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Disappeared
 
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Disappeared [Paperback]

Kristine Rusch
4.2 out of 5 stars  See all reviews (5 customer reviews)

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Paperback CDN $16.36  
Paperback, July 2 2002 --  

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Newly promoted detective Miles Flint and his partner, Noelle DeRicci, a veteran on the force, have three cases of intergalactic justice on their hands. One woman, a successful attorney on the run; two children kidnapped by ruthless aliens; and three dead victims of an apparent alien vengeance killing have all turned up in Armstrong Dome on the moon. As Flint delves into the cases, he discovers that all involved intergalactic justice disputes and use of the services of Disappearance Inc. to avoid other-world authorities years earlier. Flint and DeRicci are on their own to solve the crimes and mediate the intergalactic jurisdictional disputes, for their superiors are afraid of causing an intergalactic incident. If the two cops can't put it all together, this could be just the beginning of something big. Rusch has created an entertaining blend of mystery and sf, a solid police drama that asks hard questions about what justice between cultures, and even species, really is. Terrence Miltner
Copyright © American Library Association. All rights reserved

Book Description

In a world where humans and aliens co-exist, where murder is sanctioned, and where no one can find safe haven, one group of private detectives is willing to help the "Disappeared" find their way home. Meet the Retrieval Artists.

"One of the most sure-footed authors in science fiction." (Science Fiction Weekly)

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4.2 out of 5 stars (5 customer reviews)
 
 
 
 
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5.0 out of 5 stars Thriller with more than a touch of humanity, May 17 2003
By 
J. Bowman "Bookworm" (Fresno, CA USA) - See all my reviews
(REAL NAME)   
This review is from: Disappeared (Paperback)
This is the prequel to Rusch's 2000 story, "The Retrieval Artist." As that was and is one of my favorite novellas of all time, I was eagerly anticipating this book. I was not disappointed in the least.

Miles Flint is a first-year detective on the Moon Sector Police, with his tough experienced partner, Noelle DeRicci. Both are smart and somewhat on the fringe of the agency, and thus tend to pick up the cases others don't really want. As the book opens they are given a case in the Port, a mysterious vessel with three victims of a gruesome Disty vengeance killing inside. Almost immediately, a call comes in that Wygnin have been brought in with children but without the proper warrants. They have to be brought into custody until the warrants can be confirmed, though really, Flint and DeRicci just want to stall them with the slight hope they can get them out of it.

Because in this future, humanity has made trading contracts with other species that allow them to use their own justice on humans who violate their laws. Once an appeal has been denied by the multicultural courts, the aggrieved party is allowed to take matters into their own hands however their laws see fit. Those humans can be pressed into slavery, messily executed along with everyone involved, have their children taken, or any other punishment, with impunity. Though few like it, for the most part the politicians and corporations have convinced people that it's necessary for progress. However, in the wake of this, various quasi-legal Disappearance services have sprung up to shield and give new lives to people who are willing to pay.

Soon yet another case is plopped right into the duo's lap, this time of a cunning woman claiming to be on the run from the Rev, another alien species. The keep watch on her, but she surprises DeRicci with a laser pistol on the way to the station and escapes. The whole patrol is on the lookout for her, the base is locked down, Flint is with the chief doing damage control in his blunt way. Meanwhile the Rev show up and he has to run to placate them, while DeRicci tries to deal with the Wygnin and their targets. Both groups are angry and short-tempered, the two officers toeing the line to a diplomatic disaster. It slowly becomes obvious that all of this is related to a disappearance service selling out its clients (though it's revealed to the reader much earlier).

Both work hard to keep such a stressful situation from spiraling out of control, even though they'd be within the law to do nothing. In the end Flint proves his humanity, and generally tries to help as many as he can; he doesn't entirely succeed, and he doesn't as well as he'd like, but it's the best he could and by far more than anyone hoped for.

I can't say enough for this story. All of the characters are very real, the stress and worry etched into every page, hope rare but held onto tightly. Everyone has their own dark pasts, everyone their own mistakes that haunt them though they push it down. Seeing people with many different interests competing or working together or both. The story unfolds masterfully, weaving in and out of cultural and interpersonal relations, rules and regulations, philosphocal conundrums, histories, desperate attempts to keep order, and it's always apparent that everyone wants to do the right thing, though only Flint is so willing to fight hard for what he believes in, and DeRicci, inspired by him and past caring about her future.

The reader is given a lot extra that the cops don't have, and in many ways this brings us to sympathize with the guilty and less likable protagonists. Even the woman in the first chapter, horrified to find her vessel abandoned to the Disty, and next seen brutally eviscerated... and later we find out it was all for teaching a Disty English. The prose is kept tight, clipping forward from the first page, taking only the short breathers that the heroes and the fugitives get. It's an effort just to set it down, no matter where you are. Even the exposition is fluidly intermixed with the story, so nothing feels rushed. The technology is neither overexplained nor silly, light enough to keep a non-technical reader comfortable.

I recommend this to all. I cannot wait for the next installment, be it in short form or novel.

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4.0 out of 5 stars Hunted By Aliens, Dec 28 2002
By 
Arthur W. Jordin (Smyrna, GA USA) - See all my reviews
(REAL NAME)   
This review is from: Disappeared (Paperback)
The Disappeared is the first novel in the Retrieval Artist series. It is the story of people who have been helped to disappear in order to escape alien justice. As humans go to the stars, they find alien sentients with their own body of law. The humans agree to abide by local laws, but later find that these laws are sometimes illogical, inhumane, and bloody. Thus, disappearance services are created to provide a new identity, a new job, and a new home for humans who are hunted by the aliens.

Miles Flint is a newly promoted detective in the Moon Police. One morning, he and his partner, Noelle DeRicci, are sent to the Port to deal with a multiple killing in a space yacht. While there, they are asked to check a ship picked up by the Border Patrol with aliens and two kidnapped children onboard. Later, a very terrified woman lands an unmarked ship at the Port. Flint discovers that all three cases have a common element: they all involve the Disappeared.

This novel is a good read, with believable characters. Flint is getting more antsy as things progress and DeRicci is maybe even more disturbed by the events. Everybody else hates the situation, but sees no way to change it; they figure its a dirty job, but someone has to do it.

Recommended for anyone who likes stories with decent people trying to deal fairly with an inherently unfair situation.

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4.0 out of 5 stars Enjoyable, easy-going cop thriller, Oct 9 2002
This review is from: Disappeared (Paperback)
Save this book for weekend comfort food. "The Disappeared" is a futuristic cop thriller with a small, believable cast, a simple, credible story and a topic you can invest as much -- or as little - thought in as you please.

The mismatched detective pair find themselves in the unenviable position of having to enforce laws they find (literally) inhumane. Rusch's vision of a humanity that utterly flunks its first interactions with alien species rings completely true. The aliens in "The Disappeared" don't just look and sound different from us, they make fundamentally different assumptions about right and wrong, fair and unfair.

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