950s; in two concluding chapters, Maginn interviews the disaster's aged survivors, climbs the mountain where it all happened and meditates on Irish history. O'Doherty (The Strange Case of Mademoiselle P.) works overtime with local color, pathos and religious symbolism in this elaborately constructed homage and elegy to rural, Gaelic Ireland. Lamb (or scapegoat) symbols are everywhere, and MaginnAwho annotates McGreevy's accountAcan be all too eager to help us interpret: "The dead village, with its lost memories, reached back to similar desolations... " McGreevy's own style veers between believable dialect and over-the-top stage-Irish ("It was grand to be out in God's good air those summer days that went on forever"). His first-person narration can be hard to take: "'Is it talking to me you are, Father?' I hit her on the head with a heavy hand. I couldn't help it." Readers will surely enjoy the history and myth O'Doherty spins out here, however, and the harrowing plot he imagines.
Copyright 1999 Reed Business Information, Inc.

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Customer Reviews

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Format: Paperback
The Deposition of Father McGreevy is the story of the collapse of a small village in Ireland at the start of WWII and in a larger sense represents the disappearance of the old Ireland to be replaced by a new more urban Ireland. As is typical of a novel which was on the Booker shortlist it can be read on many levels.
On the surface the story of a village's dissolution after a disease kills only the women is a dark, gothic and relentless tale of loss and suffering. It is also shows the weakening of the influence of the Roman Catholic Church, the increasing urbanization of Ireland and numerous human follies. During Father McGreevy's relentless deposition the reader sees that in spite of his earnest, if sometimes naive, efforts the village is going to fail. The reader knows that the good Father has been defrocked and that something disastrous has happened to the village but the novel details his futile efforts to prevent what the reader knows is inevitable. There are signs early in the novel that indicate Father McGreevy's power is not as great as one might think. For instance, there is a reference to an event years earlier involving the IRA when Father McGreevy is told not to interfere in what turns out to be the execution of a captured English army officer. How could a Christian man especially a priest turn his back on such an atrocity? This incident also brings to mind his attitude towards the English. During the Battle of Britain Father McGreevy and the other residents want the English to win but don't mind seeing them get their noses bloodied a little in the process. Did they not think that innocent men, women and children were dying in the process?
The story is relentless, tragic and well written. However, there are some flaws.
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By F. G. Hamer on July 29 2001
Format: Paperback
To shortlist this ponderous story for the Booker Prize is almost as bad as giving the prize to Ian McEwan for his insubstantial 'Amsterdam'. The beginning of 'The Deposition' roused my interest a little, and I was hopeful that there would be a worthwhile story beyond the opening chapter. I was to be sadly disappointed. Despite increasing boredom, I plodded on, hopeful that things would improve, but was disappointed at the end. And those dreadful footnotes... (aren't I clever, they say).
As one reviewer so aptly put it 'Brian O'Doherty's prose is excellent and, if he could pick a better subject (more content and less waffle) I'm sure he'd end up with a best-seller'.
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By A Customer on March 24 2001
Format: Paperback
brian o'doherty's book on the demise of that tiny village in county kerry truly touched my soul. initially i was horrified by the medieval approach to the curse of all the women dying in that bleak winter& the activities that commenced because of that tragedy.however at the very ending,in muris's dream was a powerful & spiritual message of redemption. one that any educated roman catholic would recognize as transforming & healing through jesus christ as the "innocent" lamb slain & the "light"of the world. i would hope the dream sequence would be read with great care & be meditative in content. it could serve as an epiphany.
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By Barry Firth on March 27 2001
Format: Paperback
The beginning got me excited, and I was sure that there would be a worthwhile story to follow. I pushed on, depite increasing boredom, but was disappointed at the end. It's a pity because Brian O'Doherty's prose is excellent and, if he could pick a better subject (more content and less waffle) I'm sure he'd end up with a best-seller. The footnotes were annoying. I wasn't sure whether to go for two stars or three. On balance, I think two is fair.
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Format: Paperback
I adore Booker Prize winners and shortlisted titles. I'm rarely disappointed though each work is unique. O'Doherty wrote a work that celebrates the profound good one truly pious man accomplishes. The story will break your heart. The good suffer.
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