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Der Steppenwolf.
 
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Der Steppenwolf. [Paperback]

Hermann Hesse
4.4 out of 5 stars  See all reviews (72 customer reviews)

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Hardcover CDN $19.57  
Paperback --  
Paperback, Nov 1 1997 --  
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Audio, CD, Audiobook, CD, Unabridged CDN $18.77  

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Product Description

From Publishers Weekly

While it's good for a titter to picture Peter Weller in full RoboCop gear reading Hesse's classic novel of intellectual absorption with the primeval, it is not entirely necessary for full appreciation of his reading. Weller, who has a Midwestern folksy personability, reads Hesse less as a work of great literature than a philosophical manual, meant to be studied for personal improvement. Hesse can be forbidding, even for the teenage readers who often discover literature through him, so Weller wisely renders his novel familiar, comfortable and friendly. Currently wrapping up a Ph.D. at UCLA in Italian Renaissance art history, Weller has clearly been taking lessons in sounding professorial—entirely apropos here. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Audio CD edition.

Review

"A profoundly memorable and affecting novel, the gripping and fascinating story of disease in a man's soul, and a 'savage indictment of bourgeois society.'" --This text refers to the Audio CD edition.

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Customer Reviews

72 Reviews
5 star:
 (50)
4 star:
 (11)
3 star:
 (4)
2 star:
 (5)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (72 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful
2.0 out of 5 stars Left me uninspired, Feb 17 2000
By A Customer
This review is from: Steppenwolf: A Novel (Paperback)
More philosophy than fiction - as a story it trudged along very slowly, and finished with a fizzle. The book kept me interested enough to finish, but just barely. No doubt I missed something, but I certainly won't be re-reading Steppenwolf to figure out what.
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5.0 out of 5 stars Different Hesse, Aug 12 2003
By A Customer
This review is from: Steppenwolf: A Novel (Paperback)
This is one of Hesse's most well-known works that differs stylistically from his other works like Siddartha, Narcissus and Goldmund, etc. Steppenwolf is written in a more complex manner, sometimes requiring the reader to reread passages or read very closely throughout the whole book. The story and the themes are typical of Hesse; human exploration, psychology, self-discovery are all important ideas. A wonderful book, well written. Great for fans of Hesse, not necessarily the best book of Hesse's to read, if you have not read any of his other works.
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5.0 out of 5 stars A brilliant literary philosopher & anti-nihilistic novel, Dec 25 2002
By A Customer
This review is from: Steppenwolf: A Novel (Paperback)
I've read reviews where the reviewer has castigated this novel as "the perfect specimen of the Nietzschean overman who renounces the world." Others have said this book is blatantly anti-bourgeoisie as well. Such comments only reveal the misunderstanding of what Hesse was attempting to convey in this novel.

First I should point out that Nietzsche did not renounce the world at all. In some sense Hesse was heavily influenced by Nietzsche and so in order to understand something of this book it might be helpful to have read a little bit of Nietzsche himself. Unlike his predecessor Schopenhauer (another great philosopher), Nietzsche did not condemn the world. What Nietzsche really condemned was the current state of things (rampant nationalism, anti-semitism, Bolshevism, and materialism etc.) and the mentalities that produced them (racism, narrow-mindedness, complacency, and absolute religious convictions) when he scathingly criticized the 'majority', insofar as the majority embraced these doctrines. Hesse, like Nietzsche, is a 'Yes-Saying' man (Yes-saying to the world that is) and that is manifested in this novel. Obviously Hesse believed in progress and had much hope for humanity. Perhaps those who have charged the author with such nihilistic sentiments have not read further than the first half of the book and have only read the despair that Harry later transcends. This book isn't going to root out and remove suffering altogether but enough so that it isn't so overwelming that one gives up on life. As Hesse wrote, "But I would be happy if many of them were to realize that the story of the Steppenwolf pictures a disease and crisis-but not one leading to death and destruction, on the contrary: to healing."

This book is neither anti-bourgeois as Harry's deep seated contempt for the bourgeois life and its complacency climaxes in his realization that he has for so long denied and hated the bourgeois tendencies in himself and that for his entire life he has made the mistake (this is where eastern mysticism comes in and the effects of western Christianity are hung up- eg. the idea of duality and of an enduring self) of devising and contrasting two sides of himself (The sensible and reasonable man contrased with the wild and passionate wolf) when in reality he was made up of many 'selfs' that formed who he was as a man and the realization that his own false conception of such dualities only caused him more angst than was necessary. In the end Harry learns the greatest lesson; that life is both tragic and comedic and one must learn not only how to be serious but to laugh at oneself. In this respect one can see how Harry is symbolic for many things beyond himself as a man.

I will not summarize this book as that has been done numerous times already by reviewers, but after reading Siddarthra and Narcissus and Goldmund, I must say this is my favorite novel from Hesse thus far. In my book he's up there with other literary geniuses such as Goethe, Camus, Kafka, Huxley, and Orwell.

Certainly this book will attract the angst filled seekers of happiness, those who are attracted to the religions of Hindiusm and Buddhism (consider this book the nourishment that will help unfold your petal of wisdom), and free-thinkers by virtue of their conviction to always challenge reality. Even if you disagree with Hesse's sentiments you can't deny the power of his prose.

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