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Der Freischutz Comp [Import]

Carl-Maria Von Weber Audio CD
4.9 out of 5 stars  See all reviews (17 customer reviews)
Price: CDN$ 25.45 & this item ships for FREE with Super Saver Shipping. Details
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Disc: 1
1. Der Freischütz, opera, J. 277 (Op. 77): Ouvertüre
2. Der Freischütz, opera, J. 277 (Op. 77): Act 1. Scene 1. Introduktion. Viktoria! Viktoria! der Meister soll leben. Peasant March. Scha
3. Der Freischütz, opera, J. 277 (Op. 77): Act 1. Scene 2. Was git's hier?
4. Der Freischütz, opera, J. 277 (Op. 77): Act 1. Scene 2. No. 2. Terzett mit Chor. Oh, diese Sonne, furchtbar steigt sie mir empor!
5. Der Freischütz, opera, J. 277 (Op. 77): Act 1. Scene 3. Ein braver Mann
6. Der FreischÃ1/4tz, opera, J. 277 (Op. 77): Act 1. Scene 3. No. 3. Walzer
7. Der FreischÃ1/4tz, opera, J. 277 (Op. 77): Act 1. Scene 4. Rezitativ und Arie. Nein, lÃnger trag' ich nicht die Qualen ... Durch die WÃl
8. Der FreischÃ1/4tz, opera, J. 277 (Op. 77): Act 1. Scene 5. Kamerad!
9. Der FreischÃ1/4tz, opera, J. 277 (Op. 77): Act 1. Scene 5. No. 4. Lied. Hier im ird'schen Jammertal!
10. Der Freischütz, opera, J. 277 (Op. 77): Act 1. Scene 5. Bruderherz!
See all 18 tracks on this disc
Disc: 2
1. Der Freischütz, opera, J. 277 (Op. 77): Act 2. Scene 4. Wolf's Glen Scene. No. 10. Finale. Milch des Mondes fiel aufs Kraut! Scene 5.
2. Der Freischütz, opera, J. 277 (Op. 77): Act 3. No. 11. Entr'acte
3. Der Freischütz, opera, J. 277 (Op. 77): Act 3. Scene 1. Herrliches Jagdwetter!
4. Der Freischütz, opera, J. 277 (Op. 77): Act 3. Scene 2. No. 12. Kavatine. Und ob die Wolke sie verhülle
5. Der Freischütz, opera, J. 277 (Op. 77): Act 3. Scene 3. Du hast dich dazugehalten!
6. Der Freischütz, opera, J. 277 (Op. 77): Act 3. Scene 3. No. 13. Romanze, Rezitativ und Arie. Einst träumte meiner sel'gen Base...Du z
7. Der Freischütz, opera, J. 277 (Op. 77): Act 3. Scene 3. Nun muß ich aber den Kranz holen!
8. Der Freischütz, opera, J. 277 (Op. 77): Act 3. Scene 4. No. 14. Volkslied. Wir winden dir den Jungfernkranz. Scene 5. Da bin ich wied
9. Der Freischütz, opera, J. 277 (Op. 77): Act 3. Scene 6. No. 15. Jägerchor: Was gleicht wohl auf Erden
10. Der Freischütz, opera, J. 277 (Op. 77): Act 3. Scene 6. Genug der Freuden des Mahles
See all 11 tracks on this disc

Product Description

Amazon.ca

Der Freischütz is one of the great milestones in the history of opera. The resounding success of its premiere in 1821 practically made it a manifesto for German Romantic opera, one that would become a significant formative influence on Wagner. Although it has its roots in the Singspiel tradition exemplified by Mozart's Die Zauberflöte, Der Freischütz cut new ground with its potent mixture of supernatural elements, dreams, folk melodies, evocations of nature, and symphonic tone painting. Here, von Weber exploited his brilliant orchestral imagination--using, for example, carefully divided string tremolos and a gleaming choir of four horns--to maximum effect. This legendary recording from 1973 was Carlos Kleiber's first studio project, and the scrupulous attention he lavished on the score resulted in an interpretation that continues to sound bold, fresh, and authoritative. The Dresden Staatskapelle plays in top form, whether in tenderly sprung wind solos or in the truly spooky atmospherics of the famous Wolf's Glen scene. Peter Schreier's dark, pungent tenor is something of an acquired taste, but he gives fervent voice to the despair of hunter/protagonist Max. Gundula Janowitz sings with stirring beauty and enriches the two-dimensional character of Max's beloved Agathe with remarkable depth, revealing both her innocence and her agonized foreboding. And Theo Adam delivers a thoroughly spiteful, loathesome vocal portrait of the nefarious Kaspar, whose pact with the devil Samiel goes awry. For a work that is not performed nearly as often as it deserves to be, this recording is essential. --Thomas May

Customer Reviews

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4.9 out of 5 stars
4.9 out of 5 stars
Most helpful customer reviews
2 of 2 people found the following review helpful
4.0 out of 5 stars Fine but Overrated Aug 22 2002
Format:Audio CD
There are no serious flaws in this recording of "Der Freischutz;" in fact, it is a well above-average performance. I just don't understand all the gushing adulation.

There are better renditions than this one: my own favorite is the Jochum, again on Deutsche Grammaphon, but I would also place those by Keilberth and Furtwangler comfortably above the achievement under discussion here. Kleiber's conducting exudes excitement but also a certain hardness because it is so hard-driven. The cast is good but surpassed by the competition elsewhere (only Franz Crass' Hermit seems definitive to me), and the actors brought in to speak the dialogue have voices that bear little resemblence to the singers' voices, a distracting device for those with discerning ears.

