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Diary of Frida Kahlo [Hardcover]

Carlos Fuentes
4.2 out of 5 stars  See all reviews (8 customer reviews)

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Hardcover, Mar 1 1998 --  
There is a newer edition of this item:
The Diary of Frida Kahlo: An Intimate Self-Portrait The Diary of Frida Kahlo: An Intimate Self-Portrait 4.2 out of 5 stars (8)
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Book Description

Mar 1 1998 Abradale Books
"The reproduction of Frida Kahlo's diary . . . is a very special publishing event. . . . This replica is a beautiful fabrication, authentic in its details and faithful to the original. . . . Her diary is a gorgeous phoenix: it adds to the luster of her posthumous life as an artist." —Art in America

The intimate life of artist Frida Kahlo is wonderfully revealed in the illustrated journal she kept during her last 10 years. This passionate and at times surprising record contains the artist's thoughts, poems, and dreams—many reflecting her stormy relationship with her husband, artist Diego Rivera—along with 70 mesmerizing watercolor illustrations.

"In his characteristically brilliant and dramatic introductory essay, Carlos Fuentes greatly extends our perception of Kahlo's persona and art. This is a remarkable and precious book." —Booklist


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Frida Kahlo's diary, like her art, is painted in breathtakingly vivid colors. It covers her tumultuous last decade and encompasses love letters, political musings on Communism, and resplendent paintings. The paintings, peopled with mythic figures, self-portraits, and monsters, articulate Kahlo's fantastic visions. One drawing melds a procession of crying faces onto an intertwined couple surrounded by body parts, only to dissolve into a mass of roots and dendrites.

In the introduction, Carlos Fuentes writes, "...a streetcar crashed into the fragile bus she was riding, broke her spinal column, her collarbone, her ribs, her pelvis.... The impact of the crash left Frida naked and bloodied, but covered with gold dust." Her paintings depict her bodily experience, from anguish to sensuality. Kahlo said, "I never painted dreams, I painted my own reality." This visionary ability earned her a place among the surrealists.

Kahlo's prose delves into the associations between images and words, feelings and thought. Her writings shed welcome light on her active intelligence and provide an outline of the events of her life. This Abradale edition features plates reproducing the pages of the diary, and essays by Carlos Fuentes and Sarah Lowe that place it in the context of Mexican art, politics, and history. It is a magical work that adds to an understanding not only of Kahlo's work, but of her interior world as well. --Madeline Crowley

From Publishers Weekly

Mexican painter Frida Kahlo (1919- 1954) kept this haunting journal during the last decade of her life, preoccupied with death, beset by declining health, isolation and repeated surgical operations resulting from the bus accident that severely damaged her spine, pelvic bones, right leg and right foot at the age of 18. This facsimile edition reproduces her handwritten, colored-ink entries and accompanying self-portraits, sketches, doodles and paintings, which fuse surrealism, pre-Columbian gods and myths, biomorphic forms, animal-human hybrids, archetypal symbols. Ardent entries and love letters mirror her obsessive devotion to her husband, painter Diego Rivera. In his moving introduction, Mexican critic/novelist/poet Fuentes relates Kahlo's images of pain, loss, mutilation and transcendence to Mexico's historic cycles of revolution and reaction. Lowe, author of the study Frida Kahlo, ably places the journal in the context of the painter's shattered life. Sprinkled with irony, black humor, even gaiety, and augmented with translations of the diary entries plus commentaries and photographs, this volume is a testament to Kahlo's resilience and courage.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Most helpful customer reviews
4.0 out of 5 stars A must have for the Frida fan Jan 7 2012
By kitkat
Format:Hardcover
A glimpse into the tortured mind and body of Frida Khalo. Her writing is As Poetic and surreal as her paintings. Wish it was longer.
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4.0 out of 5 stars If unique is what you seek Aug 1 2002
Format:Hardcover
I was put off by this book for a few years before I got around to reading it because of the odd nature of Frida's drawings and doodlings, inks spillls morfing into "art" and in general the seemingly difficult text to follow. All this changed upon a recent trip to Mexico, amongst the tranquil backdrop of Mismaloya and unforgetable sunsets in this tropical paradise I was able to whip through this book. The serenity of the place helped me get through Frida's chaos. After reading her own insights and feelings about life I wanted more. Her bizarre life, filled with more theatre and characters than a Fellini film, more physical and mental agony than most humans can endure is one that deserves her own thoughts, although at times they are convoluted. Whether she was under the influence(many of her last years she was doped to mask the pain) or not is irrevelant because the text is spellbinding with illustrations that captivate the imagination, taking the reader along a surrealistic journey as only Frida can. It is a grotesquely beautiful book, rich in imagery , both literally as well as illustrated in the unique style of Frida Kahlo, reflective of the pain and suffering she lived, both self inflicted and her own fate. It is quite simply, Frida in her own words. The book is a handsome collection of thoughts and drawings by one of the greatest Latin American artists of the twentieth century. The author takes the liberty of interpreting each page, giving her perspective concerning the thoughts of Frida in a very helpful manner. The first part of the book is the diary, in writting and print and as colorful and bold as Frida was, whereas the second part is the type written text of the Frida's hallucianatory ramblings and drawings. This proves to a beneficail companion to reading each page, first by Frida followed by the clearer typed "translation" in thesecond part of the book. Without the type written text some sections are nearly impossible to decipher. The various sketches are shown in their embyonic stages and would later become part of her major works are truly amazing. If you are a lover of the works of Frida Kahlo this is a fine book to add to your collection of Kahlo memorabilia. This book is a perfect companion to Hayden Herrera's definitive biography. Incidently, my desire for more of Frida in her own words (this one is in Spanish mostly)was quenched recently by finding a book entitled "Escritura" by Frida Kahlo that is series of poems, letters and notes selected by Raquel Tibol. I highly suggest reading both if you are a Kahlophile.
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4.0 out of 5 stars Intimate and hallucinatory May 25 2002
Format:Hardcover
This very intimate book accomplishes what no bio can: show us inside Kahlo, via her own ramblings and disorganization and odd illustartions and ink spills and lines, and drawings, etc. It is a weird highway to the inner mind of the goddess of 20th century art.

With a movie in the works ..., Kahlo is sure to solidify her position as the top-of-the-art-food-chain Latin American artist of the century (Georgia O'Keefe considered her the best female artist of the 20th century) and make her iconic face even more famous.

Kahlo deserves this position because she painted honestly and brutally. She painted her memorable Jewish-Austrian-Spanish-Mexican face, single eyebrow and slim moustache in stark honesty; she had many lovers of both sexes (when such a course of sex exploits was practically unknown); she grabbed her Mexicanity with a fierce pride and ferocity that would not be in vogue until decades after her death (Kahlo was born in 1907 and died in 1954) and yet during her life she was just the wife of a very famous Mexican muralist and a champagne Communist who partied with the Fords and Rockefellers while marching with the workers down the wide avenues of Mexico City. It is thus ironic that it is Kahlo, whose astonishing life and unique paintings are now the subject of lawsuits between governments and collectors, has taken the limelight from her talented womanizer husband and is rightfully considered one of the best artists of the 20th century, period. This is a nice addition and a must read for Kahlophiles.

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