Andrei Tarkovsky said once in an interview that among all the directors who made films of a spiritual nature,(among them Mizoguchi,Bergman, and Kurosawa) Bresson was the most lauded example. This was enough to send me in a frantic hurry to see every one of Bresson's movies. Pickpocket, A Man Escaped, and The Devil Probably were the ones which stood out for me the most, but it was The Diary of a Country Priest,which I saw lastly, that best represented his cinematic vision.(for me) There is almost always a character in his films that takes primacy throughout: Tarkovsky was right in seeing the internal strife of the individual in all of his films, and it is this quality in Diary which creates an absence in the film to which we are given only a glimpse through intricate gestures of the face and by the subtlety of the narrative. The man who played the priest was tremendous not because of any acting, but because of his sheer presence, which was simultaneously an absence. The journal entries are beautifully written and concurrently portray the life of a priest and how any sense of such a Life's selfhood is dispersed into the characters and settings of his periphery. I think this is important because otherwise the film would completely flounder under the weight of an enigma, and the viewer would be completely denied access to such a rich character. It is through his relationship with other members of the parish that we get to know this priest,(not completely I might add) and not simply by the actor who played the role. I really feel that this movie is as a whole the best of Bresson.