17 of 18 people found the following review helpful:
5.0 out of 5 stars
A playful flirtation with the Grim Reaper, Oct 29 2008
By R. M. Peterson - Published on Amazon.com
This review is from: The Development: A Novel (Hardcover)
THE DEVELOPMENT is a collection of nine short stories that are connected (sufficiently so that it is fair to regard the book as a novel) by setting, characters, and plot developments. The setting is a planned community on Maryland's Eastern Shore, whose residents are upper-middle class WASPs (with a few Catholics and Jews) living the later or last chapters of their lives, most of whom understandably are pre-occupied with the various manifestations of decrepitude and with death. Yet the novel is by no means a downer. It is so infused with Barth's typical good humor and gentle irony, his linguistic playfulness, and his clever digressions into "meta-fiction" that it becomes an entertainment. THE DEVELOPMENT also features Barth's typical fascination with, and telescoping examination of, matters of history/time and geography/space. In this regard, the last paragraph is particularly noteworthy, and poignant, bearing as it does hints of the author's valediction.
Sad to think that this might well be the last work from Barth, who now is 78 (although in a sense, as Barth I think would concur, what is sad about the inevitable?). THE DEVELOPMENT may not be a major work of American fiction, on the plane of "The Sot-Weed Factor" or "Lost in the Funhouse", but it still is worthwhile. As odd as it might seem to say about a work that constantly flirts with the Grim Reaper, I thoroughly enjoyed THE DEVELOPMENT.
10 of 12 people found the following review helpful:
3.0 out of 5 stars
Life and death behind the gates, Oct 22 2008
By Jon Hunt "musician, teacher" - Published on Amazon.com
This review is from: The Development: A Novel (Hardcover)
John Barth's curious collection of loosely-related stories starts off with a terrific one....a supposed peeping tom who has infiltrated the security of a gated community. Or has he? Is he one of them? The couples introduced here are diverse, initially likeable and have character potential. Unfortunately, "The Development" fails simply, well, to develop. In the end, it's a meandering trip down not-so-good memory lane, where the reader needs a playbill and a map to chart its course.
Barth writes with great dashes of color but his characters take on as much interest as a cocktail party conversation, about which one story here is devoted. The author's narrative style lacks force, giving this cast little chance for empathy. Indeed, when the fate of one couple lies hanging in the balance early on and is then resolved, I was more than happy to see these two largely disappear.
The ostensible purpose of a community with gates is to keep outsiders out, but Barth clearly convinces us that the truer reason is to keep its residents inside...and allow them to become more insular. Unfortunately, "The Development" doesn't live up to the expectations of what a collection of people living in this type of arrangement could achieve on the fictitious page.
4 of 4 people found the following review helpful:
4.0 out of 5 stars
Barth's levity lightens these stories filled with dark themes, Jan 31 2009
By Gwendolyn Dawson "Literary License" - Published on Amazon.com
This review is from: The Development: A Novel (Hardcover)
The Development is a novel told in nine short stories. The title refers to Heron Bay Estates, a fictional retirement/second-home community on the Chesapeake Bay in which all of these stories take place. Although the same characters appear throughout the book, the focus and point of view changes for each story, revealing new information about the characters and illustrating the deep connections that run through this close-knit community. In addition to the idea of community, the other primary theme present in these stories is mortality and the aging process: What does it mean to grow old? And when, if ever, is it time to give up the ghost?
Barth pays great attention to structure in this collection. Not only is the narrative structure of each story closely controlled, but the structure of Heron Bay Estates is also meticulously described and upheld. Each sub-neighborhood contains a particular style of house and a specific type of inhabitant, and Barth remains faithful, sometimes annoyingly so, to this structure throughout.
Bath's playful writing style adds a substantial amount of levity to these often dark stories, though Barth's narrative stunts are occasionally more frustrating than satisfying. In one case, Barth simply stops a story in the middle of the action, "pull[ing] its narrative plug before somebody gets hurt." Only someone with a reputation as well-established as Barth's can get away with such an escape. Fortunately, other fully-formed stories (of which "Toga Party" is the best) round out this interesting collection.