In the magic world of photographers' dreams, a portrait reveals the inner person. After years of pursuing this dream, I'm happy with a good likeness. This book aims at the latter, although it acknowledges the former as a goal. It also makes it clear that good portrait photography is about lighting. Unfortunately, the book may be a little difficult to use easily.
The book is organized into four parts. After a brief introduction, the first part tells you about the equipment that you need for portrait photography, including cameras, lenses and lights. Experienced photographers will find it a bit elementary but its purpose is to give every reader an equal understanding of the tools. A meaty chapter deals with the standard lighting configuration for portraits, which is the basic model that one then modifies for most portraits.
The second part deals with composition and posing and the idea of separating the two provides a useful approach for portrait photography. The third part deals with photographing under different lighting conditions, including outdoors, existing indoor light and studio lighting. The final part deals with post-production techniques.
While I think the book covers almost everything that one needs to know to take good portraits, its structure is to provide many different tips that often seem unrelated, rather than a comprehensive framework for approaching portrait photography. While this may be due to the nature of the task, I have found other books that were not nearly as comprehensive to be more clearly organized. For example, an old favorite of mine, "Professional Secrets of Natural Light Portrait Photography" by Douglas Allen Box provided a clear approach to its more limited subject than this book.
The post production section of the book is less effective than the first three parts. In the first three parts, for example, the authors assumed the readers knew the fundamentals of exposure and provided tips on the specific problems of portrait exposure. This final part seemed mostly to deal in generalities. Portrait photography seems an ideal place for some of Photoshop's tools, like the techniques for reducing the signs of age. But this book did not contain any specifics about such techniques. The Photoshop user interested in those kinds of details will have to find the information elsewhere, like Scott Kelby's smart alecky, but useful books.
There was also a curious appendix on going into business that was much too brief to do anything but suggest that there are a lot of considerations involved in making a living from portrait photography.
I found the photographs in the book quite interesting and a possible source of inspiration. The authors are not afraid to cut off parts of the face, or shoot from unusual angles. These approaches may not always please a CEO looking for a standard shot, but they do create interesting art.
Despite its shortcomings, this book did provide me with more information than any single portrait photography book I've read.