Disintegration in Frames: Aesthetics and Ideology in the Yugoslav and Post-Yugoslav Cinema [Hardcover]

Pavle Levi (Author)

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Product Details

Hardcover: 216 pages
Publisher: Stanford University Press; 1 edition (Jan 30 2007)
Language: English
ISBN-10: 0804753687
ISBN-13: 978-0804753685
Product Dimensions: 2.2 x 1.7 x 0.2 cm
Shipping Weight: 363 g
Amazon Bestsellers Rank: #902,897 in Books (See Top 100 in Books)

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Review

"Disintegration in Frames alerts readers to the vibrancy and genius of Yugoslav/post-Yugoslav cinema and will make them want to rush to the nearest video store."—CHOICE

"Disintegration in Frames foregrounds the politics and aesthetics of Balkan cinema for both an academic audience and a more general readership. Levi's impressive command of contemporary cultural studies—its reading practices and theoretical perspectives—at once deepens and amplifies the work of other contemporary film scholars of Balkan cinema, providing a fresh perspective grounded in historiography."—Catherine Portuges, University of Massachusetts, Amherst

"Although the post-Yugoslav war is today half-forgotten, it was never really accounted for: its murderous violence continues to haunt us all. Levi's analysis is one of the few serious attempts at understanding its ideological roots and investments. He does not approach the catastrophe directly, but through its echoes in Yugoslav and post-Yugoslav cinema. However, far from using cinema just as an external illustration, Levi provides an immanent analysis at the highest theoretical level, detecting ideological dimensions in stylistic shifts and formal procedures. The results are breathtaking. The complicity and involvement of many Yugoslav cineasts celebrated in the West, Emir Kusturica the first among them, is fully demonstrated. In this book, contemporary cinema has definitely lost its political innocence. A book not only for all those interested in today's cinema, but, perhaps even more, for all who want to understand explosions of ethnic violence—and our co-responsibility for it. There are no innocent bystanders in Levi's book!"—Slavoj Zizek

"As Catherine Portugues put it in her evaluation of the book, Disintegration in Frames will find its audience among both academics and curious readers. On the other hand, Levi's volume could be used as a very informative handbook for various types of college courses. On the other hand, the book will allow those who simply enjoy watching the movies that Levi analyzes to begin to see them as a product of the times in which they were made." —Bojan Belic, University of Washington

Book Description

Disintegration in Frames examines the ways in which national identity and interethnic relations are approached, evaluated, and critically dissected in films by directors such as Dušan Makavejev, Emir Kusturica, and Srdan Dragojevic; subcultural television and musical performances of the Bosnian pop-art movement New Primitivism; amateur video works made by the returning veterans of the Croatian war; political documentaries chronicling the psychological effects of state socialism; and more.

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Amazon.com: 5.0 out of 5 stars (1 customer review)

4 of 4 people found the following review helpful

5.0 out of 5 stars much needed analysis of Yugoslav and post-Yu cinema, Mar 4 2007

By gh - Published on Amazon.com

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This review is from: Disintegration in Frames: Aesthetics and Ideology in the Yugoslav and Post-Yugoslav Cinema (Hardcover)

Disintegration in Frames is theoretically insightful, but never too dense to be inaccessible to general readership. The book is a great resource for anyone interested in the role of cinema in the formation of Yugoslav ethno-nationalisms (and cinema as a reflection of these ethno-nationalisms). The book is full of fun insights, such as the discussion of phallic connotations of the Yugoslav ritual of carrying "the baton of youth," and the reference to such pan-Yugoslav rituals in the work of New Primitivs in late 1980s and early 1990s: "sucking of the pole". The chapter on Yugoslav "black wave" is extremely insightful for anyone interested in the works of such masters as Dusan Makavejev, Zelimir Zilnik and Karpo Godina. Levi's critique of Emir Kusturica's work sets high standards for future scholarship on this director's work. Highly recommended.

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