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Product Description
From Booklist
There's a new trend afoot in the series mystery. Mickey Spillane, Nero Wolfe, Sherlock Holmes, and their investigating cohorts seldom changed from book to book. Part of their appeal, in fact, was their consistency. Contemporary series authors, however, such as Bill Pronzini, Robert P. Parker, Joseph Hansen, and Lawrence Block, have taken the series character a step further, allowing growth and change to occur to the hard-boiled hero just as they do to ordinary mortals. Block's recovering alcoholic Matt Scudder is a perfect example. Once isolated by guilt, angst, and booze, Scudder was the quintessential loner. Now, as his never-ending recovery continues, his world has begun to expand. He has a true friend in Mick Ballou, a sidekick in street urchin T. J., and a lover in former hooker Elaine. Hired by the brother of a mentally handicapped vet accused of the murder of attorney Glenn Holtzmann, Scudder finds that the victim was both less and more than he appeared to be. Much to his surprise--because he loves Elaine--Scudder becomes involved with Holtzmann's widow. The resolution of the case is a logical surprise that will leave readers contemplating an indifferent universe. Though Scudder's world is as bleak as it's ever been, he's letting a little sun shine through. It's nice to see a friend happy. Wes Lukowsky
--This text refers to an out of print or unavailable edition of this title.
From Kirkus Reviews
Mysteries of the heart eclipse those of the street in Matt Scudder's quietly compelling new case, which finds the p.i. avoiding the wrenching physical violence of his last few outings (A Walk Among the Tombstones, etc.) but falling prey to all sorts of emotional havoc. The crime on which Block hangs Scudder's latest study in angst is the apparent shooting death of attorney Glenn Holtzmann by deranged homeless vet George Sadecki. Despite strong evidence of Sadecki's guilt, the accused's brother hires Scudder to look into the case--which the unlicensed p.i. does, discovering that Holtzmann, far from being a clean-cut yuppie, was actually a professional rat for various federal agencies and may have been slain by one of his targets. Scudder's gumshoeing is dogged but not very exciting--lots of phone calls and interviews--and serves mostly to put him in contact with old series regulars and one likely new one, a sympathetic transvestite, as well as with Holtzmann's widow, with whom he starts an affair despite his commitment to longtime girlfriend Elaine: The widow proves as addictive as booze and in fact may drive Scudder back to drink, especially if he keeps indulging in moody midnight gabfests with Irish gangster Mick Ballou and brooding over a WW I poem about breaking faith with those who've died. Meanwhile, in an equally introspective subplot, Scudder's old flame Jan Keane is dying of cancer and asks Scudder to get her a suicide-gun, which he does. Will she choose life, however painful, instead of the bullet's oblivion? Will Scudder resist the bottle and widow and do the same? The murder finally resolves through a quirk of fate: Can Scudder command his own fate? Those who can take or leave Scudder will probably leave this gathering of shadows: loyalists, though, will hang on every word as Scudder makes his fascinatingly uncertain way through an increasingly uncertain world. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
--This text refers to an out of print or unavailable edition of this title.
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First Sentence
On the last Thursday in September, Lisa Holtzmann went shopping on Ninth Avenue. Read the first page
Front Cover | Copyright | Excerpt | Back Cover
On the last Thursday in September, Lisa Holtzmann went shopping on Ninth Avenue. Read the first page
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Most helpful customer reviews
3.0 out of 5 stars
Gritty writing, but not much drama for a Scudder,
By ensiform (Dallas, TX USA) - See all my reviews
This review is from: The Devil Knows You're Dead. (Paperback)
Let me preface by saying I'm a huge Scudder fan, so the three star rating is compared to the entirety of the Scudder saga. In this entry, the clean and ostensibly happily domesticated Scudder is hired by a vagrant's brother to clear the vagrant of a shooting. The victim happens to be a distant acquaintance of Scudder's, and though Matt didn't like the guy much, he ends up having a desultory kind of affair with his widow. Meanwhile the accused killer is himself killed in prison, leaving a stubborn Scudder to attack the closed case (or as his cop friend puts it, "trying to give a dead horse mouth-to-mouth resuscitation" --- love that noir dialogue). This is only an average Scudder entry, which means that it's a bleak look at a seedy world, rife with witty dialogue and sharp insights into AA philosophy. Probably because the case here is so cold, however, a lot of drama in the sense of personal danger or action is lacking. There's much of the traditional amoral, detatched soul-searching, which is terrific, but none of the rough justice Scudder usually hands out.
5.0 out of 5 stars
Excellent ...,
By
This review is from: The Devil Knows You're Dead. (Paperback)
Captivating story .. this one will keep you burning the midnight oil and turning those pages. Lots of Mick Ballou in this one .. personally, I love Mick. If you enjoy his character, this will definitely be a book you shouldn't miss. This falls about 2/3 of the way in the Scudder series to date. I couldn't put this one down from the second I started it.
4.0 out of 5 stars
A Very Good Book (But An Average Mystery)!,
By bobbewig (New Jersey, USA) - See all my reviews
This review is from: The Devil Knows You're Dead. (Paperback)
The Devil Knows You're Dead is a very well written book that held my interest throughout -- however, I have been a big fan of this series from the beginning. Mystery fans who are looking for lots of action and suspense may want to skip this book. Relative to several of the other books in this series, there is considerably less physical violence and more --much more-- of a concentration on the emotional havoc and angst that Matthew Scudder is experiencing as he makes his way through his topsy-turvy world. The cases Scudder is working on in The Devil Knows You're Dead are interesting but they are not exciting and action-based. So, if this is what you're looking for in a mystery you probably should choose another book. If you enjoy great character development, interesting and likable secondary characers, vivid and accurate descriptions of the Hell's Kitchen/Clinton section of NYC, then treat yourself to this very good book. Keep in mind it's not the best book in this series but it's one I think you'll enjoy. However, I would strongly recommend that if you haven't read any of the books in this series, you first read at least one or two of the earlier books (e.g., When The Scared Ginmill Closes, A Ticket To The Boneyard, A Dance At The Slaughterhouse, A Walk Among The Tombstones, etc.) before reading The Devil Knows You're Dead. These books will familiarize you what the world of Matthew Scudder has been like. This book serves pretty much as a vehicle to further evolve the main character of Matthew Scudder and to let you know where he's moving to in his life.
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