Disobedience: A Novel Paperback – Jul 10 2001
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A wayward wife, an Oedipally obsessed e-mail snoop, a pint-sized Civil War reenactor (oops, make that living historian), and a cheerfully oblivious cuckold comprise the Shaws of Chicago, the decidedly quirky characters of Jane Hamilton's fourth novel, Disobedience. An unlikely family to fall prey to the vagaries of modern life, the Shaws are consumed with clog dancing, early music, and the War Between the States. But they do possess a computer, and when 17-year-old Henry stumbles into his mother's e-mail account and epistolary evidence of her affair with a Ukrainian violinist, he becomes consumed with this glimpse into her life as a woman, not simply a mother.
To picture my mother a lover, I had at first to break her in my mind's eye, hold her over my knee, like a stick, bust her in two. When that was done, when I had changed her like that, I could see her in a different way. I could put her through the motions like a jointed puppet, all dancy in the limbs, loose, nothing to hold her up but me.While his mother (whom he refers to variously as Mrs. Shaw, Beth, and her e-mail sobriquet, Liza38), dallies with her pen pal, whom she calls "the companion of my body, the guest of my heart," Henry experiences his own sexual awakening; his 13-year-old sister, Elvira, retreats into gender-bending historical fantasy; and their father remains determinedly absorbed in pedagogical responsibilities.
Ironically (and not completely convincingly) narrated by an adult Henry, Disobedience has a rollicking tone somewhat at odds with the somber prospects that loom for this family. A very worldly teenager in some ways, despite the hippie wholesomeness of his family, Henry tells his tale in abundant, almost flowery prose, imagining his mother's private life with elegiac fervor. As in her earlier A Map of the World, Jane Hamilton writes with affection and insight about the darker side of apparently ordinary Midwestern folks. --Victoria Jenkins --This text refers to the Hardcover edition.
From Publishers Weekly
Credit Hamilton with courage, virtuosity and a remarkable ability to reflect inner lives. Her first novel, The Book of Ruth, was the unsparing story of a girl trapped in woeful circumstances; the protagonist of her second, The Map of the World, was a woman responsible for a child's death; the narrator of The Short History of a Prince was a gay man. Here she again explores family bonds and tensions, the demands of sexuality and the ethics of betrayal (not an oxymoron)Dthis time from the point of view of a teenager who discovers that his mother is having an affair. Henry Shaw is a high school senior when he intercepts e-mail messages between his mother, Beth, a musician and specialist in ancient music, and violin maker Richard Pollico. As he secretly eavesdrops on the liaison between "Liza38" and "Rpol," Henry's emotions, ranging from horror to fear of abandonment to rage to deep sadness, take on a new dimension when he himself falls in love with a girl he meets in summer camp. Meanwhile, his generally bemused and patient father, Kevin, a high school history teacher, seems unaware of Beth's infidelity, since he spends much of his time coaching Henry's rebellious sister, Elvira, 13, who is obsessed with her desire to join a Civil War reenactment disguised as a boy. A mirror image of A Short History's protagonist, Walter, at the same age, Elvira displays an unhappiness with her gender that causes stress in the Shaw's marriage. As she has amply demonstrated before, Hamilton knows the nuances of domestic relationships and the landscape of teenage uncertainty. Henry's voice is exactly right: he's a thoughtful, intelligent boy whose hormones are sending him confusing messages, and whose tendency is to mock both parents with typical teen sardonic humor. Henry's funny quips are actually quite sad, because they mask his sorrow at the severing of his close bond with his mother, and his discomfort at secretly being aware of her illicit passion. Beth's joyous reaction to physical love and her anguish at how her behavior, if revealed, might affect her family, are likewise rendered with compassion. In a miracle of empathy, Hamilton manages to grant psychological validity to all the members of this ordinary-seeming but emotionally distracted family, and to strike the reader's heart with her tender evocation of both human fallibility and our ability to recover from heartbreaking choices. Author tour. (Oct.)
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.
Top Customer Reviews
Henry is a seventeen year old boy, albeit a witty, intellectual one, but a teenage boy none the less. While Henry's dry observations had me laughing out loud on many occasions, a voice inside my head kept saying one thing over and over. "This is great writing, and I'm enjoying this story, but this is not how a seventeen year old boy talks or thinks, this is the voice of a middle aged woman" In her quest to be literary, the author has made Henry's narration far too mature and urbane to be believable. Even the most sophisticated seventeen year old would not have the life experience necessary to form the types of opinions on sexuality, infidelity and marraige that Henry is apparently capable of. While the novel is enjoyable and worth reading, Henry's voice never quite rings true.
