- Hardcover: 144 pages
- Publisher: Routledge; 1 edition (Oct 24 1996)
- Language: English
- ISBN-10: 041513661X
- ISBN-13: 978-0415136617
- Product Dimensions: 23.4 x 15.8 x 1.8 cm
- Shipping Weight: 358 g
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Product Details |
Product Description
Book Description
The European film industry has by now lost most of its audience to American films; US productions take around eighty per cent of Europe's box-office revenues. There are many reasons for this imbalance, but one major difference between the European and the US film industries is easily identified: the Americans spend far more on development.
Developing Feature Films in Europe is the first comprehensive study of this critical stage of the film-making process. Based on extensive research and interviews with more than seventy industry practitioners, it examines current funding practices, presents training initiatives for writers and producers, and highlights the potential for further improvements. Angus Finney has also compiled an invaluable directory of contacts, addresses and application procedures for public and private funding bodies throughout Europe.
Developing Feature Films in Europe is the first comprehensive study of this critical stage of the film-making process. Based on extensive research and interviews with more than seventy industry practitioners, it examines current funding practices, presents training initiatives for writers and producers, and highlights the potential for further improvements. Angus Finney has also compiled an invaluable directory of contacts, addresses and application procedures for public and private funding bodies throughout Europe.
About the Author
Angus Finney is Chairman of the Festival Film School and former Deputy editor of Screen International.
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0 of 1 people found the following review helpful
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A very boring read ., Dec 8 1998
By A Customer - Published on Amazon.com
This review is from: Developing Feature Films in Europe: A Practical Guide (Hardcover)
I thought that this book would help but all it really did was confuse me and make me unsure about what to do next. The writer of this book should not quit his day job.
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