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"Derby Day is a triumphant success...in this unputdownable Victorian romp [Taylor] enjoyable proves himself to be one of the finest of our 21st-century novelists" Financial Times "Rich and gorgeous as a plum cake, this is absorbing entertainment indeed" -- Kate Saunders Times "Taylor, as you would expect of such an accomplished novelist and biographer, has immersed himself in the details of the early 1860s. The novel is richly redolent of the novels of Wilkie Collins, Dickens and Thackeray. The characters who plot and squirm throughout the course of Derby Day are fully rounded and memorably drawn and the atmosphere is palpable. In fact here is an intelligent novel which is also a genuine page-turner. Truly a terrific read" Daily Express "Derby Day is pitch-perfect... It's enormous fun and meticulously researched and conceived" Guardian "Taylor has written an exceptionally clever pastiche nineteeth-century novel with a richness of character that almost matches his models of Dickens and Thackeray" Sunday Times --This text refers to the Hardcover edition.
About the Author
D.J. Taylor was born in Norwich in 1960. He is a novelist, critic and acclaimed biographer, whose Orwell: The Life won the Whitbread Biography prize in 2003. His most recent books are Kept: A Victorian Mystery (a Publishers Weekly Book of the Year), Bright Young People: The Rise and Fall of a Generation 1918-1940, and the novels Ask Alice and At the Chime of a City Clock. --This text refers to the Hardcover edition.
Top Customer Reviews
You might call this a literary book with a thriller's touch or a thriller with a literary touch. When it comes right down to it I can't make up my mind.
Most Helpful Customer Reviews on Amazon.com (beta)
This is risky for a novelist to attempt, and I'm not certain whether such a concept will prove popular in the United States, but I found it generally successful. The caveat to that is that I read and reread a large number of Victorian novels, and have great patience for their length.
The pacing of the book is languid, particularly at the beginning, but the various tentacles of the plot finally come together for the Derby. Actually the main plot strands come together around the race, but there is a non-Victorian epilogue that tells us what happened to other characters.
The main character, Mr. Happerton, has many of the characteristics admired by Victorian novelists and readers. A self-made man who, while clearly only interested in his own monetary advancement, is pleasant, diligent and farsighted. But we soon learn he is an amoral cad, and in no sense a gentleman. All keen readers of Victorian fiction know the eventual destiny of such persons. The only suspense in the book (and by this I mean Dickens' suspense, not Wilkie Collins' mystery) is who will win the Derby.
The book is great fun, filled with minor Victorian wit (sitting longer than Gladstone, endless dissenter quips) and a reasonably good ear for Victorian prose. But the entirety of the book is a tad thin, and none of the characters, or scenes, live up to the standards of fine Victorian literature. After finishing this I reread Trollope's The Eustace Diamonds. Rebecca Happerton is an insecure, repressed woman who would benefit from some mentoring from Lizzie Eustace.
Carol Colitti Levine The Side Trek
The character we ended up with was not one where we got into her head, but she was always the one we wanted
to ask:" Are you getting this? who is riding this story?"
I'm not sure why it was a finalist for the Booker Prize. But then I have never understood the appeal of Hillary Mantel's books as the "best" either. It is a rather modest little charming work. The author captures the Victorian tone and does
much by innuendo which makes the reader feel intelligent rather than spelling it all out.
For a novel of this size (400 pages) it's a bit thin. None of the characters never really get quite fleshed out in the way that one might like, and some of the characters and subplots don't seem to repay their inclusion.
I think fans of Victorian/period novels will enjoy this.
If you enjoy Victorian style writing, in the best sense-- not verbose, but descriptive, and with a cracking good plot-- you'll probably like this book. In an age in which gifted writers tend to be so averse to old-fashioned story-telling that they'll go to any lengths to deprive the reader of a straightforward narrative, writers like D.J. Taylor are a much-needed relief from all the pretentiousness and obscurity.