If a record collector were to purchase only one "Freischutz" for his library, this would be a safe enough choice; I would just caution him not to be engulfed by the hype. This recording is not so indisputably pre-eminent as the commentary suggests.

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5.0 out of 5 stars Une version princière July 21 2011
By Pèire Cotó TOP 1000 REVIEWER
Format:Audio CD
Survoltée, éclatante, fine, fulgurante, rebondissante, princière, magnifiée par une technique d'enregistrement grandiose, la version de Carlos Kleiber domine le marché depuis 1973, ce dont le chef est le principal responsable. Son seul défaut est d'avoir moins marqué que d'autres la saveur nationale et populaire de cet opéra, ce qui fait qu'elle a inspiré des réserves à certains amateurs du Freischütz.

La scène de la Gorge-aux-Loups est en Cinémascope grâce aux effets stéréo, ce qui n'enlève rien à la valeur exceptionnelle du travail d'orchestre. La distribution n'est ni insuffisante ni exceptionnelle : un Max un peu fade, intelligent, certes, on le sait, Peter Schreier, un Kaspar à la voix pas assez noire, Theo Adam (on regrette Kurt Boehme), une Agathe qui est Janowitz, voix crémeuse, expression réduite; on préfére l'Ännchen d'Edith Mathis.

Hélas, les dialogues sont enregistrés par des acteurs, à la diction parfaite sans doute, mais le procédé enlève beaucoup de naturel théâtral. Bizarre procédé, qui avait déjà porté tort à Fricsay (la Flûte enchantée): c'est évidemment impossible au théâtre, où on n'imagine pas des acteurs surgir en scène pour remplacer les chanteurs; en studio, on peut toujours faire une pause si les interprètes sont gênés quand il s'agit de passer de la voix chantée à la voix parlée, et inversement.

Ne nous plaignons pas : les bons Freischütz ne manquent pas, avec celui-ci, celui de Furtwängler, génial mais précaire sur le plan sonore, Keilberth, Jochum, Erich Kleiber...
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5.0 out of 5 stars A little fast, but thrilling Aug 8 2002
Format:Audio CD
I love this opera and this recording is truly first rate when it comes to the acting and the expressiveness of the singers. It is a litle too fast for me, though. The speedy tempo makes the Wolf's Glen scene truly spooky and the it tends to move the rest of the score along in some of the slower parts. The problem is that notes are lost in the process. Weber wrote into this opera some beautiful orchestral nuances that disappear as everyone seems to hop on the expressway and rushes to finish out the score. The EMI recording with Birgit Nilsson and Nicholai Gedda under Heger is much slower, filling out the richness of Weber's Bel Canto sound, but losing some of the punch that this recording has. I have yet to find a recording that is slow when it needs to be slow and fast when it needs to be fast. Everyone seems to take the entire opera at the initial tempo with little variability.

In the end, DG's recording comes up first because it makes your heart pound. Janowitz and Schreier are second to none in their expression and vocal acting and the Wolf's Glen is a rushing mass of terror. All in all, a good recording with everyone in top form.

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Most recent customer reviews
5.0 out of 5 stars Viktoria! Der Meister soll leben!
I have had this recording for 25 years...I have both LP and CD. It fully deserves all the awards it got, and is one of the great recordings of the 20th century. Read more
Published on July 14 2002 by "moe_d_anglais"
5.0 out of 5 stars 5 stars depite the jerks at DG
This is, quite simply, the best recording of this incredibly important opera that you can find. It does Weber credit that after 200 years the Wolf's Glen scene can still make a... Read more
Published on Dec 2 2001 by T. Murphy
5.0 out of 5 stars Classic Entertainment.
This is a good recording of a great little opera that is not nearly as popular as it should be. The only drawback to this recording is that the dialogue is spoken by actors instead... Read more
Published on Sep 30 2001 by R. E. P. Esq.
4.0 out of 5 stars Expectations too high
Having read the great reviews and loving the opera, I bought this recording with great anticipation. My reaction after listening was mixed. Read more
Published on Oct 26 2000 by Josh Sosland
5.0 out of 5 stars A reference recording forever
Exemplary clarity & transparency of sound coupled with Carlos Kleiber's and the soloists' lively interpretation make this recording an indispensable part in every classical... Read more
Published on July 16 2000 by Heinz Bohusch
5.0 out of 5 stars A great pleasure indeed!
I can only enthusiastically support all the 5 opinions expressed above. This set is one of the glories of recorded opera. Read more
Published on Mar 4 2000 by Izolda
5.0 out of 5 stars The best Freischütz on record
And not only the best Freischütz but also one of the best classical recordings ever made. Truly sensational. Buy it. You won't regret it!
Published on Dec 8 1999 by Vidar Palsson
5.0 out of 5 stars A first-rate Freischutz!
This is a wonderfully conducted version of Der Freischutz with a really strong cast of singers. At the top of these is Gundula Janowitz, who turns what is usually a relatively... Read more
Published on Oct 12 1999
5.0 out of 5 stars Brlliant conducting. Superb JANOWITZ.
Kleiber conducts this romantic opera in the best way, diabolic in the satanic scene but sweet and poetic in the great scene of Agathe. Good Adam and powerful the grtea chorus. Read more
Published on Aug 9 1999
5.0 out of 5 stars Brlliant conducting. Superb JANOWITZ.
Kleiber conducts this romantic opera in the best way, diabolic in the satanic scene but sweet and poetic in the great scene of Agathe. Good Adam and powerful the grtea chorus. Read more
Published on Aug 9 1999
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