This is what happens to Henry in the novel Disobedience. At the age of 17- half boy, half man- Henry realizes that his mother is more than a mother- she is a woman and she is not perfect. This realization upsets, yet intrigues him. The remainder of the novel is a series of his reflections about human nature, families, and the complications of our lives.
I thought Jane Hamilton did an excellent job of examining family dynamics in Disobedience. Her story brings to light what we all know but often fail to acknowledge- that you never really know what goes on in peoples' private lives (unless you know their email password). Seemingly happy marriages- and families- are often not what they appear to be. Often people are disobedient. This may be an "old story with nothing new in it," but it is intriguing nevertheless.
The idea is simple enough: 17 year old Henry Shaw accidently stumbles upon a stream of e-mails between his mother and her extramarital lover. Of course, this discovery forces Henry to re-examine everything he thinks he knows about his family, himself, and life in general. I found this basic story to be a compelling idea rich with possibilities. Unfortunately, the story seems to lose focus on more than one occassion, and moves relatively slowly throughout. I found Henry's sister, Elvira, to be horribly over-examined from the beginning; a mistake only slightly redeemed by the end of the book.
With all of that being said, I find myself growing more fond of the book as I put more distance between myself and the reading. I believe the priciple idea behind it was unique and compelling. I admire the fact that writers like Hamilton can create a novel from something so simple, so un-earth-shattering. I'd probably enjoy it more upon a second read. Of course, that may not be enough to tempt you to give it a first read.
Henry grows ever more fascinated by his mother's secret and nurtures his own isolation, certain no one is privy to the affair but him. The object of Beth's Shaw's affection, Richard Polloco (or Rpoll), is a fellow musician with a romantically tragic past. Obsessed with the minutiae of the affair, Henry expends a great deal of youthful energy copying the electronic correspondence and pondering the exact meaning of Beth's disloyalty to the Shaws. This nuclear family is quite eccentric, from Beth's obscure musical career to historical reenactment, not to mention giving their children the names Henry and Elvira. It is, as well, a bit disturbing, even oedipal, that the son is driven to relentlessly spy on his mother. Subsequently, Henry's behavior changes radically. The formerly perfect son is in turns secretive, sarcastic and rude, and, in his heart, unforgiving.
The awareness that a grown woman is writing the persona of a 17-year-old boy is often awkward and intrusive, and Henry frequently sounds prissy and middle-aged. But Hamilton makes use of inventive plot twists to resolve awkward situations and the family's very idiosyncrasies provide their ultimate salvation. In any case, the sooner Henry begins living out his own aspirations, the better for all concerned. When good sense finally prevails, both parents and children move smoothly beyond the disturbing behavior that nearly unravels them all.
Most recent customer reviews
It took me a while to finish this book. Every time Hamilton started to get to the actual story, she'd stop and explain through Henry how every character felt about every little... Read morePublished on July 7 2004 by Caradae Linore
I enjoyed this book tremendously. I liked hearing the story from the son's point of view. I loved the character development. Everyone had a clear story and objective. Read morePublished on July 7 2004 by Bethanie Frank
Well maybe not. I think if you are reading this, you understand the premise; a boy finds out about his mother's affair. Read morePublished on June 14 2004 by agdesilva
I love the way Jane Hamilton uses words. Her sentences soar yet the language is down to earth.
Henry's description of his mother's infidelity tells the story of all families... Read more
The title says it all. Each member of the family disobeyed and broke trust with the other family members. Read morePublished on Oct. 12 2002
"Disobedience" is written as a first-person narrative ten years after the events of the story take place. A 17 year old "boy" (hmmm - there's that fine line between boy and man. . Read morePublished on Aug. 6 2002 by Helen S. Andrews
Jane Hamilton takes us within another Midwestern family through the eyes of Henry, the older son. It is written as a memory of his senior year in high school from the perspective... Read morePublished on June 22 2002
A rite of passage story about Henry, who at 17 has discovered his mother's infidelity by reading her email messages, Disobedience explores complex family and gender themes. Read morePublished on June 21 2002 by Virginia Lore