A notice to those who feel that Stephen King has lost his magic touch: Desperation
is the genuine goods. The ensemble cast of ordinary Americans thrown together by chance, including a disgruntled alcoholic writer and a child who is wise beyond his years, may be a bit too familiar. But the nearly deserted Nevada mining town with an enormous haunted mine pit and an abandoned movie theatre where the survivors hang out makes for a striking battleground, and the grisly action rarely flags. Best of all, though, are the characters of Tak, the ancient body-hopping evil who emerges from the mine, and of "God"--whom the New York Times
describes as "the edgiest creation in Desperation.
Remote, isolated, ironic, shrouded behind disguises, perhaps 'another legendary shadow,' this deity forms a sly foil, and an icy mirror, to Tak."
From Publishers Weekly
If the publishing industry named a Person of the Year, this year's winner would be Stephen King. Not only is he writing the first modern novel to be serialized in book form (The Green Mile), but with the publication on Sept. 24 of The Regulators (Dutton; Forecasts, June 17) and Desperation, he becomes the first bestselling author?maybe the first author ever?to issue three new major novels in one calendar year. And there's more. With this astonishing work, King again proves himself the premier literary barometer of our cultural clime. For if The Regulators is a work of secular horror, this is a novel of sacred horror (King's first), and explicitly so. Like the second panel of a diptych, Desperation employs, with one major exception, the same characters as The Regulators, and the same source of horror: an evil force named Tak. (The novels aren't sequential, however; people who die in one can live, then die, in the other.) The exception is David Carver, 11, who, with a handful of other passers-through, including a major writer who's recently embraced sobriety, is trapped in the desert mining town of Desperation, Nev. There, Tak stalks them by possessing humans and turning them into homicidal maniacs, and by unleashing armies of coyotes, spiders and scorpions. The terror is relentless?this is King's scariest book since Misery?though the storytelling is looser than in The Regulators to allow room for spiritual themes. For united against Tak are not only David and his pals, but also God, who moves through the boy. King's God is the God of Job, implacable, beyond human ken. As the savageries inflicted upon David and others multiply, they must discern: What is God's will? And, how can God's will be done, when it seems so cruel? Near the story's end, the writer muses that horror "isn't the sort of stuff of which serious literature is made." King knows better, and so will anyone who reads this deeply moving and enthralling masterpiece of the genre. 1,750,000 first printing; BOMC main selection; simultaneous Penguin Audiobook.
Copyright 1996 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.